The Chiang Rai Alternative Hour #64 – Goodbye Buffoons – 14th November 2020

Say goodbye to your buffoons in power.  Don’t let the door hit you on the way out.

Highly curated, carefully selected and specifically ordered* for your listening edification by world-renowned DJtenzenmen, who has over 1 year of experience in this business.

This week there’s music from beNt, The Incredible String Band, One Step Shift, Poison Idea, Hoover, Voivod, Redness, MDK, 5uus, Pee, Big Black, Estradasphere, Modds, Bl’ast, Love, Countdown to Putsch, Septic Death and NWA.

Intro and background music by Utotem, Phantom Tollbooth, Daniel Striped Tiger and someone else I forgot.
Incidentals taken from the Church of the Sub Genius Hour of Slack.

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Listen right here or Mixcloud, Stitcher, Apple, Amazon…..all those cool places I guess.
* ie totally random.

Gratitude Journal

I am so happy and grateful for the cooler weather and the bottle of Kavalan that Lekky bought for me a couple of years ago. I finished it last night and felt very good. I don’t feel too bad this morning either.
I am so happy and grateful for this first coffee this morning. It’s mixing really well with the leftover taste of whiskey from last night and reminding me of the good time I had last night listening to music

The Chiang Rai Alternative Hour #57 – 26th September 2020

Highly curated, carefully selected and specifically ordered for your listening edification by world-renowned DJtenzenmen, who has over 50 years of experience in this business.

This week there’s music from Flower Travellin’ Band, The Spy From Cairo, Autechre, Incredible String Band, Delmonas 5, Eat Avery’s Bones, Bukkake Moms, Et Cetera, Montreal, Present, The Hold Steady and The Dismemberment Plan.

Intro and background music by Utotem.
Incidentals taken from the Church of the Sub Genius Hour of Slack.


Find us on Twitter and Facebook too. Tell us if you like it, tell us if you don’t.
Listen right here on Podbean or Mixcloud, Stitcher, Apple, Amazon…..all those cool places I guess.

26th Sept 2021 – It feels like nothing much has happened in the intervening year but it also feels like doing the podcast was more than a year ago. I have discovered much more new music to enjoy in the last 12 months but find myself reading books more often these days and I don’t have the brain power to do both at the same time anymore.

Gratitude Journal

I am so happy and grateful to have a guitar again. I’ll never be a great player, maybe not even a good one, but I can enjoy playing and practising at my own pace.

Girls Pissing on Girls Pissing – Eeling – 12th March 2013

Cat #: 138TZM

Try as you might to sum up Girls Pissing on Girls Pissing accurately, the sheer range in dynamics makes the group difficult to pigeonhole; at times post-punk, at other times experimental, even moments of folk. Eeling in every sense evokes the sentiments that this is something unique – not just in regards to its chosen physical release format.

“… an album of new discoveries upon each wonderfully harrowing listen” – Cheese On Toast

Recorded by S. Huf and J. Hobbs
Mixed by S. Huf
Mastered S.Huf

Xiao He – Silly’s Ballad – 19th July 2012

Cat #: 100TZM

It’s been 2 years since Xiao He’s bizarre double CD “The Performance Of identity” (2010) was released thru tenzenmen as catalogue number 050TZM, marking a half-century of releases for the label. As one of the most important avant-garde artists in China, his astonishing creativity doesn’t change or vanish with the passing of time, instead he becomes more distinctive and interesting. He keeps on playing his solo symphonies and “universal experimental folk”, which has gained him much appreciation and a glowing reputation. Xiao He and his songs have been to dozens of countries and whilst performing last autumn he jumped off the stage and broke his feet! This new album, Silly’s Ballad, was created while he was instructed to rest at home by doctors, with his feet set in heavy casts. Xiao He wrote all 12 songs with an acoustic guitar, he even recorded them while in bed and on the couch. The new album overflows with beautiful melodies and classic folk arias.

He writes of the album, “While I was recording [the songs], cicadas were tweeting, and sometimes even a plane passed by. I tried to record without any external sounds before by thickening the walls of my studio, but at the same time I was isolating beautiful things outside.” So, when Xiao He returned to write love songs again, he was inspired by diverse colours and sounds. Besides the self-deprecating title, natural feelings hide in every sentence of the lyrics, reflecting Xiao He’s wisdom and philosophy. The use of narrative poems throughout the album helps Xiao He express his mystical world in sounds and words.

More to the point, this being catalogue number 100TZM, marking the full century for tenzenmen, this folk album will be released in a very special and limited format: not on CD, tape or vinyl, but as a ‘musical artbook’. It is perhaps the first of its kind. This multimedia truly enables Xiao He’s creativity better expression. The artbook contains 12 different pictures of leaves, drawn by Xiao He in Zurich in 2010. Those leaves lay scattered on the mountain road Xiao He walked along every morning to exercise. The 12 songs correspond to 12 different leaves. High-end headphone brand 233621 has generously provided specialized custom-made headphones for this ‘album’. Furthermore, this musical artbook also includes three music videos that were commissioned to three up-and-coming and very talented directors: Yu Liwei, Yang Jin and Zhang Yuedong.

Xiao He expressed his wishes for the artbook: “I hope this album will become the glorious road along which a silly person is looking for another silly person.” 

