Various Artists – Generation Six – 25th October 2011

Cat #: 075TZM

2008 and 2009 has seen the formation of an impressive group of young bands in Beijing that are different from their predecessors and prove that the now-legendary generation of bands that started in 2004 and 2005 are by no means the final phase of the explosive creativity of Beijing music. Grouping themselves under the name of Generation 6 as a way of asserting their differences, these young bands perform with a level of confidence and sophistication that comes much more naturally to them than to the bands that preceded them. 

For much of the decade, pioneering musicians in Beijing had struggled to develop a scene with very little history to guide them. Most of them looked to foreign bands for their models because there was no home-grown talent that could offered them inspiration on how to be a Chinese rock and roll band. 

But the Generation 6 bands grew up in a completely different environment. For them China, and especially Beijing, offered one of the most exciting music scenes in the world, with a wide variety of innovative and successful bands and musicians that had received attention not only in China but throughout the world. 

There are at least fifteen or twenty very good Beijing bands that consider themselves part of Generation 6. Many of them see their home base as D-22, which has in the past year turned away from the music that made the club famous in 2007 and 2008 to dedicate itself primarily to this new generation of bands. Maybe Mars has selected four of the most representative bands to introduce the Generation 6 bands to a wider audience. This will be great chance to see early on the bands that will dominate interest over the next three to four years. 

Four selected bands in album: 

In just two years Rustic has become one of the most talked-about bands in Beijing because of their outrageous performances and hard-charging glam rock style. In early 2010 they went to London to represent Asia in the Global Battle of the Bands and unanimously took first place – the first time every judge had agreed on the winner. They consider Joyside to have been their key inspiration although they regularly show up at the gigs of Demerit and all their favourite Beijing punk bands. 

When Birdstriking’s drummer, who grew up in Jinzhou, had to choose which university he would attend, there was no doubt in his mind that it had to be in Beijing because he wanted to be able to catch every performance of his favorite band, Carsick Cars. Heavily influenced by their sonic exploration, as well as by the intensity of P.K.14, Birdstriking’s urgent music have made them one of the key bands of the young experimental musicians who congregate around Zhu Wenbo’s Zoomin’Nights. 

Flyx is a young punk band who combine a driving energy with an ability to craft beautiful songs, almost pop songs, much like their heroes, punk gods Demerit. 

The band Old Fashion’s name is from lines “I am not old fashion” of Audrey Hepburn in George Cukor’s old movie My Fair Lady. They keep “old” traditional rock & roll way, as well as keep “anti-old” musical creative idea. After four years’ growth, Old Fashion has found their way from garage-revival to disco punk and become a popular band among the youth. 

Various Artists – Zoomin’ Night Vol 1 – 14th October 2011

Cat #: 073TZM

They love giving impromptu shows on Tuesday nights. 
They love playing in unconventional configurations. 
They love making sounds out of anything they can carry on to the stage. 
They love unpredictable musical performances. 
They love making one song constantly became another. 
They love the Zoomin’ Night. 

Zoomin’ Night – the name of a song by P.K. 14 – is also a series of shows of experimental music / noise rock held every Tuesday at D-22 in Beijing. It was inspired by other experimental music series such as the Waterland Kwanyin, Sugarjar Sunday Listen- ing and Sheng Dong Ji Xi. Reflecting the type of music they create, most of the Zoomin’ Night participants are creative and young musicians. They arrange sounds, start new bands and re- group constantly. They have found a home at D-22 and profess to draw their inspiration from Beijing’s energetic cacophony. 

In January 2010, Yang Haisong came to D-22 to record all their live shows that month. Most of the bands recorded were newly formed in 2009. Maybe Mars selected 9 songs from the recordings, putting them into a compilation. Additionally, buyers can download 32 additional tracks with a download-code enclosed in each CD. 

On November 19-20, 2010 the premiere of this compilation album was held at D-22. There were 8 groups of performers including: noise rock, psychedelic rock, post-punk, minimalism, improvisation, and synthesizer mu- sic. Most of the performers are included in this album. 

The Zoomin’ Night on November 23rd was the official “after party” for the premiere: five young musicians who took part in the album gave a personal solo performance, ranging from classical music to atmospheric experimental, and from minimal electronic music to industrial jazz. 

Dear Eloise – The Words That Burnt – 1st April 2011

Cat #: 056TZM

It’s not surprising if you haven’t heard of Dear Eloise. They are a mysterious band known by very few people. But once you have listened to their songs, they will be branded into your heart. 

The band came out around 2007, no definite date. It’s just an extension from a simple idea. Dear Eloise are Yang Haisong (P.K.14’s vocal) and his wife Sun Xia (P.K.14’s former bassist). No more words are needed, you will know how fantastic they are. 

In their new debut album, 8 songs, like 8 journals, are the monologue of frail, words that were burnt. Not only is the melody as pure and beautiful as a childish rhythm, but also the background is as noisy as an aged guitar factory. However, the songs have delicate fluctuations and layers similar to a possessed river, the water of which keeps flowing without stop, while rumbling in marvelous dark and light colors. After silence is demolished by noise within a second, a sweet but defenseless angel appears on the ruins with a peaceful and merciful look. She has a voice like a beam of light. Besides, her white feet moving in the darkness not only seem to be a piece of poem flowing in summer, they also sound like mumbling in cool well water or under large shades. In addition, the noise is performed magically and mysteriously appears to build up like looming rain drops. In this aural atmosphere of dimness, the swinging lights bring discomfort and anxiety . 

