Every everything (The Chiang Rai Alternative Hour #15) – 7th December 2019

It’s taken me more than a year and a half to recover!

When I returned from the CELTA training course I found my brain had changed.  I seem to flip between data driven thinking and artistic thinking and often cannot find a good balance.  The training was very linear and intensive (as it should be) and on reflection now, some 18 months later, was easier to complete than I imagined beforehand and during.  The pressure to achieve was very high but that pressure mostly came from within.  Now, I realise that I can turn my hand to anything if I wish to.

Of course, the circumstances since the training have mostly helped me arrive at this conclusion.  First I started doing some free teaching with students from the local university.  This gave me a little self confidence though I was often shocked at the students poor language levels, in the language they are studying for their degrees, whatever the subject.  I can suggest to myself that I could probably easily complete a degree at the university here purely based on the fact I can use the language fully.  Anyway, that’s by the by for now as I’m not really considering that as an option at the moment.

After a few months kicking around and enjoying much free time I ended up working with Grade 5 students at a nearby provincial school.  I have a million stories from there, many which I would like to forget.  I soon discovered the crazy dysfunction in the education system here.  If it’s obvious to me, an unqualified teacher starting their first job then the system must be pretty poor.

I don’t intend to tarnish the education system as a whole as that would be unfair.  The circumstances I was in influenced a lot of my impressions and I try to understand that what I saw was not indicative of other places.  It was, however, the belief of many others teaching here that things are not much better elsewhere in the country.  There are a million reasons for this and books could be filled trying to explain.  The main down side for me was that I felt that I was unable to do a good job and provide useful learning for the students a lot of the time.  I hate doing a bad job – especially when eventually someone else is going to suffer for it.  So that was the other down side – watching willing students deal with the inadequacies of the system which lead to inconsistency in almost everything.  Frustrating beyond belief.

Beyond that though I have found myself with a passion and love for the students that has made me incredibly happy.  It’s a job that I really love to invest my time in and to go to work to do it.  I’ll talk more about this in future.

Just a short one this time as I push myself to get back into this.

“Every heartbeat, every movement, every moment, every sigh.”


Gratitude Journal

I am so grateful and happy to go to school on Friday, which was hard as I had been sick this week and had a bad experience on Monday. The kids also drove me crazy and made me quite angry but I survived and talked to Kru Noon about strategies to get them to listen more. I will take her advice and try this next week!


The Chiang Rai Alternative Hour #15

Music from Hamster Theatre, Super Thief, Infidel-Castro!, Arm, Kultur Shock, Captain Beefheart, Fugazi, Bogshed, Brainiac, Neon Rose, By The End of Tonight, Rafter, Huggy Bear, Jimmy Two Hands, Zu/Mats Gustafsson, Secret Hate and The Ex.

The Chiang Rai Alternative Hour #14 – 30th November 2019

Music from Effigies, Cardiacs, mr sterile Assembly, Charlottefield, Goblin, Charming Hostess, Palberta, Lungfish, Yugen, Subway Sect, Helta Skelta, Hatfield and the North, Churn Milk Joan, Radio Delhi, Midori, Positively 13 O’Clock, Boy Wonder, Blood Brothers and Human Expression.

Gratitude Journal

I am so happy and grateful to the staff at the hospital this morning who took care of Amy after she fell over and hit her head. Nothing serious thankfully.

The Chiang Rai Alternative Hour #12 – 16th November 2019

Music from Ibrahim Maalouf, Pm 7_Jupiter, Vialka, Doctor Coffee, The Fugs, The Fall, Pavement, The Dickies, Turnpike, France Gall, WannFunTastiKlons, uSSSy, Birthday Party, Ween, The Who and And So I Watch You From Afar.

Gratitude Journal

I am so happy and grateful that I have learned not to be afraid to stand up for what I believe in and also accept those consequences even if they are not in my favour. Others may do things differently and that’s their choice.

11th Apr 2021 – You’ll have to keep reading to find out more about those consequences – the period between September 2019 and March 2020 was very trying indeed! The last sentence mention of ‘others’ is just about the advice given by other teachers to me and how some considered that it is impossible for a farang to change and improve things within any Thai system. I fought against it and arguably, I lost – at least at the time. Longer term though I consider the minor changes I did create were worth the effort. Being a teacher is not about taking it easy for me, it’s a responsibility. I see others putting up and shutting up, but to me, that is just lazy. Never give up.

The Chiang Rai Alternative Hour #11 – 9th November 2019

Music from The Misunderstood, Angelic Upstarts, Passage, Surveillance, 13th Floor Elevators, Lozenge, Vaz, Hard-Ons, The Damned, Queen, Captain Beefheart, Melt Banana, Crass, Hitler SS, Meat Puppets, I Am Above and on the Left, Thee Headcoats, Party Diktator, Supertramp.

