Low Bow/Dinged Up – 1st February 2015

Cat #: 170TZM

Bow low, my friends! The FAST SON’s coming and you don’t wanna lock eyes when he rises. Yes, it’s LOWBOW, and ooohhhhhh… “All of your future, stuck in your past / you still can’t work out why you’ll never last.” Baby. Sounds like these two rippers were cut fast & loose in ‘72, but no sirree, they got laid down last year right here in the P.R. of C, where time has ceased to be. LOOKOUT! You know the Fast Son moves quicker than the mutants on the bottom of the East China Sea, and “you can’t win with a draw.” LOWBOW, you see, rode from Dublin to D-22 on the wings of a faded dream and rebooted himself in the image of Bo Diddley’s ghost, putting his own grease on them post-proto-punk, gutter-oil-blues stompers we’ve come to need, all gold lamé and lightning speed. LOWBOW’s seen less than the Loch Ness ‘round these parts these days, but you know he’ll be back: that Fast Son won’t stay off the wagon for long. 

DINGED UP, on the other side, is just that. Their nearest metropole is Baltimore, for Poe’s sake! Their two tunes on this end of the slab won’t get you too down, but rest assured they are both “Made of Grief.” Recommended for fans of: six-note solos, suburban burnout blues, Saccharine Trust – Paganicons, 21st century garages (they no longer hold cars, just withering ennui and empty space, amps, drums). DINGED UP’s about to rain down on a city near you, USA ladies and dudes. They fly on the late summer winds like a trio of tumbleweeds. Dust off and suit up, Big Red, these two are for you.


All tracks conceived, written & performed by LOW BOW 
LOW BOW are Richard Doran (Electric Git & Vox) Michael Cupoli (Drum & Drum) 

Audio recording and final mastering by Mr. Yang Hai Song. Summer, 2013 in the People’s Republic Of China. 

LOW BOW hope that you find this recording to be of a professional standard. Served best via headphones or on A.M. radio. 

Thank you for purchasing this recording legally. Now, why not tell a friend that further LOW BOW recordings of HI fidelity standards can be found at  lowbow.bandcamp.com

For information or parenting tips,  lowbowband@gmail.com


All tracks written & performed by 
Joe Rankin 

Engineered by Jason Nicholls 
Produced & mixed by Joe Rankin & Jason Nicholls 
All recording, engineering & mixing took place Fall 2013 at Mutant Sun Studio in the U.S.A. 
Mastered by Chris Bentley in Fall 2013 at The Bunker studio, also in the U.S.A.  


Beijing photo by Richard Doran 
Western Maryland photo by Brad Reiter 
Additional artwork by Jason Nicholls 
Graphic Design by Jesse Davis 


Imported under license for Australia.

The Yours – Public Eye – 1st February 2015

Cat #: 171TZM

Produced by The Yours
“Public Eye” recorded and mixed by Yang Haisong at Psychic Kong, Beijing, Dec 13, 2013
“Purple” recorded and mixed by Nic Wong, Feb 14, 2014
Mastered by Garrett Haines at Treelady Studios, Pittsburgh USA
All songs by The Yours
Drums by Nelson Ko and Pie Wong

Art by The Yours
Layout by Die Leung

Managed by Yuman Ng

Special thanks to our families and dearest friends; Yang Haisong, Fuhan, Zhang Shouwang, Nevin Domer, Nikki, Bebe and Reggie from S.T.D, Nelson Ko, Roland Lee, Pie Wong, Gosha Rubchinsky and Tim Head



Imported under license for Australia.

The Yours – Teenagarten – 27th January 2015

Cat #: 168TZM

Hong Kong noise rock outfit The Yours return with their second full-length album, entitled “Teenagarten”. Recorded by Yang Haisong of P.K.14 at Psychic Kong in Beijing, the second album is rawer, darker and more intense than its predecessor, yet maintains the bandʼs rich melodic structures and teenage angst.

The album opens with its title track, which reveals the bandʼs attempt to explore its heavier roots and sets the tone for the remaining tracks. “Winonaʼs Tattoo”, “Distorted Kross” and “K” form the backbone of the album, delivering colossal dissonances and sprawling soundscape. Dynamic vocal interplay continues to be one of the most distinguishing characteristics of the band, most notably with “Bad JuJu” , featuring guest vocals by Fuhan from Beijing dance rockers Queen Sea Big Shark. “Valley Kids” , a nostalgic ballad filled with layers of shimmering distortion, sees a softer side of the album. But the occasional calm canʼt hide the rage underneath, the last three-song section, consisting of “Spunk”, “Death Rat” and “Pink Snoopy”, finds the band experimenting with more complex rhythms and structures.

The Yoursʼ sophomore release sees another linear step in their evolution; nevertheless, “Teenagarten” is by no means a progressive, sophisticated album. As the title suggests, the eleven-track album is meant to horrify adults and please teenagers. It is still very much a lo-fi collage dedicated to youth culture.

