What’s Cool and Unusual – 21st January 2009

important note – please do not post any of this info online anywhere!

fri 23

dirty shirlows,
32 shirlow st, marrickville
8pm $? all ages

Whooping Big Naughty
Paranoia Club
White Mans Burden
Cherry 2000
Cap a Cappo

+ More to be announced……

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sat 24

mgtvle
44 fitzroy st, marrickville
midday $? all ages

Ex-Spectator (Melb)
Go Go Go Go! (Bris/Syd)
McClane (Can/Melb)
Dead Farmers
They Kill and Eat People
Voting With Bricks
Royal Headache
+ more

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sat 24

there will be various workshops today – pick up a decolonise festival program from paint it black in newtown

and!

invasion day anti-party! dance off against gentrification!

come join us on Saturday night for a decolonised dance off to power pop, euro trash, hip hop, power ballads, gypsie tunes, grime, happy hadcore and much much more…

…featuring
DEAD BEAT (wannabe dancefloor heroes)
DJ KNÄCKEBRÖT (an actual real live euro trash bag)
GADJO BONES (ex-lentil soup)
SEÑOR TOP DOG & N.E.S.B (old skool hiphop luvvas)
And heaps more

From 9pm!

keep an ear out around the fest for location or call/text 0420*** on the day for directions and details.

DO NOT MISS THIS FOOLISH SUCKER!

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sat 24

4 talbot street
st peters
9pm $? all ages

Scull fuck disco brings you the good ,ones.

Sickboy (belgium)
Negro Beat (sweden}
Dj Rainbow Ejaculation
Anklepants(bello)
Bintski
Maladroit
Hiss
Abortifacient
Skint
Scullfuckdisco
Null Object
Bambi and the Bambis

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sun 25

DECOLONISE FESTIVAL-

Market Day, Call for Stallholders
Sunday 25th Jan 1-4pm
Dirty Shirlows
Free!

Calling all Zinesters, record labels, visual artists, badge makers,
others with wares to sell (especially the weird and the wonderful)  to
be part of the Dirty Shirlow’s market day. It’s happening next Sunday
as part of the amazing Decolonise Festival (keep your eyes out, full
details coming soon).

Stallholders should be pretty much self-sufficient but we can try to
help with tables if there’s some around.

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sun 25

workshop showroom
9 edith st, st peters
4pm $? all ages

Polyfox and the Union of the Most Ghosts
Harriet (Syd/Melb)
Louise Berlecky

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sun 25

cad factory
5 handley st, marrickville
5pm $? all ages

Lost To The City: Film w/ live soundtrack (Melb)
Toy Death
The Mumps
So Low, Suicide (Ger)
Quaoub

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sun 25

4 talbot st, st peters
8pm $? all ages

Inappropriate Tough Guy Behaviour (Melb)
Truth From Facts (Melb)
Fangs of… (Melb)
Naked on the Vague
Kirin J Callinan
Hee Haw

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sun 25

black rose
22 enmore rd, newtown
6.30pm $5 all ages

* Screening of ‘Babakueria (BBQ Area)’: “A mock-documentary, reversing the white/black roles in the European takeover of Australia; as the Aboriginal colonisers arrive and “conquer”, then marginalise, the indigenous white inhabitants. It is hysterical, frightening and thought-provoking.”

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mon 26

more workshops today including “Whose House? Open forum on alternative venues, community, gentrification, all ages, safer spaces, licensing and you. What would you like to see? What would you do differently? Share your ideas and concerns.”

punx outside #3
alleyway next to reservoir near shirlow street
3pm all ages

The Assassinators (Den)
Pee Wee
Quaker (Melb)

+ more

shaun/tenzenmen
++  i’ll either be at these events or wishing i was there  ++

AustralAsia DIY Tour Circuit – 15th January 2009

Posted to the White Noise Facebook Page:

The Australasia DIY Tour Circuit is a web resource to help bands and artists make contact throughout the region. We’re always looking for new and up to date information so feel free to register and add or make use of the info that’s already there 🙂

Using the Wayback Machine you can get a good idea of the information that I had gathered here.

