Tag: fiction
The Useless Tree – 9th December 2025

Inspired by the parable of the Useless Tree and shared with Poetic Bloomings #571 – Nothing But Trees:
Carpenter Shi was travelling through the countryside with his young apprentice when they came upon a village shrine built around an enormous oak tree. The tree was ancient beyond measure, its trunk so vast that a thousand men holding hands couldn’t encircle it. Its branches spread like a green cathedral, offering shade to the entire village square.
The apprentice stood transfixed. “Master!” he called excitedly. “In all my travels, I’ve never seen timber so magnificent! Why won’t you even look at it?”
Carpenter Shi barely glanced up from his path. “Worthless wood,” he muttered dismissively. “Make boats from it and they’ll sink. Make coffins and they’ll rot before the bodies do. Make tools and they’ll break in your hands. Make houses and they’ll be eaten by worms. It’s completely useless—that’s the only reason it’s lived so long.”
The carpenter continued on his way, but that night the great tree appeared to him in a dream.
“What are you comparing me to?” asked the tree. “Fine trees like cherry and pear? Those trees that bear fruit are attacked the moment they ripen. Their branches are broken, their bark is stripped. Their very usefulness makes their lives miserable, cutting short their natural span. This happens to all things.
“I’ve been working for ages to become perfectly useless. I nearly died several times in the attempt, but I’ve finally succeeded. My uselessness is now my greatest usefulness. If I had been useful, do you think I could have grown this large?
“Besides, you and I are both just things in this world. How can one thing judge another? You’re a dying man who understands nothing—what could you know about a useless tree?”
When Carpenter Shi awoke, he told his apprentice about the dream. The young man was confused: “If the tree wants to be useless, why does it serve as a shrine?”
The master smiled. “Quiet! It’s simply taking shelter there. Those who don’t understand it might harm it otherwise. If it weren’t a shrine tree, wouldn’t it be in danger of being cut down? Its way of preserving itself is different from ordinary trees, so using conventional standards to judge it will lead us far astray.”
On the surface, this story seems to be about different definitions of value—the carpenter sees lumber, the tree sees survival. But dig deeper and you discover something revolutionary: the tree has found freedom through strategic uselessness.
What if our quirks, our imperfections, our refusal to fit standard molds aren’t bugs in our programming but features? What if the very things that make us “unemployable” in one context make us invaluable in another?
Standing as a shrine,
the carpenter carves his maths
into my bark,
deciding I’m worthless
of even a spark.
As a boat, you’d drown,
a coffin would soon rot;
a tool soon broken;
in use, it’s better not.
As they dressed for compliments
all my friends became stripped bare;
miserable lives soon utilised
and no longer standing there.
If I were useful
I’d no longer stand.
We are just things.
What could you know
about me?
I’m a shrine,
just as I planned.
Three Colours Trilogy – 20th September 2025
“Now try coughing,” he repeated.
An unfinished symphony.
The blue of the car’s metal,
twisted and still.
The blue of the swimming pool,
a cold, empty tile.
The blue of the television,
buzzing in a dark room.
This is the blue of a cage
with the door swung wide.
A terrible, hollow liberty.
She wraps herself in a blue crystal necklace,
a weight from the past.
She sleeps in a bare,
empty blue room.
She wants the blue of silence,
the colour of no pain,
Nothings important.
“Tongues shall be stilled
and knowledge shall come to an end.”
You belong to all of us.
And the world leaks in.
This blue is not quiet.
It is an insistent hum.
The blue of his eyes,
asking for a truth she won’t give.
She tries to give it all away,
but the blue follows.
It is the colour of the thread
that keeps pulling her back.
The blue of the sheet music,
a song she thought she’d buried.
Music so beautiful it can’t be destroyed.
The liberty is not in the emptiness.
It is in the choosing.
You’ve always gotta hold onto something
“Tongues shall be stilled
and knowledge shall come to an end.”
You belong to all of us.
The white of a wedding dress,
left in a trunk.
The white of a pigeon’s wing,
taking what it’s given.
The white of his own breath,
ghostly in the Paris cold.
This is a blank space, an erased life,
impotent and powerless.
The white of a passport page,
stamped with a refusal.
The white of a 2 franc coin,
the last one in his pocket,
that will not let go.
He is nothing, a white zero.
A man made empty.
But a white suitcase carries him home.
The white snow of Warsaw
covers the same old streets.
This white is a clean page,
where everything is possible.
The white thread missing.
The white of a lie, perfectly told.
A white, calculated revenge,
by burying a white Russian in Powązki.
Equality is not in the winning or the losing.
It is in the white of two figures,
perfectly matched in the distance.
The white of a promise,
finally understood.
A red sweater hung on a grey chair.
A red light on a wet street at night.
This is the red of a closed door.
The red of a stopped heart.
Across the street,
a red lamp in a window.
An old man listens to the secrets in the air.
He knows the red of betrayal,
the flush of shame.
Now, wanting nothing.
This is the red of a thread,
thin and unseen.
It connects a falling book
to a worried hand.
A red judicial robe fading in a dark closet.
People have a right to their secrets.
A red neon sign buzzes over an empty café.
Another story that you don’t know.
A flare sent up
from one lonely island to another.
The red of a ferry’s light,
cutting through the fog.
No longer a stop,
but a start.
The red of a common pulse,
beating in the chest.
The red of a door,
finally opening.
Who are you
and what else do you know?
This fraternity is final.
Shared with dVerse MTB – colour and I was immediately reminded of the Three Colours Trilogy. It’s been a long time since I watched these movies and this poem did make use of AI to remind me of the details of the stories, from which I started pulling out and reworking various phrases and ideas. I’m not completely sold on my own formatting above and thought the French flag idea would be fun but this particular image is a little garish. I’ll try and come back to this a little later.
14th Oct 2025 – I have since watched all three movies again and revised this poem and flag image. I recommend these movies very highly. They’ve also got me back into watching the longer form, which is good because I have hundreds of unwatched movies at home!
24th Oct 2025 – Shared with dVerse OLN since this poem has been rewritten.
The Underdogs – 15th June 2025


