Here we are in the New Age… – 7th January 2018

It’s been a long time between drinks.  Around 23 years or so.  1994 was a life-changing time and then life took over and now I’m looking at another transitional period.

Life changes daily though.  It seems slow but every detail matters somewhat, and if you care to remember it.

Right now I’m sitting in an office, getting paid and doing very little work of reward.  The kind that is emotionally unfulfilling.  But right now, I’ll take the money, thank you very much.

Somehow, over time, you learn that working for ‘the man’, as opposed to working for yourself, is something that must be exploited to the full.  I managed to get myself into a position at one point of not doing any work-related activities at my job and started doing my own hobbies in company time.  Somehow I was also well paid for this.  It was always slightly precarious and eventually, it came to an end.  Then it happened again – and with the same company to boot.  I do thank you, although I wish it could’ve been more rewarding for both of us, to our mutual benefits.  Perhaps I feel guilty.  I know I would sometimes get annoyed when I actually had work to do that was interrupting my personal time and that’s not a good place to be.

The more depressing it became, the more I strove to distraction.  I ended up being very productive.  I could never make that jump though, to make money from doing the things I enjoyed.  I am envious of people who have been able to position themselves in this way.  I’m lacking in artistic talent, not through want of trying.  Often lacking in concentration, born on the cusp of distraction entertainment as I was.  The advent of new technologies only makes this worse and now that even they have surpassed my knowledge and I am like the old man programming his first VCR with only a 3-button remote, I sometimes pine for those days again.

My nostalgia is aligned with depression.  I was deeply unhappy for periods of time that I now reminisce.  That depression was an artistic motivation, a driving force.  The actions often more thrilling than the results.

Right now, I am biding time again.  In this strange period of inertia, the feeling of anticipation is immense and I am highly conscious of the grass always being greener on the other side of the fence.  Hence to take time enjoying the moment, the present, the now.  I visualise vividly a relaxing future whilst aware of the constant need for ‘work’ whether in some paid variety or just the work of remaining alive and managing the mundanities of life.  I hope to derive great pleasures from the digging of weeds or painting of walls but worry that I will start to ignore the dust that settled in the corners many years before.

Luckily I have an outside motivation, my wife, Amy.  Could I do it without her?  Probably, but without so much pleasure, enjoyment and fulfilment.

The bones of the tale are this.  In 1994, I relocated from small-town England to small city Australia. Sydney and thereabouts.  In 2018, I will relocate from small-city Australia to small-town Thailand.  In 1994, I documented my time in transition. I have not looked over those diary entries since, but the intention is to add them here alongside current musings.  Let’s see how they compare.  Let’s see if I have really gained some wisdom in the intervening years.

The fatman takes away what isn’t his – 19th September 2017

Weight: 90kg
Resting Heart Rate: 50

22nd Jan 2022 – This was the start of my journey for keeping track of my weight thanks to phone technology and forming a habit to measure it more often. I’m not obsessed with my weight at all, purely using it as a measure and motivation. It was more concerning to me what I looked like in the mirror and knowing that losing weight would improve that image and both my physical and mental health.

It wouldn’t be until a couple of years later that I would set myself a goal to get to 75kg and then start working on building/rebuilding muscle and try to maintain that weight. I’ve never been and will never be a super muscular type so I have no intentions of becoming some kind of middle-aged bodybuilder though Amy would often show me pictures of 70-year-old Japanese men who were in incredible shape. That never motivated me at the time, it seemed an impossibility. Though as I approach my target weight and can see more definition in various parts of my body it does help to know that it could be possible, within the limits of my old frame.

The Secret Seat Pissing Club – 30th June 2017

14th July 2021 – Working in an office with hundreds of other people and just 4 toilet cubicles, there’s bound to be some who are just too fucking lazy, ignorant and simple minded to clean up any mess they make. Tired of this, I made this poster for fun and stuck it up on the inside of the entrance door. The corporate environment seemed to object and I don’t think it lasted more than a few days. It made me chuckle every time I went to the bathroom though. It makes me chuckle reading it now.

Leavings – Sell and Shark – 21st November 2016

Cat #: 189TZM

Leavings is a three piece punk band from Brisbane, Australia which takes cues from post-hardcore, indie rock, shoegaze, krautrock, and the vibrant DIY cultures of Australia, China, and South-East Asia.

Combining driving, aggressive bass and drums, shouted vocals, and wiry guitar with catchy, muscular hooks and cavernous noise and drone-scapes, the group’s songs generate a bold, vigorous energy that is both affirming and cathartic . 

RIYL: Unwound, Flying Nun records, The Men, Rosetta, Fugazi, Japandroids, Sonic Youth, Blank Realm, Neu!, P.K. 14, mewithoutYou, Turnpike, A Place to Bury Strangers.

Sell & Shark is Leavings’ debut release and the first single from their forthcoming LP.

On side A is “Sell”, a reckless punk rock clanger in which the band belts out grumpy yells drenched in reverb over the top of a collection of distorted major-key hooks played at full tilt.

Exclusive to the 7″ is a brooding slab of noise rock in the form of B-side “Shark”. The track begins quietly with a faint, nervous guitar riff and muted, tense drumming encircled by a menacing bassline which swims around them tightly until all three instruments attack each other, exploding into dissonant fuzz and dry screaming.

Together, the tracks represent the band’s response to the frustration of living in an Australia whose leaders become nastier and more cynical with each passing year. “Sell” is defiantly spirited while “Shark” is the band at their grumpiest, but not without a sense of humour. 

Both tracks were recorded in Brisbane at Tym Guitars with Donovan Miller (FOREVR, No Anchor) over one weekend in the winter of 2016.

For interviews, press, and bookings, please contact leavingsband@gmail.com.