23rd Oct 2021 – I started collating data for this resource around 2004 or 2005. After finding it relatively easy to make contacts to organise the Australian and New Zealand tour for Limited Express (has gone?) somehow I became the person to contact for other folks who wanted to do the same thing. I thought it better to just have all the information available online for anyone to work out for themselves.

My job had become another situation of just making sure everything works OK and follow the ‘If it ain’t broken, don’t fix it’ methodology so that for about two years straight I had very little to do in the office so I went off researching the internet and making contacts throughout the whole Asia region and a few folks made use of this info to organise their own tours.

What’s Cool and Unusual – 14th January 2009

wed 14

club consolador
la campana, 53-55 liverpool st, sydney
$10 8pm

eugene chadbourne, suzanne grae and the katies, crabsmasher, dj smallcock

Eugene Chadbourne (USA) A seemingly endless — and endlessly eclectic — series of releases made the innovative guitarist Eugene Chadbourne one of the underground community’s most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.

Perhaps Chadbourne’s most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter’s declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.

Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne’s countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early ’80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group’s breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label.

http://www.eugenechadbourne.com 
http://en.wikipedia.org/wiki/Eugene_Chadbourne

SUZANNE GRAE & THE KATIES (MELB) Inspired by their namesake fashion icons responsible for bringing shoulder padded style and geometric glamour to the suburbs of eighties Australia, Suzanne Grae and the Katies are a 6 piece all gal sleaze rock band based in Melbourne, Australia.

It was just this spring season of 2008 that Suzanne Grae met the Katies at a discount outlet over the 50% off rack. The Katies all had their nails into the one peach power suit, and things were getting hairier than a Poison after party. However Suzanne stepped in to suggest the divvying up of the garment between the ladies, shoulder pad by pleat by precious polka dot, and the Katies could not help but come to their fashion senses. They offered to Suzanne both the peach power suit and a promise – To together form a band that would let no obstacle, not broken heels nor lack of musical ability, stand in the way.

Suzanne Grae and the Katies are… Texta as Suzanne Grae: ‘singer’, tamborinist, stylist Lou as Katie Tutti Frutti Pan Flutti: keys, back up vocals Anna as Katie Ramone Bomb: guitar, back up vocals Marian as Katie G: saxophone, drums, guitar, back up vocals Bec as Katie Kaos: bass, trianglist, back up vocals Alex as Katie uber Alles: drums, bass 

Crab Smasher (NEWCASTLE) ”Crab Smasher’s music isn’t as gleefully violent as their name might suggest. Based in Newcastle, the duo released two documents of their pop-inflected experimentalism last year: a Trapdoor Tapes cassette vividly entitled Doom+Doom=OMG! as well as this twenty minute EP. Despite its brevity, Impossible Monsters – their tenth release to date – manages to cram at least eight largely contrasting styles across twenty minutes, with a sense of wistfulness permeating most of the proceedings. Wistful, because despite Crab Smasher’s noise-orientated means their music is ultimately approachable and illustrative. While it’s common for bands of Crab Smasher’s ilk to extend their abstractions over a longer period of time, to give ideas the opportunity to crystallize, these guys don’t stuff around. The two opening tracks start the EP on harsh terrain – clinical white noise bursts puncture through barely-audible hum on ‘I Am Error’, while ‘Killing With Kindness’ wields scraps of noise in a more confrontational and less ominous way. Pleasantly enough, ‘The Moon Rattled Inside Her’ takes a complete left turn into bedroom pop cum science fiction soundtrack, while ‘A Sad Day For Everybody’ recalls Italian instrumentalists Larsen in the way the slowly paced rhythm breathes starkly and threateningly, mapping the ascendancy of noise and murk in the mix. Indeed, it’s these colourful contrasts that make Impossible Monsters a compelling, if slightly puzzling listen. There doesn’t appear to be any common thread running through these tracks, and often the brevity of the tracks can be frustrating. Still, Crab Smasher get it right most of the time because they have the audacity to do what isn’t expected of them, and if that means sometimes they lose a bit of focus, that’s a worthwhile compromise.” – Shaun Prescott @ Mess&Noise

http://www.myspace.com/crabsmasher

  * DJ Smallcock will play other peoples music between sets

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thu 15

Beatdisc in Parramatta.
6pm All Ages Free
Tyre Swans, Animal Shapes and Oh Messy Life.

