Various Artists – Stay Together Vol 5 – 22nd February 2012

Cat #: 068TZM

In early December 2011 64 music fans at a punk charity concert in Banda Aceh’s Tamen Budaya park were violently arrested by the Shari’ah police. The were not (and cannot) be charged with any crime but were forced to undergo religious education which included their heads being shaven and forced into the lake to bathe. 

“The presence of the punk community is disturbing, and disrupts the life of the Banda Aceh public. This is a new social disease affecting Banda Aceh. If it is allowed to continue, the government will have to spend more money to handle them. Their morals are wrong. Men and women gather together, and that is against Islamic Shariah. We will keep conducting raids until they’re all caught, then we’ll bring them for re-education here. Aceh is a Shariah region. Everyone should obey it and the punk community is clearly against Shariah. This training will be an example in Indonesia of the re-education of the punks.” 

The religious police have threatened a continuation of arrests and re-education against the punks “until they are better.” When questioned about the targeting of punks due to their cleanliness the Police Chief justified the actions by drawing a distinction between them and “the clean punks that exist in different classes.” Asked why the police aren’t then targeting the homeless he stated “there are no homeless in Aceh, there are only punks.” 

The Governor of Aceh has denied that the punks were even arrested saying, “the truth is that police are helping them develop (their skills).”

Human Rights Watch have pointed out the multitude of ways the authorities have abused the rights fo the detainees including the violation of freedom or expression and not receiving proper legal treatment. They are understandably concerned that this treatment will continue unless the case is processed legally. 

“What did we do to deserve arresting? We didn’t steal and we didn’t bother anyone. The punk community in Banda Aceh is not involved with criminality. So what’s the crime that justifies us being brought to this camp? This country hasn’t yet made it illegal to express yourself, right?” 

The Stay Together compilation CDs exemplify the support the punks show for each other, in Indonesia (where the bands are from), in Australasia (where all the record labels involved in the release are from) and in the worls (where the punk community has come together to help). As part of this community, tenzenmen offers this release with 50% of physical and 100% of digital sales going to help the punks in Aceh. Available via mailorder and digital download at www.tenzenmen.com and in the best selected independent music stores around Australia. 

Dear Eloise – Song For Her -17th February 2012

Cat #: 071TZM

This is the second 7″ single from Dear Eloise. The A side “Song for Her” is taken from their sophomore release Beauty in Strangers on Maybe Mars/tenzenmen (2012). 

DEAR ELOISE 

Yang Haisong – Guitar / Drums 
Sun Xia – Vocals 

Produced by Dear Eloise 
Recorded & Mixed by Dear Eloise at No. 13 studio 

Produced in conjunction with Genjing Records, Maybe Mars and Share in Obstacles

Dear Eloise – Castle – 16th February 2012

Cat #: 070TZM

This is the first 7″ single from Dear Eloise. The A Side “Castle” is take from their debut album The Words That Burnt on Maybe Mars/tenzenmen (2011). 

DEAR ELOISE 

Yang Haisong – Guitar / Drums 
Sun Xia – Vocals 

Produced by Dear Eloise 
Recorded & Mixed by Dear Eloise at No. 13 studio 

Released in conjunction with Genjing Records, Maybe Mars and Share in Obstacles

Yes I’m Leaving – Nothing – 20th January 2012

Cat # 087TZM

Yes I’m Leaving is a three piece rock band hailing from Sydney. Influenced by grunge, post punk, hardcore and shoegaze. They have a strong DIY mentality, which showed through on their first self titled release, with their follow up album ‘Nothing’, sharing the same ethos. 

“Nothing” Yes I’m Leaving’s second album was recorded in 3 hours at Keynote Rehearsal studios in Homebush West, near where the Olympics was all those years ago. A big room was miked up in a simple way with baffling used to distract from the sonic vibrations of the s/t session. To be honest I can’t remember anything after I got the levels ‘safe’. 

The songs are sludgy and full of uncompromising lurching riffage with neojungalistic drum bass rhythmic patterns overlayed with howling and screaming vocal mantras. Say that five times fast! 

Everything was live and we charged through 12 songs perhaps with a sense of care as we kept a few alternate takes in the end. The mixing took a long time as it was an overloading experience to put a ‘the end’ sign on a song as passages were aurally exhaustive which is, in the end, why they are so accurate to the sounds of the day. 

‘Nothing” is a manic depressive exploding catharsis record. Either/neither insincere or tongue in cheek, full of psychadelia, possessed sludge or something else beyond the pigeon hole. The vinyl reissue comes with a new screenprint and insert, on weird random coloured vinyl.

ZaZa Zhang interview by Josh at pangbianr – 3rd January 2012

pbr: The first official SIO release is a Dear Eloise single 7″, which is also a co-release with Genjing Records [update: also co-released by Tenzenmen in Australia]. What is the plan for the future? Is Share In Obstacles more of a label, a distributor, or something in between?

Zaza: The upcoming schedule of Share In Obstacles is releasing the first 7″ of After Argument, the band of the co-founders and owners of this label (Yang Haisong and me). This is pretty much a label that just releases the 7″ of bands involved, like bands we’re in or bands we simply love. It takes time and energy, we will do it little by little, hope things can sort out well.

And in my opinion, Share In Obstacles is something between a label and distributor, but that’s not the most important thing. Coz for us, our main purpose is more about disseminating the music we love and we make, on our own and in our own way.

Full interview at pangbianr here