All tracks written, arranged and performed by Stellarium except Track 5 features Mimi on drums. All tracks mixed and mastered by I, Noiseferatu at I, Noiseferatu Studios except Tracks 8 and 9 drums engineered by Ron of Blueprint Studios.
Fat City and LuXinPei are noise and alternative rock bands. Because two bands share each other’s player or idea and been a longtime friends, they make this SUPER SPLIT together. This split is a collection of the bands’ early songs and soundtrack. Though you can find many music genres here the two bands still keep their love to experiment with various sounds and structures in their songs. CD version is factory made CD-r. Imported under license in Australia from Zhu Wenbo by tenzenmen. And thanks to Nisky to provide the cover picture.
All Songs’ Instruments and Vocal by Fat City and Lu Xin Pei Record & Mix & Mastering by G.B.J.D. Records Studio : Kill the Poor, Beijing , China Date: Apr.-Jun. 2011 Album Cover Picture by Nisky, Shanghai, China
Mr.Graceless’ album “The Tree Ever Green” is the account of their youth’s mood, a part of this era’s memory of the voice of youth.
This record is not merely their music it is their farewell to years past. In the midst of this golden time’s echo we hear those yet unchanged sounds hovering by our ears, the first thumping of a trembling heartbeat, the first tightening grasp of a fist, their hearty laughter on afternoons filled with sunlight continuously pours in.
Nowadays those easily destroyed colors have all been scattered in different directions and the declaration made after yesterday’s fighting has not yet entered into the detached multitudes.
Young girls’ faces have become laden with dust and every memory of the age of youth is now locked. Not a word can push you out the door.
These three seem like withdrawn, inelegant gentleman in the face of everyone while attempting to record everlasting time using simple sounds.
The sweetness and vexation of maturing, the tumult and hot blood of adolescence, these things do not lose the pounding power of melody to leave an aftertaste of those flying ashes and smoldering smoke, winking, and can perhaps take you to… more
Chen Yuli, the sound manager of the Beijing Olympic opening ceremonies and Zhang Yimou’s movie soundtracks, devoted his talents to the cutting and shaping of these recordings and postproduction. This is the promise of this album’s quality.
White+ traveled to Germany in 2011 to record their first album at the celebrated Anderebaustelle Studio, where Blixa Bargeld, frontman of Einstürzende Neubauten, had produced White’s album in 2007. PK14’s Yang Haisong along with Marco Paschke, a frequent collaborator with EN, handled the mixing for White+’s debut album while its cover was designed by Fu Han, the vocalist of Queen Sea Big Shark. One of the most original moments of the album comes at the very end with the acclaimed Beijing musician Han Lei rapping to the theme “reD.”
The album reflects White+’s influences, from German avant-garde music to minimalism. Shouwang’s spare vocal line provides an ethereal accompaniment to the the swelling web of effects and melodies, while WangXu’s drumbeats are the driving pulse that propel the songs forward.
The songs on “White+” are all named after colours, breaking the album down into tracks like light through a prism. Layer those different colors of light back together, and as a whole, they form White+.
Pairs, Xiao Zhong, F, Smart Beijing, Morgan Short, Round Eye, Genjing, Shanghai, Layabozi, Naohai, Residence A, Al Jazeera, Birdstriking, Fever Machine, Dan Shapiro, Gum Bleed, This Town Touring, GoKunming, Hell Yeah, P.K.14, Steve Albini, China Music Radar, Rainbow Danger Club, Yugong Yishan, Wuhan, SMZB, John Carroll