After Argument – This Is Not Your Game – 4th January 2015

Cat #: 165TZM

Following in the footsteps of their critically acclaimed 2013 debut LP Furs of Time [Share the Obstacles], After Argument continue further down an even more refined sonic path, combining avant-garde experimentalism and post punk sensibilities that hint at the gut-level thrust, heft and swing of Television as much as the restless, hook laden fury of early Fugazi, Slint and Mexican psych band Los Dug Dug’s. The band, comprised of legendary P.K.14 vocalist/poet Yang Haisong and Beijing musical luminary Zaza [Eyes Behind] have quickly established themselves as one of China’s foremost punk rooted explorers, filling venues of all shapes and sizes throughout the PRC with a sound, arguably unrivaled and most certainly celebrated by their peers behind the Bamboo Curtain and beyond.

This Is Not Your Game, After Argument’s debut full length for Genjing Records, finds the duo capturing the explosive rush and emotional power of their live shows, where they range from mathy arpeggious interludes through headlong, thunderous charges. Recorded and produced by Yang Haisong at Psychic Kong Studios deep in the heart of the Chinese capital, This Is Not Your Game is an immediate, visceral record. On it, After Argument use riff, repetition, incremental layerings of distortion, bursts of noise and sudden changes in pace and volume – all shot through with a strong sense of poetic melody to provide new ways of seeing and feeling guitar-based rock.

But, more importantly than all that, After Argument manage to infuse emotionally complicated music with a sense of fun. What they offer and the source of their appeal is more a full-bore sensory thrill-ride than anything else. After Argument want to take you to faraway places and show you exciting things through musical algorithms both foreign and familiar to the listener. And This Is Not Your Game is just the key you’ll need to get started on that adventure. So, buckle up, strap on some headphones and enjoy the ride – it’s a one of a kind. 

All songs written by After Argument
Recorded at Psychic Kong, Beijing
Mastered by Garrett Haines at Treelady Studio, Pittsburgh, PA, United States

After Argument are:
Zaza and Yang Haisong

Visit them at www.afterargument.com, and also at storecords.bandcamp.com

Cover photo taken by Tanara Stuermer in Tavares Bastos, Rio, Brazil

Artwork by NOHOHONO

The Fallacy – Painkiller – 5th August 2014

Cat #: 162TZM

Take everything you know about the burgeoning “underground” Chinese punk scene, put it in an ornate, hand crafted box, lock that box and throw it into the deepest pool of the 68o Yangfu Mountain Hot Spring! This is the beer soaked sound of the Henan suburbs circa 2014: three young men from Xinxiang relaying their day-to-day experiences via the medium of tightly wound hooks, post-punk exhibitionism and the drive time ferocity of ’77 punk, all filtered through the lens of (producer/PK 14 frontman) Yang Haisong’s Psychic Kong studio. Handsomely packaged, featuring cover art by up and coming visual artist extraordinaire Xu Jiacun, the Painkiller 7″ is a third tier city curio you’re definitely going to want in your ever expanding collection of China-centric wax platters.


Wang Xubo – Vocals / Guitar
Zhang Nan – Bass
Da Li – Drums

Recorded by Yang Haisong at Psychic Kong, Beijing 2013
Mastered by Garrett Haines at Treelady Studios, USA
Paintings by Xu Jiacun
Designed by Ksama of Dooo Design Studio

Licensed from Genjing Records for release in Australia

P.K.14 – 1984 – 3rd December 2013

Cat #: 151TZM

“1984” is P.K.14’s follow-up to “City Weather Sailing” and comes after a five-year hiatus. The name of the album was inspired by “1984”, the dystopian political fable and the final novel by English writer George Orwell (1903-1950). Most of Orwell’s works have a vitality that has only grown stronger over time. Likewise, P.K.14’s music also has an astonishing, enduring vitality that prompts the listener to think and come to his or her senses.

The band’s fifth studio album, “1984” was recorded in October 2012 at Electrical Audio in Chicago with the help of legendary American producer Steve Albini, whose previous collaborations include Nirvana, The Pixies, Cheap Trick and P.J. Harvey. All tracks were mixed in Sweden by producer Henrik Oja, who also worked on P.K.14’s first three albums.

In a departure from their usual recording process, for this album, the band first went to Sweden to rehearse for a week with Oja, who worked a lot on the guitar and organ. Together they put the final touches to the beautifully crafted sound that has now become P.K.14’s trademark.

As with Orwell’s novel, “1984” is a spotlight in the dark, with songwriter Yang Haisong’s haunting and subtly satirical lyrics speaking of harsh reality.

“You and me walked a long, long road / You and me once left the world behind us / You and me once heard their jeering laughs / They welcomed us to the world of being controlled” (You and Me)

“I’ve already forgotten everything that’s happened / I live in a world without truth / I’ve already forgotten everything that’s happened / That which is miraculous couldn’t be more miraculous / That which is dead couldn’t be more dead” (Crazed Woman)

Yang Haisong’s powerful and poetic texts – and subtexts – hold a mirror up to the world and warn of a life lived in “1984”, where just having a thought can be a very dangerous thing. If that day arrives, at least we know “the Public Kingdom For Teen” will be in our corner, singing a war cry.