Tag: Chinese music

This Word We Wield – 21st August 2023

~ shaun tenzenmen ~ Leave a comment

In my darkest hours of despair
I was thankful that you were there
You magnified joy through your lens
You are one of my closest friends

I’m careful how I wield this word
Sometimes I’ve embraced the absurd
Finding that words can be deceiving
Learned all about sadness and grieving

But you were the pulsebeat beneath
My task of living and my belief
As time saw me leaving friends behind
I take the lessons from all I find

Recreating friendships to maintain my health
My bestest friend has been myself

Today I’m feeling:

Calm and relaxed after an ab and chest session on waking. Spent all morning uploading blog entries, drinking coffee and figured some new work for my one-hour classes these next couple of days. Feeling good and positive.

Today I’m grateful for:

Justin Pearson interviewed John Reis on the Cult and Culture podcast talking about his music and friendship with singer Rick Froberg who passed away recently. His death didn’t hit me particularly as now more and more people I admire are passing away. The scary thing is that he was the same age as me and it was sudden and unexpected.

The best thing about today was:

My one-hour class that was so easy. I feel like I haven’t been to work at all. No fuss no bother, the kids did what I asked, they did it reasonably quietly and in time. It didn’t require much thought on their part but it sets something up nicely for their class tomorrow which will require some thought.

What was out of your control today and how did you handle it?

I went to immigration and waited ten minutes until they were due back from lunch but then waited a further ten minutes before having to leave to go back to do my class. I’ll do it tomorrow after my first class. No wukkas.

Something I learned today?

I found out that after the half day that we have this coming Thursday, there will be another next Wednesday too, as it will be ‘art day’.  Also, it’s possible that students finish the semester on the 8th or 15th of September, which is only 3 or 4 more weeks! Awesome!

What have I learned from the passage of time?

I’ve learned much, remember less and as the quote today alludes to, also learned little. But that’s not going to stop me. I’m here to grow, I’m here to work, here to do my job of living.

Quote: The only true wisdom is in knowing you know nothing. – Socrates

Relatively, of course. I mean, I know my name. 

I do dislike folks who talk as if they know everything, too sure of themselves that they only see what confirms their beliefs. It’s one of the reasons to ‘not read the comments’ – something I need to remind myself of more often.

So I am not one of these people who talks as if they know everything. Even of the things I know, I’m unsure. I was an ‘expert’ in IT for a bit, but now I am clueless. I used to make 100+ coffees a day as a barista, but now I don’t know if I could even make myself a half-decent cup. I was on top of the goings-on in the Chinese music scene and now I barely know anyone involved. 

Everything I knew before doesn’t matter now, meaning that in reality, it didn’t matter then either. 

It was just my interest. 

No one cares that I released the last two Trumans Water albums on CD because Trumans are not as well known as they were in the 90s and no one wants CDs these days. 

But I did that. That counts in my own tally of value at the end of the day.

I took this picture because Gui’s mum let Tokyo off her chain as she kept barking at the people in the garden who were cutting trees. When she got bored she came into the shop and lay down like this. Luckily no other customers came at this time.

We start out loudly and go in circles, all things converging, we find an end to each day – 11th April 2020

~ shaun tenzenmen ~ Leave a comment

High in the North in a land called Svithjod there is a mountain. It is a hundred miles long and a hundred miles high and once every thousand years a little bird comes to this mountain to sharpen its beak. When the mountain has thus been worn away a single day of eternity will have passed

Hendrik Willem Van Loon, The Story of Mankind

That little bird is our lives. Dwarfed by the magnificence of time.

We are small and insignificant. Not individual, not a group, nor a race. Not a society, a species or a thought from God. We are nothing.

The dinosaurs, the mammoths, the pharaohs, the sultans and kings, the inventors, the thinkers and philosophers, the builders, the masters and slaves, the writers, the historians, the celebrities, the murderers, the saints and the despots. You and me. Nothing.

What will you do with this information?