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fri 16

Serial Space
33 Wellington Street, Chippendale
7pm $8

This gig is a fundraiser to bring some of the international artists out to Sydney for There Goes The Neighbourhood.

Are you yet another person who has had the rent jacked up and been outpriced and outed of your own space?…

Inspired by this global phenomenon of gentrification, There Goes The Neighbourhood is an exhibition, film festival, workshops and publication about the politics of space happening in May at the Performance Space.

The project brings together a group of local and international artists who have worked on various projects that have explored the relationship between community and space and we’re inviting them to develop these issues further in the contested local environment of Redfern.

The artists involved are: Daniel Boyd, Brenda Croft, Lisa Kelly, SquatSpace, Claire Healy and Sean Cordeiro, Ned Sevil and friends (Australia), Temporary Services (USA), Jakob Jakobsen (Denmark), 16beaver (USA), Miklos Erhardt and Little Warsaw (Hungary), Michael Rakowitz (USA) and Bijari (Brazil). We will also be doing a re-enactment of Allan Kaprow’s Push and Pull: A Furniture Comedy for Hans Hofmann (with thanks to the Allan Kaprow Estate) and hosting a Gordon Matta-Clark film screening.

For more information on There Goes The Neighbourhood:
www.theregoestheneighbourhood.org

We know January is super hectic but please come down and support us- this gig is going to be awesome!

Featuring:

SUZANNE GRAE & THE KATIES (MELB)
Inspired by their namesake fashion icons responsible for bringing shoulder padded style and geometric glamour to the suburbs of eighties Australia, Suzanne Grae and the Katies are a 6 piece all gal sleaze rock band based in Melbourne, Australia.

It was just this spring season of 2008 that Suzanne Grae met the Katies at a discount outlet over the 50% off rack. The Katies all had their nails into the one peach power suit, and things were getting hairier than a Poison after party. However Suzanne stepped in to suggest the divvying up of the garment between the ladies, shoulder pad by pleat by precious polka dot, and the Katies could not help but come to their fashion senses. They offered to Suzanne both the peach power suit and a promise – To together form a band that would let no obstacle, not broken heels nor lack of musical ability, stand in the way.

Suzanne Grae and the Katies are…
TextaQueen as Suzanne Grae: ‘singer’, tamborinist, stylist
Lou as Katie Tutti Frutti Pan Flutti: keys, back up vocals
Anna as Katie Ramone Bomb: guitar, back up vocals
Marian as Katie G: saxophone, drums, guitar, back up vocals
Bec as Katie Kaos: bass, trianglist, back up vocals
Alex as Katie uber Alles: drums, bass

http://www.facebook.com/home.php#/group.php?gid=37836002939

JUSTICE YELDHAM
Fresh back from 3 months eating dumplings and making noise in China, catch Justice Yeldham’s first gig back in Sydney. This guy is never sticks around for long before he’s off again- so don’t miss ‘the glass guy’ himself, even if he is a pane.

“What’s been described as “a trumpet player trapped in a two dimensional universe” is in fact the unique audio work of Justice Yeldham, a maverick musician with an unhealthy obsession with sheets of broken glass. By pressing his face and lips against the glass whist employing various vocal techniques ranging from throat singing to raspberries, he turns disguarded household windows into crude musical instruments. Resulting in a wide variety of cacophonous noises that are strangely controlled and oddly musical.