Low Wormwood – Lanzhou Lanzhou – 8th July 2012

Cat #: 098TZM

The cliché goes that some geographical areas are synonymous with certain sounds: Merseybeat from Liverpool, for example, or grunge from Seattle. But it’s also the case that certain bands define their locales. Here, one tends to think of such acts as Arcade Fire, who did just that for Montreal with Funeral and The Suburbs. Such is the case with Low Wormwood, whose latest album, Lanzhou Lanzhou (their second licensed to tenzenmen) is perhaps a defining moment for both the band and the city of the title.

Unlike many bands from Lanzhou, this quartet don’t practise harmony- driven guitar folk. The metrics of this album depart from their early grunge and shoot for a less fiery but more coherent structure, coupling string-soaked flourishes of folk-rock with mundane lyrics about day-to-day living in Lanzhou. It borders on being a concept album, but the catchy rhythms manage to dilute the anthropological solemnity and make this something special.

‘Recording this album is almost like being in a relationship,’ explains lead singer Liu Kun. ‘When you love each other, it really burns. When you hate each other… well, it also burns.’

Alternative China – 2nd July 2012

Alternative China tumblr

Underground Baby, Liz Tung, World of Chinese, Live Beijing Music, Jia Huizhen, XP, Split Works, Chui Wan, Deadly Cradle Death, Yan Jun, Raying Temple, Soviet Pop, Torturing Nurse, Li Jianhong, Joshua Frank, Hot and Cold, Howling Into Harmony, Jingweir, Hot Cat Club, Xiao Rong, Brain Failure, Cocktail 78, Sikhara, Perpetual Motion Machine, Xiao He, Layabozi, Beijing Daze, David O’Dell, Inseparable, Old What Bar, Misandao, Red Rock, Yaogun, Jon Campbell, Artspace China, Rainbow Danger Club

Various disguises are regrettable but necessary – 26th February 2012

Sunday, February 26: Jura Books, Petersham – Lenin Lennon, Wells, Union Pacific, Zounds, Palisades

Jura Books is a long running anarchist bookstore and library almost directly opposite the Bald Faced Stag and just a couple of doors down from the Clarence Hotel. Both hotels have live music, although I’m not sure what styles are entertained at the Clarence as I’ve never come across any bands I know in Sydney that may have played there. A block away from these pubs there’s also the Petersham Hotel which used to be a bastion of the Sydney music scene about 15 years ago, I don’t think they have any live music these days though. It’s certainly an easy area to find a drink if you want one though.

Jura Books is pretty much a converted house and offers no competition to the hotels. The downstairs is a small shopfront whist the upstairs is a small library. Emphasis is on small here. The space is made available to host shows, talks and potentially other suggestions can be brought to the table too. Obviously the space has a huge political slant but there is no overt influence cast over a show beyond the fact that it being an intimate setup and a shop where “fuck-wittery” will not be tolerated.

Today’s show was an amalgam of two lots of traveling bands looking for a space to play in Sydney. Main organiser Mitzi, who rarely organises shows at all, knew that it would be easy to pull something together quickly utilising the small community of friends in and around Jura, and after a few phone calls, a Facebook event was created and it was on. Having her own PA for use, all that was needed was to organise some drum and amp sharing. Easy!

Ben is currently the event co-ordinator for Jura and as a musician himself he’s come to prefer the more intimate shows that spaces like this can provide. He also feels there is more direct participation from bands wanting to use the venue (i.e. bands may organise everything themselves from equipment and line ups to promotion and food options). Once the show is happening the intimacy provided by the cramped space is often accentuated by the fact that you can be sure that everyone in the room is a friend of a friend or perhaps once more removed at most. This makes for a comfortable setting and also provides the opportunity to easily make new friends.

All of the artists playing today confirmed the preference for intimacy and the comfort it provided even for interstate bands who may know no one at the stage of their set and make firm friendships by the end of the night. Teo from Palisades sometimes hosts shows in his house back in Melbourne and understands and appreciates the effort that goes into such events, including the shitty end of the deal cleaning up the following day, but also the highlights of the freedom and self regulation that goes on. There’s no requirement for hired security and money is not a prime factor in these type of events. Today’s show had a sliding scale donation entry of 5 to 10 dollars and those too poor to pay at all are often welcomed too. It’s easy enough to soak up the atmosphere from downstairs or outside anyway and today two acoustic acts jumped on the bill and played between the main bands up in the library.

Sunday afternoon shows can be a lazy affair and despite some of the high energy music on offer they were brief bursts of energy amongst friends that brought smiles to our faces and pleasure to our ears.


Lenin Lennon


The Union Pacific

Whilst it’s obvious through the writing of this piece, and well established by those that know me, I am immersed in this scene and these spaces. It’s a special occasion for me to venture to a regular bar venue and as a consumer at those events I can enjoy myself immensely. But I still leave them without caring about the venue in any shape or form. If it closed down the following week I would unlikely be affected.

Sydney, and everywhere else, has other options. Currently these places are mostly inhabited by the punk and alternative music scenes but they are all open to anyone; anyone with a shred of organisational skills could put something together and likely be welcomed as they diversify the range of events and broaden their audiences. When people cry about the death of a music scene in a city I believe they haven’t yet fully explored all the options available to them and despite the naysayers the Sydney scene is very much alive and well.

29th Apr 2021 – Originally published at Polaroids of Androids – also see entries for 24th and 25th of February.