Our floating houses on molten granite
Our liquid planet, it is a home for us all
I’m firmly planted, my earth is solid
I feel a presence but there is nothing at all
I wanted something, down here is something
It’s really something but there is nothing at all

‘Slowly Melting’ by Nomeansno

The Chiang Rai Alternative Hour #34

Music from Tipographica, Keukhot, Chui Wan, 400 Blows, Lifter Puller, Mazaj, Geronimo, Unknown, Pell Mell, Opal, Child Bite and Debile Menthol.

Gratitude Journal

I am so happy and grateful for the space we have in our house and garden. We can move furniture around and reinvent ourselves, change our views.

To-do list

  • Talk to George ✅
  • Record TCRAH
  • One more lesson plan
  • Record more 1994ever for blog ✅
  • Write a short blog post ✅

Almost didn’t make it out to my room but somehow managed to motivate myself. I am slowly completing things, whether it is sorting out bits and pieces from my past, things I’d intended to do for a long time, reading books, watching movies and TV series, sorting out my CDs etc. So at least I have a sense of achievement.

I’m reminded of when I was about 10 or 11 years old and used to ‘race’ my Matchbox car collection and keep tables of which was fastest and kept all sorts of statistics about them. I was already organising my mind, putting things in order, sleeping everything straight.

I can pinpoint other instances of this at various times during my youth actually. Looking through old diaries has triggered some deep recollections which is interesting. I’m testing myself to see what else is hidden away in there.

The Chiang Rai Alternative Hour #26 – 22nd February 2020

~ shaun tenzenmen ~ Leave a comment

Music from Magma, Sir Millard Mulch, Big Grump, Chemicals Made From Dirt, Vulk, El Rass, Les Baxter, Converge, Pile, Djang San, Honeymoon Killers, Monkees, The Misunderstood, Half Man Half Biscuit, Bondage Fruit, Moving Targets, 2227.

Gratitude Journal

I am so happy and thankful to George and Bee to be good friends we have made in Chiang Rai.

Those who don’t pay attention to their own thoughts and know their own minds are bound to be unfulfilled in life.

Donald Robertson

To-do list

  • Contemplate your death ½
  • Upload and record TCRAH ✅
  • Enjoy teaching today (stay in the moment) ½
  • WDS spreadsheet
  • Card for Tian ✅

My belly was giving me trouble today due to the chilli and alcohol mix last night. Despite that, the day passed happily enough. I even managed to ‘meditate’ for 30 minutes. I put the word in quotes as I wasn’t fully able to calm my mind, though I did relax and feel better after it.

In the morning I was quite tense but I think it was the effect of the coffee. Usually, I’m ok but not this morning.

I struggled through making another TCRAH episode but I persevered and did it. I was quite happy with myself.

I did, at various times during the day, remind myself that I may die at any time and I felt a strange feeling in my chest that focused me back in the moment. However, it merely reminded me of all the many things I want to get sorted in my room and I soon started back on that.

Tomorrow I will go and play basketball with Bruno. I hope that it will give me an opportunity for discussion about our views on life and maybe offer each other advice on our lives. Bruno is an emotional Italian and can get overexcited about things. He reminds me of me sometimes.

Whilst hanging with George gives me a positive energy boost he can also be somewhat relentless. Bruno may be a little in the negative direction and it’s not the way I prefer to go. However, it will remind me that the world is about balance.

Tom Cruise and Katie Holmes – A Million Farewells – 13th November 2015

~ shaun tenzenmen ~ Leave a comment

Cat #: 177TZM

When Xiao Zhong and Sharon Cee-Q found themselves in a room together for the very first time, they agreed on a guiding philosophy: “Let’s not make anything that’s going to last. If we’re together for just two shows, then that’s what it is.” Thus was born Tom Cruise And Katie Holmes. Since then, they’ve most certainly deviated some, but not much, really.

Over the course of a year and a half, the Shanghai-based musos who’d been involved (non collectively) in such lauded mainland acts as Pairs and Hua Jia Hu Wei, released their debut 7” here on Genjing, added journeyman bassist Sam Walsh and drummer Daniel Nagles to their lineup and have proceeded to lay down one of contemporary indie rock’s most exhilarating jam sessions gone right – a concise full-length chock-full of woolly, dreamy, delicate, white-knuckled shoegaze imbued modern hymns.