Justice Yeldham is the latest alter-ego of Australian sound performer Lucas Abela, whose past sonic experiments were conducted under monikers like A Kombi, Dj Smallcock & Peeled Hearts Paste. Initially classed as an experimental turntablist, although his early work rarely resembled anything in the field. Early feats, saw him stab vinyl with Kruger style stylus gloves, bound on electro acoustic trampolines, drag race the popemobile across Sydney Harbour Bridge, perform deaf defying duet duels with amplified samurai swords, hospitalised by high powered turntables constructed from sewing machine motors, record chance John Peel sessions with the Flaming Lips, & be Otomo Yoshihides’ favourite entry into his Ground Zero remix competition; ‘Consummation’ even though instead of sampling the CD he destroyed it using amplified skewers!”

http://www.myspace.com/justiceyeldham

HOLY BALM

If you like dancing under a blanket to Black Sabbath shoeless in the grass then you will love Holy Balm.

(Don’t forget the honey-ed mushrooms)

http://www.myspace.com/holybalm

EMCEE PASH

Freshly back from shows in Vietnam we are proud to have this incredible female emcee up in Sydney for one show only!!! – and look out for her debut album which is about to be released!

” she’s the femcee that’s gonna make you wanna smile – she got you foot tappin, lip smackin, rappin pash stylez!” emcee pash is a Sydney born, Perth raised hip hop emcee who now has her roots firmly planted in Melbourne (Aus). Her love of music and poetry formed a symbiosis when pash was nineteen, and since then she has performed at many clubs and community events in and around Sydney, Byron Bay and Melbourne. Her lyrics are deeply personal, yet relate to the every day experiences that speak to many. Pash does not shy away from the political or the controversial. Her unique vocal delivery sets her apart from the rest, as do her dj sets with live emceeing- not to be missed! This year Pash is recording her debut album, to be released in Feb/March 09. Other projects include a PBS radio show focusing on female, indigenous, local artists as well as all things fresh and cool from around the globe, and of course pash intends on spreading her own music across the seas.”

http://www.myspace.com/emceepash

Big, huge, massive thanks to all the performers and Serial Space.

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fri 16

NOWnow festival

Afternoon concert @ Lhamda Books
Shop 1, 32 Station St, Wentworth Falls

5pm : THE PROPHETS : drums and saxophones and masks : Dale Gorfinkel / Peter Farrar / Rosalind Hall / Sam Dobson / Finn Ryan / and more
5:30pm : Inge Olmheim / Aemon Webb : Electronics

Evening concert @ Wentworth Falls School of Arts
Cnr Great Western Hwy / Adele Ave, Wentworth Falls

7:00pm : PIN PIN PIN TRIO : Clare Cooper (guzheng) / Magda Mayas (piano) / Steve Heather (percussion)
7:30pm : THE SPIDERS : James Heighway (everything)
8:00pm : Adam Sussman / Martin Kirkwood : Acoustic Guitars
8:30pm : (outdoors) : T.A.D. and Yusuke : voices and guitars
9:00pm : Eugene Chadbourne : freely improvised country guitar and banjo
9:45pm : Pateras / Baxter / Brown + Louise Curham : prepared piano / prepared guitar / unprepared drums / performative film (respectively)

Late concert @ Akemi
40 Great Western HWY,Medlow Bath (opp. train station)
contact: (02) 4788-1230

from 11:00pm :
Clayton Thomas (double bass) / Dale Gorfinkel (vibraphone / inventions) / Finn Ryan (drums)

Cinemusic : a film by David Ahern : introduced by Geoffrey Barnard

Lloyd Honeybrook / Robin Fox : feedbax and computer

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sat 17

Ruban Rat (upstairs), 76 Parramatta Road Stanmore
(gallery is across the road, heading West on your left just past the Annandale Hotel)
4pm-8pm

After many rolls of film and a lot more beer…
Finally a heap of photos from 2003-2008 on show:
you are invited to:5 Years as a Rock Moll photography by Anne Bentley
(celebrating 10 years of Scooter RockChix gigs)

opening night sponsored by Lovells Lager  – cheers!