For most people, it is a brilliant album. What is rare is that it attracts people with its’ innocence and purity. Let’s imagine a picture in which the stars scald the sky and we crouch down on the lawn, stretching out our necks putting pressure on our knees. We look up to the dim but exciting glimmer, which hurts our eyes. Will we then cry? 

The world you imagine is very far away. It resembles a fading cigarette end or a scar… If you can find meaning to my voice, then you can comprehend this fairy tale. Get out of the fluttering dream, dear Eloise. I am going to take you to a lively and awesome place where there are castles and festivals and days go by with a roar. 

Yang Haisong interview by Bob Blunt at pangbianr – 11th January 2011

If 2010 on a local front seemed a quiet year for the P.K.14 camp with just 3-4 shows, then there sure was some momentum built abroad. The band very much became internationalists last year with welcomed invitations to two internationally renowned music festivals: South by Southwest in March in Texas USA, and the Melbourne Festival in Australia in October. As we all know, part of supposedly cutting your teeth on the global stage requires being hauled into a festival or two, alongside bands from all over the world, and if that means getting a chance to heat the boards for Low from the States, or The Drones from Australia, it’s an invitation to not shrug your shoulders at. I reflected on that and other stuff with the band’s front person Yang Haisong over a coffee recently.

Yang Haisong: It has been amazing for us to have a chance to travel to different parts of the world. Touring has become this new exciting thing and it is something we love doing. In the States, our label manager Michael Pettis (Maybe Mars) has a great network of support and that has really helped us. We have done two tours there now and met many of our personal heroes – the guys from Fugazi and Sonic Youth were really helpful. In Australia, we supported the Drones at the Forum Theatre, one of the most beautiful places we have ever played. We also met guys like Shaun from our support label Tenzenmen who does a great job for Chinese bands there. He ended up coming down from Sydney and staying with us for the whole week, which was a lot of fun. We just hung out on the blocks of Smith and Brunswick Street and saw some great local bands like Eagle and the Worm and of course The Drones.

Full interview at pangbianr here

Tone Deaf in the Public Kingdom – 10th September 2010

Beijing indie punk band P.K.14 were invited to play at the Melbourne Festival and I was to be their man on the ground. The festival covered their travel expenses and two nights in a hotel but I planned an extra show and some free time with them.

As part of the promotional push for them, singer Yang Haisong did this email interview with Tone Deaf magazine.

P.K.14 play Melbourne Festival Oct 22nd 2010

We’d like to know a little bit about you for our files, however, we don’t like regurgitating press releases or asking the easy questions. No one gets out of the Tone Deaf Interrogation lightly, so just hold still, grit your teeth, clench your buttocks and be still while we put on the rubber gloves, apply the thumbscrews, and pull out our thermometer while you open up and say ahhhhhhhhhhh… Truthful answers only or we drink your rider while you’re on stage.

Lead singer Yang Haisong from Chinese band P.K14 answers our questions.

We don’t want to know about the bands your press release says you’re influenced by. Take us back to your bedroom when you were 14. What band posters did you have on the wall?


When I was 14, most of music around us are propaganda songs and love songs from Taiwan and Hong Kong singers. I don’t like them both. No any chance to listen western rock music or get posters from stores. So I didn’t have any poster in my bedroom.

What’s been your worst gig and why are you glad there’s no footage of it on Youtube … yet?

I don’t really remember which gig are the worst. I would say the very first gig that P.K.14 played 13 years ago was so bad. We played 4 songs, I sang all the songs out of key, and my legs shacked all the time in front of hundreds of university students. But at the same time, It’s the best gig to me. I hope I can see the show on Youtube but seems nobody shot it.

Tomorrow’s payday, so we’ve only got $A20/$US18/£14/€10 to get you drunk. Where do we go and what do we buy with it?

I have no idea about it. I didn’t get drunk quite long time. Maybe you can take me to some local 2nd hand records stores? I am gonna get drunk even no alcohol there.

What releases have you put out? Are they million sellers or do you still have a few boxes of them sitting gathering dust under your bed?

We put out 4 albums so far. And none is million-seller. Most of people like all the love songs and kind of Chinese idols, Unfortunately, we didn’t play love songs, and are not idols neither.

Suppose we put a gun to your head and force you to kiss a member of another band. Who, which band and why?

Billie Holiday. I think you know why.

You’re touring Australia. We know how much visitors are afraid of our native animals, so what is your greatest fear? Getting attacked by a) a snake b) a redback spider c) a bluebottle jellyfish d) a crocodile or e) a venomous drop bear?

Snake is my nightmare, worst ever.

P.K14 play at The Forum on Fri 22nd October, as part of Melbourne Festival’s Beck’s Festival Bar. Tickets are $20. Find out more info on the Beck’s Bar website, or visit Ticketmaster for tickets.