Cat #: 046TZM
The band Low Wormwood (Di Ku Ai), which in the corner of Lanzhou, has got the unique pride and mind to view themselves and the world. Picking a wisp of wind from the Yellow River, scooping up a handful of snow from the Qilian Mountain, collecting a piece of sand from loess plateau, then mix them as a kind of style that is impassioned and forceful but not artificial, close to heart but not compromise. They use this kind of independent attitude to compose their music. Independent and psychedelic, based on simple ballad style with multiple instruments and variety samplings, together made their music strong experimental and national colour. They has won high popularity as they published an album and take around tour each year which not only makes them one of the most active and excellent domestic bands but also one of the representative bands of Lanzhou and northwest of China .
We can’t help keep kissing each other, originally released in China in 2008. The poetic lyrics were blue and sensitive. Absolutely, lyrics were always the important part that they valued. Some more mature composed passages made their expressions more powerful and beautiful, but not deliberately luxuriant. The whole album focused on the individuals’ feelings in the changing environment, about some hope and despair, loss and obtaining, when the music developed as movies, you may feel familiar with some plots or have been experienced before. When the once radical angry rock’n roll music intends to become some consumer goods for idealism, their faltering monologue under emotions would enter your heart as an outstanding one among them.
The new album had taken 6 months from choosing songs, recording in studio and to downmix. The former part was done by the experienced sound engineer Yuan Tianfeng from Lanzhou. And the latter part was firstly made by him then the more experienced mixer Dou Tiemin dealt with the post production and mix of the master tape.
It was particularly important to deal with the unique samplings and effects. It was also because of the contemplation of the band and sound engineer, they decided to deepen the integral atmosphere of the songs that appear in the record. The harmonica and harmony were all played by friends, who had tried their best. They made the album more excellent. It can be said that the whole album was elaborate produced by all the people who take a part in.
I used to receive these one-sheets from Maybe Mars in Beijing and have to rewrite them from the Chinglish versions into something a little more comprehensible. But I opted not to even bother with this one, wondering perhaps if it would add some authenticity and make it more obviously Chinese.