Captured above to maintain format.
It’s been several days now
since I sat staring at this empty page;
waiting for the bombs to drop
to erase this void space.
Thinking of those hot days and nights in Rhodes;
thinking how I wasn’t scared of the future then,
wondering why I can’t get back there again;
Thinking how I got to here
and how impossible it feels to leave;
Thinking about the word collectors,
those saviours,
thinking about nouns;
~ How to make good to be better ~
How I would bake bread
in my safe European home;
Thinking why those memories cling
more than the achievements and disappointments since;
I never flew Hurricanes in Greece;
The only huns I fought were toy soldiers
and I always sided with the underdogs and losers;
Coincidence is telling me that it’s time
to start reading Proust;
Hoping for a revelation that will put me straight
and clear the fog…
as the bombs keep dropping all around others,
the blood spills across this empty page;
The word collector erased
throwing his life into the fire.
It’s been several days now.
The poem above was written for the first part of the W3 prompt #163. I was also inspired by Reena’s Xploration Challenge #385 using the phrase ‘word collector’.
The line ‘How I would bake bread in my safe European home’ is a reference to a time when I was about 12 and, with the help of my mother, I started baking bread. As I was obsessed with the Clash at the time I baked some bread rolls that spelled out the letters C-L-A-S-H, ‘Safe European Home’ being a song from their second album.
The line ‘I never flew Hurricanes in Greece’ is a reference to Roald Dahl and his book ‘Going Solo’ about his time as a fighter pilot in WWII. I just finished reading his book today. The mention of Proust is because I will start reading ‘In Search of Lost Time’ soon.
This poem is about not knowing what to write, knowing what to write, knowing what is important and the futility in sharing a few words with a few people.
The second part involves running it through the N+7 machine, where I have taken the following extracts to recompose, revise and make this new poem:

Captured above to maintain format.