guest appearances from Madam Squeeze and friends + Baby Machine (rock!)

exhibition continues Sunday 18 Jan 11am-5Pm
then Thursday 22 Jan to Mon 26 Jan 11am-5pm
evenings by appointment:
info@artzinephotography.com.au m: 0405 098 529

come along & look for familiar faces from the past & present and raise a toast to Scooter

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sat 17

NOWnow festival

Morning concert @ King’s Cave**
6:00am : Steve Heather : percussion
Sound Walk : with Anthony Magen : from King’s Cave at midday

Afternoon Concert @ King’s Cave**

2:00pm : Inge Olmheim (electronics) / Ian Pieterse (baritone saxophone) / Rosalind Hall (prepared alto saxophone)
2:30pm : Sam Dobson (double bass) / Jon Rose (violin)

Afternoon talk @ Wentworth Falls School of Arts

5:30pm : Birdsong : The Music of Nature and the Nature of Music : Hollis Taylor

Evening Concert @ Wentworth Falls School of Arts

7:00pm : Clayton Thomas / Clare Cooper / Robin Fox : strings and computer manipulation
7:30pm : Joe Derrick / Simon Ferenci : trumpets
8:00pm : Kusum Normoyle / Aaron Clarke / Rivka Schembri / Bonnie Hart : voices
8:30pm : HELMET HEAD : Rod Cooper and Anthony Magen : Audiovisual madness
9:00pm : Laura Altman / Magda Mayas / Monika Brooks : clarinet, piano and accordion
9:30pm : BOTBORG : audio visual feedback web

Late concert @ Akemi

from 11:00pm :
Pilgramage from Scattered Points : a film on the Scratch Orchestra by Luke Fowler

EUGENE CHADBOURNE PROJECT

**KING’S CAVE
….by train
Get yourself to Linden Station. Exit station onto Bourke Rd (opposite side of the highway, don’t go up the stairs on the station). Go left onto bourke Rd. there will be an escort from station.

…by car:
Driving from Sydney – Turn off the Great Western Highway in Linden onto Tollgate Dr. where there is a sign for the Linden Observatory, go right at the crossroads, along Glossop Rd, then park on Bourke Rd. near “Donohoe’s Rave” sign to walk down the trail to the cave.
Driving from Katoomba – Down Great Western Hwy, Left onto Tollgate Dr, left onto Glossop rd, right to Bourke rd.

On bourke St, near “Donohoe’s (G)rave” sign to walk down the trail to the cave. a short easy walk.

Contact Alex on 0406 361 439 on the day if you have any problems

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sun 18

Midday in Pitt Park (next to Wentworth Falls School of Arts): KITE MUSIC : Jon Rose and Robin Fox

Afternoon Concert @ Wentworth Falls School of Arts

2:00pm : THE SPLINTER ORCHESTRA : the NOW now’s very own house band
2:45pm : Anthony Pateras : solo piano
3:30pm : THE LOOP ORCHESTRA : Australia’s longest running experimental music project : John Blades / Richard Fielding / Manny Gasparinatos / Hamish Mackenzie / Juke Wyatt
4:00pm : Mike Majkowski : solo double bass

Evening concert @ Akemi

from 7:00pm :
– Dave Brown / Joe Musgrove / James Heighway : guitars and electronics
– THE UNAUSTRALIANS
– Hosebeast : Jon Hunter / Ivan Lysiak / Peter Newman : guitar and drums and computer
– Lucas Abela / Sean Baxter

shaun/tenzenmen
++  i’ll either be at these events or wishing i was there  ++

What’s Cool and Unusual – 7th January 2009

i think i’ve been doing this list almost every week for a couple of years now.  let me know if you’re finding the information useful or if you think there are things i’m missing that should be included.  note that this list will not generally mention shows in regular pub/club spaces or things which are advertised in drum media etc.  the list costs me about 50 bucks a year to maintain at the moment (plus all the time i invest in putting it together each week) so if you’d like to help me out financially in some way then have a browse through my distro list and order a cd or two!  list here: http://www.tenzenmen.com/distro/TZM_distro.shtml.

a lot of the warehouse spaces have become unavailable due to pressure from police and councils but i’m sure new spaces will be become available over time.  looking forward to another great year in 2009!

