A Little Too Much – 10th September 2025

When does so much become so little?

Believing it’s always your turn


Your debt to yourself is catching up

Your life is empty (as such)

Left with no thing:


Just sand slipping through your fingers

Tell me
When does too little become too much?

This quadrille is a reworking of my poem Taking Stock, a cascading poem itself based on the lyrics (italicised) from the Nomeansno song Stocktaking. Shared with dVerse Quadrille #231 – much

Maniacs – 8th September 2025

Inspired by this piece by Caitlin Johnstone
Shared with dVerse OLN this week as not many eyes made it to this poem.

Hamas, Hezbollah and the Houthis
said to be crazy lunatics
They are no longer ‘our’ terrorists
providing cover for our dirty tricks

Those madman megalomaniacs
are a danger when being pressed
slaughtering their own people
when asked to, at ‘our’ behest

Weapons so securely hidden
there’s no chance of being found
the insane are suddenly so smart
their evil intentions are now profound

Hand in hand with the maniacs
Gaddafi, Assad and Hussein
eliminated once the spoils are divided
between the maniacs that remain

My Tinnitus – 29th August 2025

A relentlessly falling forward
Disconnected sonic information
A fry-crackle resonance
High-frequency vibration

A constant companion
Though hardly a friend
Cohesion of the chaos
An agitating sonic blend

A synaesthetic rainbow
Ears become wild eyes
Neural cross-wire overlap
A dizzy starred surprise


Wild harmonic distortions
Oscillating ear-to-ear
Polyphonic buzzing bees
Swarming and severe

Low-frequency vibration
Meditates the brain
Connected sonic information
Fall backward again

Shared with dVerse Poetics – noise
7th Feb 2026 – Shared with Reena’s Xploration Challenge #416 – susurrus

American Waste – 27th August 2025

He was Biden time on the course
The master of mischief will Trump us again
Jumping out of the Bushes bedlam
Oh! Bah! Ma – hullaballoo!
Clint on his high horse
“Do you feel lucky, punk?
Well, do ya?”
Will you pick up the gun?

A quadrille for dVerse – rumpus (I slightly cheated).
Apart from the presidential references, there is Clint Eastwood of western movie fame and his classic lines from Dirty Harry. The final line references this Bill Hicks routine. The title is from this Black Flag song.

It’s Getting Better All The Time – 25th August 2025

Where went the black dog growling darkness
draggin bones through the dirt
as grim reminders, chewed and spat out?

Where now, all the tears that tasted sweet in their sourness?
None would ever know the delicious ache
of kneeling on broken glass.

Where are the hands that suffocated
throughout the night, to silence
the dreams of the missing, the dead?

Where is the pain that stabbed
the hearts of youth and beauty
emptying complications out into the world?

Where is the silence that numbed the tortures
expecting execution, the void of sound;
stark streetlights in a nothing-nowhere town.

Where did all those nightmares go running
once the heart had been found?

Where did this nostalgia form for the hells that made the man?

Shared with dVerse MTB Ubi sunt.
As I read some other poems submitted for this prompt, I felt that there was too much sad nostalgia for the past (which is pretty much the remit of the prompt, I know), but I wanted to try and turn it around. My youth was often filled with depression and darkness, something which, with the help of medication and age, occurs less often these days.

Yet why do I sometimes miss that darkness that I struggled through, that made me who I am today?

Stanzas 1 and 2 are non-specific but stanza 3 references my father, who died when I was 18 months old and so I never knew him. At age 4, the idea of death hit me so hard that I cried myself to sleep one night. Stanza 4 references getting tattooed and pierced and revelling in the pain. Stanza 5 is specifically about a time in my bedroom, high on amphetamines, looking out across the grim spectacle of suburbia at 3 am, unable to sleep.
The title I know from a line in a song (though I forget which) that I often listened to in my youth but I think originated from during or post-WWII.

True Power – 14th August 2025

Armed with anger, we come to believe
that our wounded dignity is protected;
lock ourselves in to keep the monsters out,
all we see are targets to be rejected;

The demon whispers on our shoulders,
“Where is justice?” “Where is your peace?”
But anger never delivers on its promise,
a fast cash deal, a momentary release;

When wounded, why hold onto the pain,
unable to accept the simplest solution?
Your life is too valuable to sacrifice
at the altar of retribution;

True power lies in the ability to let go,
to walk away from a pointless fight;
outside is a world of possibilities
before the coffin lid slams shut tight.

Another paraphrased poem inspired by David Elikwu’s newsletter at The Knowledge.
Shared with dVerse Poetics Tuesday – power

How The River Runs – 11th August 2025

A reimagining of this poem from Sadje – written for dVerse MTB – cherita



A merciless tide

drags the shore
no plea, no anchor

fists clenched at the sky
the storm passed
leaving only echoes



A silent serpent

slithers forward
beneath the bridge

ashes on the current
no hand can gather them
again



A calming salve

shadows swallowed
deeper than roots can reach

rest now
like a river at dusk
carrying the moon’s reflection

Schulweg – 9th August 2025

seit dem kindergarten

unser alltag
gemeinsamer

kopf voller träume
offen
zum lernen

hand in hand
wir verlassen
den platz

und tragen unsere zukunft
in unseren herzen

gebildet

An up-and-down cherita for dVerse’s MTB and inspired by the attached picture. I used Google Translate to arrive at the German. I have no idea how poetic it might sound in that language – any tips appreciated. Here’s the original English write:

since kindergarten

our routine
together

head full of dreams
open
to learning

hand in hand
leaving
the square

carrying the future
in our hearts

educated

Along The Stream – 26th July 2025

The sky was Australian blue;
not the first time we kissed –
that time
we smashed our teeth together due
to excitement – our tryst
sublime.

Along the stream, we got undressed,
the passions came and went –
took heart.
That memory is still the best,
long after this time spent
apart.

Shared with dVerse Meeting The Bar – not quite meeting the theme of ‘anniversary’ though this is a memory that I recall at least once a year, reminiscing on the wild emotions of discovery of new love.
The form is memento (2 stanzas, 6 lines per stanza, 2 tercets (2*3 lines) per stanza, syllable count per tercet: 8,6,2; 8,6,2, rhyme scheme abc, abc)