
The Sound Stage, Snapline, Jonathan Alpart, Silvertongue Creative, Slinkrat, P.K.14, Yang Haisong, Layabozi, AV Okubo, Maybe Mars, Lolly Fan
“Everything that needs to be said has already been said. But, since no one was listening, everything must be said again.” – Andre Gide
Cat #: 125TZM
Mr.Graceless’ album “The Tree Ever Green” is the account of their youth’s mood, a part of this era’s memory of the voice of youth.
This record is not merely their music it is their farewell to years past. In the midst of this golden time’s echo we hear those yet unchanged sounds hovering by our ears, the first thumping of a trembling heartbeat, the first tightening grasp of a fist, their hearty laughter on afternoons filled with sunlight continuously pours in.
Nowadays those easily destroyed colors have all been scattered in different directions and the declaration made after yesterday’s fighting has not yet entered into the detached multitudes.
Young girls’ faces have become laden with dust and every memory of the age of youth is now locked. Not a word can push you out the door.
These three seem like withdrawn, inelegant gentleman in the face of everyone while attempting to record everlasting time using simple sounds.
The sweetness and vexation of maturing, the tumult and hot blood of adolescence, these things do not lose the pounding power of melody to leave an aftertaste of those flying ashes and smoldering smoke, winking, and can perhaps take you to… more
Chen Yuli, the sound manager of the Beijing Olympic opening ceremonies and Zhang Yimou’s movie soundtracks, devoted his talents to the cutting and shaping of these recordings and postproduction. This is the promise of this album’s quality.
Cat #: 112TZM
By the time of release in the US, Snapline’s ‘Future Eyes’ (produced by Martin Atkins (PiL/Pigface)) didn’t meet the constantly evolving vision of the band.
With the support of Beijing label Maybe Mars, the band re-recorded many of the tracks and added others to complete something that more clearly expressed their artistic direction.
For Snapline ‘Phenomena’is a recording of clarity, keeping all the sounds pure – presence, tone, rhythm and frequency are all united. Vibration, sound, recording, phenomena – Snapline softly mix all these things together.
Cat #: 100TZM
It’s been 2 years since Xiao He’s bizarre double CD “The Performance Of identity” (2010) was released thru tenzenmen as catalogue number 050TZM, marking a half-century of releases for the label. As one of the most important avant-garde artists in China, his astonishing creativity doesn’t change or vanish with the passing of time, instead he becomes more distinctive and interesting. He keeps on playing his solo symphonies and “universal experimental folk”, which has gained him much appreciation and a glowing reputation. Xiao He and his songs have been to dozens of countries and whilst performing last autumn he jumped off the stage and broke his feet! This new album, Silly’s Ballad, was created while he was instructed to rest at home by doctors, with his feet set in heavy casts. Xiao He wrote all 12 songs with an acoustic guitar, he even recorded them while in bed and on the couch. The new album overflows with beautiful melodies and classic folk arias.
He writes of the album, “While I was recording [the songs], cicadas were tweeting, and sometimes even a plane passed by. I tried to record without any external sounds before by thickening the walls of my studio, but at the same time I was isolating beautiful things outside.” So, when Xiao He returned to write love songs again, he was inspired by diverse colours and sounds. Besides the self-deprecating title, natural feelings hide in every sentence of the lyrics, reflecting Xiao He’s wisdom and philosophy. The use of narrative poems throughout the album helps Xiao He express his mystical world in sounds and words.
More to the point, this being catalogue number 100TZM, marking the full century for tenzenmen, this folk album will be released in a very special and limited format: not on CD, tape or vinyl, but as a ‘musical artbook’. It is perhaps the first of its kind. This multimedia truly enables Xiao He’s creativity better expression. The artbook contains 12 different pictures of leaves, drawn by Xiao He in Zurich in 2010. Those leaves lay scattered on the mountain road Xiao He walked along every morning to exercise. The 12 songs correspond to 12 different leaves. High-end headphone brand 233621 has generously provided specialized custom-made headphones for this ‘album’. Furthermore, this musical artbook also includes three music videos that were commissioned to three up-and-coming and very talented directors: Yu Liwei, Yang Jin and Zhang Yuedong.
Xiao He expressed his wishes for the artbook: “I hope this album will become the glorious road along which a silly person is looking for another silly person.”
Cat #: 099TZM
Dear Eloise is the side project of P.K.14 frontman Yang Haisong together with his wife Sun Xia.
Connoisseurs of DIY and lo-fi bedroom recordings the pair create beautiful melodies amongst layers of distortion. Playing all the parts themselves while recording and editing in their home studio they experiment with song structures and recording techniques their songs are interesting and layered while still maintaining a simple innocence.
Even though they do not perform live and have released their recordings rather inconspicuously, Dear Eloise has still managed to gain a loyal following in the Chinese scene.
Cat #: 093TZM
Weirdly, Beijing glam-punks Rustic won a global Battle of the Bands a couple of years before this. This is their first album.
Cat #: 071TZM
This is the second 7″ single from Dear Eloise. The A side “Song for Her” is taken from their sophomore release Beauty in Strangers on Maybe Mars/tenzenmen (2012).
DEAR ELOISE
Yang Haisong – Guitar / Drums
Sun Xia – Vocals
Produced by Dear Eloise
Recorded & Mixed by Dear Eloise at No. 13 studio
Produced in conjunction with Genjing Records, Maybe Mars and Share in Obstacles