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A FESTIVAL CELEBRATING WOMEN IN FILM

January 3rd – 13th
Blank_Space Gallery
(http://www.blankspace.com.au)
374 Crown St, Surry Hills

http://www.seenandheardfilms.com/
site has links to info on the films

Seen and Heard is a festival focused on the works in film by women in response to long-lasting prejudices against women in the film industry. While there are as many women studying film as there are men, women continually have been an underdog in cinema production.

In its first year, audiences are invited to bear witness to the extraordinary visions of Indigenous and white Australian filmmakers, exploring race relations in Australia, gender, sexuality and class politics, disability and ability.

The festival is a free, not-for-profit event and will feature afternoon teas and evening screenings throughout early January.

FESTIVAL PROGRAMME

The Seen and Heard Festival features more than 25 titles with more films to be announced.

Wednesday 7/1/09
Rethinking Ability: films centered on “ability” and “disability” screening from 8pm featuring White Sound, the films of Jessica Tyrrell and Unlocked

Thursday 8/1/09
Scarlett Productions: Films Produced by Kath Shelper – featuring six shorts all directed by women, produced by Shelper, about and by Indigenous Australians

Friday 9/1/09
Grind Girls and Love Refugees – screening from 8pm

Saturday 10/1/09
Afternoon Tea: Call Me Mum – directed by Margot Nash; written by Kathleen Mary Fallon; produced by Michael McMahon – screening from 3pm
Evening Screening: Rethinking Ability: films centered on “ability” and “disability” screening from 8pm featuring White Sound, the films of Jessica Tyrrell and Unlock

Sunday 11/1/09
Afternoon Tea: The Films of Jennifer Cox from 3pm
Evening Screening: Call Me Mum – directed by Margot Nash; written by Kathleen Mary Fallon; produced by Michael McMahon – feature screening from 8pm

Monday 12/1/09
Women and Work – screening from 8pm

Tuesday 13/1/09
CLOSING NIGHT: Come Home – Bird, Dugong and Playground – screening from 8pm

Why a festival of work by women?
Commercial cinema has a long history of having been a male dominated industry. Films that have dominated the mainstream were action films with male leads (need we list James Bond, Die Hard, Lethal Weapon?), comedies with male leads, from Ferris Bueller’s Day Off to Shaun of the Dead, dramas with male leads, such as L.A. Confidential, Saving Private Ryan and Fight Club, have also dominated the choices of the movie-going public, leaving women-directed films a lesser-known, close to extinct choice.

The modern film industry, however, is undergoing a dramatic change. Audiences now are more often making the choice to see arthouse films and independent cinema, such as Brokeback Mountain, Capote, Babel, and The Lives of Others, and the media attention given to these films continues to expand.

With this shift in the audience’s choice to see “decent” films, rather than films of somewhat thinner substance, there is no reason why women filmmakers should be ignored. In spite of the great depths filmmakers are currently exploring and audiences are embracing, there is a seemingly undying fear that women directors make films about women’s themes.

Just when audiences started to think that they were finally no longer being underestimated, women directors and cinematographers still go without widespread attention, and most importantly, work, because of the desire for capital “women’s themes” do not make money in the movie business.

The film industry shuts out both women filmmakers and audiences. Making just more than half the population, there are huge numbers of women who belong to at least one. The problem is not a lack of women who wish to work as filmmakers: the numbers of film school graduates are evenly male and female. Despite this, only 4% of directors are women.

In the history of the Academy Awards, only three women have been nominated for Best Director (none of them have won). Sofia Coppola was the last woman to be nominated, in 2003, for Lost in Translation. Prior to this, Jane Campion was nominated in 1993 for The Piano. The third, and the first woman ever to be nominated, was Lina Wertmuller in 1976 for her film Seven Beauties. There has never been an Academy Award nomination for a woman cinematographer.