Gratitude Journal

I am so happy and grateful to be living in this part of the world. There are many times in a week when I marvel at the views of the rice fields and the mountains. Their depth changes depending on the weather conditions and time of day. There are good and bad points about every place to live but I certainly feel grateful for my time living here.

Lái – Demo – 4th July 2019

Cat #: 200TZM

Lái play Swedish influenced fast paced raging d-beat punk that propels the ferocious vocals right into the face of the listener. Vocalist Alda’s lyrics engage with voices that explore politics, religion, feminism and queer rights in South East Asia and the diaspora. Vocals are deliveried in both Bahasa Indonesian and English and the band name is taken from the Chinese Mandarin phrase meaning ‘to come/next.’ Lái invoke these diasporic identities and themes through punk, mixing ideas and personal experiences that often inter-connect but also continue to conflict in the world around us.

For fans of Totalitar & G.L.O.S.S., featuring members of Pisschrist, Extinct Exist, Masses, Ubik & Occult Blood. First released as a limited run of 100 cassettes in August 17th 2018 on Lost in Fog Records.

Struggle Session – Sudamérica Ruido y Amor – 4th July 2019

Cat #: 198TZM

“33 shows in 37 days, the numbers seemed unreal as we set off screaming through 7 countries, crossing an entire continent. It was a tour we’d dreamed about, some of us for years others for just the past six months, excited about new places to explore and new people to meet, different languages and different cultures. An utterly DIY tour that we’d planned and booked ourselves; we slept on floors, played in houses, in squats, in burnt out buildings, anti-fascist boxing gyms, and on the street. We played with amazing bands in cities we’d never even heard of before. We shared food and philosophies of life. We got free tattoos, free CDs, and free beer. We didn’t sleep for days on end. We ran out of clean underwear. We got tired and worn down, we fought and got sick, yet had no choice except to continue. We met amazing people and fell in love, with new friends, and with life. We may have even learned something about the world, each other, and ourselves. As the days flew by, each felt like a lifetime, each city a whole world onto itself. The tour became too much to take in all at once, its totality became a blur, while each individual memory burnt itself into our minds and our hearts.

Sudámerica Ruido y Amor is about that trip. 33 songs speed by in under 10 minutes, one for every city we played. Each track recounts a unique moment, a shared joke, or a crystallized emotion inspired by the people we met, the bands we played with, and the cities we visited. Styles clash and collide as the days bleed together and cities come and go, yet through the chaos, a common theme appears, one of the kindnesses of strangers and the power of community. We hope that this EP will stand as a document, not only of what we’ve done but also of those who helped us along our way. We also hope that it serves as an inspiration for others to seek out all the vibrant scenes supporting DIY music both on and off the map, in South America or wherever the music takes you. Above all these are love songs to all those we met on our tour. Sudámerica ruido y amor!” 

Nightmare A.D. – Phantoms Of Our Ruins – 19th November 2018

Cat #: 195TZM

Recorded and Mixed between Aug 2017 – Aug 2018 at First in Space Studio (firstinspacestudio.com) and Links Cambodia
Mixed and Mastered by Alex Khalchenia
Produced by Nightmare A.D. and Alex Khalchenia

All Music by Mia Priest and Nightmare A.D.
All Lyrics by Mia Priest
Additional Keyboards by Jon Banules

Artwork by Mia Priest

Lineup:
MIA PRIEST – Vocals / Guitars
TODD BAZLEY- Drums
GENESIS TRIAS – Guitars
NED KELLY – Bass
JON BANULES – Keys

Bad Nerve/Fanzui Xiangfa – 2nd February 2015

Cat #: 172TZM

FANZUI XIANGFA is:

狂骂 [Kuang Ma] – Drums
逆反 [Ni Fan] – Guitar
毛病 [Mao Bing] – Bass / Vocals
冲撞 [Chong Zhuang] – Guitar
六六 [Liu Liu] – Lead Vocals

Recorded and mixed by Hou Likao at Jishengchong Studio. Vocals recorded by Deng Chenglong and Tan Hang.

BAD NERVE is:

Mårten Bläckberg – Guitar/Vocals
Anna Salonen – Bass/Vocals*
Jonas Lyxzen – Drums/Backing Vocals
Melody Almroth – Bass/Vocals

*On this recording: Anna – Bass/Vocals

All music and lyrics written by Bad Nerve
Recorded at Parasite Studio May 2013
Mixed and Mastered by Fredrik Lyxzen, Parasite Studio

Thanks: Fredrik, Nevin and Genjing Records, Dennis and Ny Våg Records, Amanda, all our friends and families.

GR038 – genjingrecords.com

Imported to Australia under license.