Carsick Cars – Album – 1st September 2008

Cat #: 017TZM

Carsick Cars consists of Shou Wang (22) on vocals, guitar, and loops, Li Qing (23) on percussion, and Li Weisi (22) on bass guitar. The band was formed in March, 2005, when Shou Wang, a student at the Beijing Institute of Technology, met Li Weisi and Li Qing at the rehearsal space of mutual friends. By May they had performed their first concert at a party for a small group of friends and by the end of the year were performing in Beijing clubs. Their first CD was recorded in the spring of 2007 and was produced by legendary P.K.14 frontman Yang Haisong. 

Their sound, influenced by the drone of Velvet Underground, Suicide and Sonic Youth as well as by the textures and structures of Steve Reich and Glenn Branca, is a combination of brilliantly-textured roar and hard open chords that are used to explore and tear apart their beautifully crafted songs. Amidst the explosive noise and feedback it sometimes takes a while to realize how well they write songs, although this has not been lost on the many Beijing musicians who are their fans – Carsick Cars is probably the underground band in China whose songs are most often performed by other local bands. 

As befits what is one of the most admired Chinese underground bands in the world, Carsick Cars has performed widely in China and abroad. They have filled clubs in all the major cities in China and, in August and September of 2007, Sonic Youth, who has called them their favorite band in China, asked Carsick Cars to tour with them in Europe. Following their London show, the band was invited to perform at the Steirischer Herbst Festival in Austria in October 2007, and at All Tomorrow’s Parties in London in May 2008. 

Along with their band, the members of Carsick Cars have been very active in a number of other music projects. Shou Wang is a founding member of experimental duo White, whose first CD was produced by Einstürzende Neubauten founder Blixa Bargeld in Berlin in May 2007. In February 2006 he performed on the recording of Glenn Branca’s Sym- phony 13, and has performed several times with composers Elliott Sharp and Alvin Curran. In July 2007 after performing at a festival in New York he was asked to join These are Powers in the recording of their second CD. Li Qing and Li Weisi are founding members of rock trio Snapline, whose debut album was produced by PiL drummer Martin Atkins for his Invisible Records label. They have both performed with Pigface and as part of White. In addition Li Qing has performed with Elliott Sharp. 

The band has been extensively written up in the Chinese, English, Ger- man, Swedish and American press and has been featured in television shows in the US, Germany, Australia and New Zealand. In September 2007 they were listed by That’s Beijing as one of the top ten bands in China, and Shou Wang was listed in a June 2007, Rolling Stone China article as one of the country’s four most innovative guitarists. 

Demerit – Bastards of the Nation – 8th August 2008

Cat #: 016TZM

Originally formed in Qingdao in 2004, Beijing-based Demerit are one of the more forward-thinking Chinese punk bands, and their latest album “Bastards of a Nation” (2008) shows them mimicking the direction of the newly popular third (or fourth or fifth or sixth) generation of the oi / “streepunk” genre in the US — diversified style and more complex song arrangements, but a return to the performing intensity of earlier hardcore and Oi movements of the early 80s. And, of course, a return to the 70’s UK punk uniform: leather G.B.H. jackets, dyed Mohawks, ripped t-shirts, bullet belts, bondage pants, etc. 

An earnest, anthemic, and hyper-political hardcore album, “Bastards of a Nation” is, on first listen, pretty much in the realm of the current representatives of hardcore to the masses in the US — A Global Threat, The Unseen, and The Casualties. Demerit keep it dense and heavy with metalish riff here and there, and break it up with melodic breaks, choral backing vocals, and even some clapping action in there (“Fight Your Apathy”). The arrangements were well-conceived and varied, and the musicianship is great — particularly the guitar work — and there’s some interesting changes in there. Throughout the album I had the feeling that the guitarist learned his stuff doing Iron Maiden licks and then switched up when the singer lent him a Choking Victim album. I enjoyed it overall, and bits and pieces reminded me of Leftover Crack, particularity “TZ Generation,” and “Fuck the Schemers.” Fans of that band’s many variations — INDK et. al. — and fans of the newer US east coast hardcore, won’t be disappointed. 

The song “Beijing is Not My Home” — my favourite song on the album — echoes the sentiments of displacement and marginalisation many bands feel living in Beijing (or so I hear) and is a really powerful answer to another punk band’s song “Come Down to Beijing” by Brain Failure. 

8th August 2023 – As 8 is a lucky number in China this album was deliberately released on 8/8/08. I think perhaps the Beijing Olympics started on this day too. This release also was the start of an attempt to work a little within the music industry with an official distributor, hiring a publicist and taking out ads. Ultimately I found that this wasn’t worthwhile but I was glad to give it a shot.

I’m happy all the time (except…) – 22nd May 2008

shaun tenzenmen says
i’m happy all the time (except when dealing with chinese embassies!)

29th May 2023 – I was due to go to China again in the next week but the dragon boat race team whose trip I was jumping on was only getting visas for their duration whilst I wanted to stay on for longer and travel around some more. The embassy was only open for visa applications once a week for about three hours. It was touch and go for a while and not being granted a visa would have lost the money I had paid to the race team for flights etc. But everything was good to go in the end.