The issue should not be the concern of filmmakers alone, audiences are also at the receiving end of the problem. To release films which feature “women’s themes” may be believed to shut male audiences out, with films heavily featuring men’s themes disguised as “people themes”.

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fri 9

Serial Space
33 Wellington St, Chippendale
8:00pm

Ghost of 29 megacycles (Perth)
3ofmillions
Underlapper

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sun 11

Protest the Lennon Bros Circus (they use animals- primates, lions, etc. – http://www.animalcircuses.com/ for more info). 

Protest this Sunday 11th January at 9am in Gosford (on the NSW Central Coast).

Meet at 9am between the circus and the Central Coast Leagues Club, Dane Drive, Gosford Waterfront. We’ll begin protesting at 9.15am until about 11am (the show begins at 10.30am).

It’s a short walk from Gosford station…

(Or email jac at jacqueline@****.org.au and she can drive you there and back.)

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sun 11

Bohemian Grove
L2/68 Sophia St, Surry Hills
$10 7pm

bohemiangrovemusic@gmail.com

*The Ghost of 29 Megacycles* (WA) is a performance art collective performing loosely composed dronescape scores to visual film loops. After touring Australia in June 2008, The Ghost of 29 Megacycles returns to Sydney and Melbourne to play 3 special intimate shows.

*Morning Stalker* began in 2005 as a solo home-recording project for Morgan McKellar, focusing on semi-improvised ambient noise/drone using heavily effected guitar, keys, and vocals. Since then Morgan has recruited two fellow Underlapper members Marc Chomicki (drums) and Simon Oh (bass clarinet and keys) to fill out the sound, and well…make it more fun really.

Bohemian Grove performances are 6:30pm doors for a 7pm start each Sunday (unless otherwise advised). The cover is $10 /  donation. Please feel freeto invite your friends to come and/or join the mailing list, but we ask that nothing be posted on the web for the authorities to find (they are squares).
Support live music!

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wed 14

la campana
53-55 liverpool st, sydney
$10 8pm

Eugene Chadbourne, SUZANNE GRAE & THE KATIES (MELB), Crab Smasher

DJ Smallcock will play other peoples music between sets

shaun/tenzenmen
++  i’ll either be at these events or wishing i was there  ++

I received these email replies (amongst others) to this week’s list which reminded me exactly why I worked hard on preparing this list every week:

Hi Shaun!
I meant to email you this week, so funny you should mention this, I LOVE your email, granted i don’t get along to everything I’d like to, but I always find it so interesting and comforting to know Sydney has such an amazing, diverse alternative culture, and thankyou so much for keeping me in the know!
Gabby


Hi Shaun,
I find the list very useful and have discovered lots of places and bands I would otherwise have never known about. Highlights so far have been Heehaw, Maxwell Stone, various performances at the experimental place in Chippendale and some fusion thing with two bass players at the Spanish place. I’d stopped going to see live music years ago but the list has brought it back for me. It’s music for the right reasons.
Jeremy

Hey Shaun!  I’ve never met you but I’m pretty sure I know who you are from a gig at the Pitz a few years ago when one of the bands pointed at someone called Shaun and said thanks for helping them out.

Anyway, in response to your question, yep, I most definitely find your weekly updates useful and attend events from it all the time!  I have no idea how I’d hear about gigs at Maggotville etc otherwise!  Most recently some friends and I went down to two of the Gallucci rehearsals at The Place to Be at the end of last year (2008).  Again something I wouldn’t have been able to do had it not been for you getting the word out!  I first saw those guys at the Minutemen doco thing at China Heights in 2005 but hadn’t seen them play since maybe 2007, so it was great to get your news and see them put on some great sets.  I spoke to Tim on both occasions, the upcoming shows with Joe Lally sound cool too.

So yes, thanks a lot for your efforts!  I’ve bought stuff off your list previously but its been a while so i’ll have a look now!

Cheers
Will