This autumn marks the official arrival of A Million Farewells, the band’s first long-player for Genjing Records. It is a miraculously dissonant, wonderfully immediate display of Tom & Kate at their mightiest; alive with the same wild chemistry and sense of possibility that made their first recordings so vital. With more time together than they’d ever had before (which wasn’t much), the band had found themselves confronted with ideal, yet quasi-foreign conditions. And they wouldn’t have had it any other way. Two-minute freakouts like “My Life is Over” share airspace with the meditative squall of “Sam’s Knife” and the guitar-born majesty of the title track. One can’t but notice the band’s intentionally one-off brand of being exactly who they are in a pop context; everything presumably captured in (something like) three takes or less in a bleak, quasi-nondescript studio someplace deep within the damp, scabulous scrawl of modern Shanghai.

“It’s a simple thing,” Xiao Zhang says of their approach. “Simple takes the worry out of it. But we’ve grown up and been through some shit in China. To get to this point you have to bust through a few walls. It’s easy to be new, and I think, in the end, this is what it is.”

When you put the aforementioned foursome in a room, it’s Tom Cruise And Katie Holmes.

And A Million Farewells truly is what it is – quite something: a classic quasi-Sinophilic full length if there ever was one. 

Chui Wan – 30th August 2015

~ shaun tenzenmen ~ Leave a comment

Cat #: 176TZM

Three years after releasing their debut album, White Night, Chui Wan brings their sophomore, self-titled album into the world.

Over the last few years, Chui Wan has progressed with a new drummer, Li Zichao, while its core members — bassist Wu Qiong, guitarist Liu Xinyu, and vocalist/multi-instrumentalist Yan Yulong — have striven to perfect their musical ideas. On Chui Wan, the focus is less on the unbridled, reverb-drenched inflections of White Night, drawing more from the band’s wide palette of influences, including Sufi music, Southeast Asian folk tunes, and 20th-century avant grade composition. With confident, driving rhythm, they aim to embody a pop-influenced idiom of rock music, creating their own musical language in the process. Beyond the infectious melodic hooks on Chui Wan lies a near-constant fluctuation of beat and tempo, a deliberate maneuver calculated to create a simultaneous sense of fluidity and disjuncture.

Compared with White Night, Chui Wan’s sophomore album is structurally more complicated, yet simpler and more direct in its studio approach. It eschews White Night’s complex, repeated overdubs and adds more intricate lyrical work, which reflects the dynamic of calm and tension that stands out in Chui Wan’s live performances.

Chui Wan’s guest musicians also contribute significantly to the album’s distinct temperament. You can hear the trademark noise guitar wails of psychedelic free improv master Li Jianhong on the album’s closing track, “Beijing Is Sinking”. The album also contains a hidden gift: a remix of the second track, “Estivation”, by Dead J, one of Beijing’s most established and progressive electronic music producers. Dead J’s “Estivation” remix is a minimal, ambient, rhythmically more angular take on the original.

It is also worth mentioning that Chui Wan bassist Wu Qiong lends her vocal abilities to “On the Other Ocean” and “Silence”. Her voice adds rich choral accents to the album, a long-player already brazen in its Baroque sonic ornamentations.

Chui Wan was recorded and produced by Yang Fan. 

All songs written by Chui Wan, recorded in Beijing, in the winter of 2014.

Yan Yulong: vocals / guitar / violin / organ
Liu Xinyu: guitar / percussions
Wu Qiong: vocals / bass
Li Zichao: drums / celesta

Yang Fan / Li Qing: background vocals, “Only”
Li Jianhong: guitar, “Beijing is Sinking ”
Dead J: remix, “Estivation”

Recorded/mixed/produced by Yang Fan at Fan Fu Studios.
Mastered by Garrett Haines at Treelady Studios.
Cover art: Lv Junlin
Design: Ruan Qianrui

Chui Wan thanks everyone mentioned above, as well as: Josh Feola, Kai, CC Wang, Deng Chenglong, Liu Lu, Cao Lingfeng, Snapline, Yan Jun, Zhu Wenbo, Zhao Cong, Lu Wei, Li Ping, He Fan and Zhang Mengyao.