Maximum Rock ‘n’ Roll #156 All Australian Special – 1st May 1996

Arriving in Sydney, Australia I soon made it an objective to find the punk scene here. I found the record stores, the pub venues and slowly fell in with those making it happen. It wasn’t exactly the same as I was used to in Southampton but close enough.
One of the first people I was introduced to was Sean No Deal (his record label was called No Deal) and Bronwyn and I hung out with him, his girlfriend and friends around Newtown sometimes. Everyone was friendly but obviously, I was the outsider and it wasn’t easy to break into this group’s inner circle.
Coming from cold England where we kept ourselves busy doing things so as to stay warm I sometimes found the laid-back attitude of Australians a little frustrating. I thought I could take advantage of this and get involved somehow in making things happen a little quicker. I just had to figure out a way.
I’d already been up on the Central Coast and got into DJing on the local license-seeking PCR-FM where I played the most out-there music that I could find. I’d also stumbled upon the folks behind Phlegm and the soon-to-be-launched What Is Music? Festival.
In hardcore punk terms though, Sean seemed to be the one guy everyone told me to talk to and after doing so I found out that he’s pitched to Maximum Rock ‘n’ Roll about doing an All Australian issue of the fanzine and had already started work on it. Awesome – that sounded like something I could really help out with. I threw around some ideas which were agreeable – ie – go for your life!
In keeping Sean up to date with my ideas I asked for all the contacts he had around the country and then to see what he’d done so far so that I didn’t double up. This is when I found out that next to fuck-all had been done so far and some of that was already out of date. It surprises me that Australians ever get anything done sometimes but that’s also one of the things to love about their laid-back attitude.
I took everything Sean had and decided now was the time to throw myself into something. Bronwyn and I were back in Sydney from the Central Coast, with a baby on the way and me just starting my career in IT. I needed to get this done before the baby was born and do it I did.
About four months after sending off a package of papers, pictures and floppy disks a free copy of the fanzine arrived in our mail and I was quite proud of what I’d managed to achieve in such a short time.
In the end, there were many other contributors who provided scene reports, interviews and information and I was really just the focal point to bring it all together to make it happen.
I’ll add some posts here with some of the interviews I did and the whole magazine is available at archive.org.

Proud to be alongside these legends. In the following decade, I would also meet Mykel Board and Adrienne Droogas along with Lawrence Livermore again.

The one thing that got pulled from being printed was an interview with Oren Ambarchi and Phlegm and the What Is Music? Festival, which is a shame because that was what I was most interested in at the time.

Surf’s Up With Shaun – 1st February 1995

What is punk rock? Is it a way of acting or behaving? Is it about music? Or politics? Is it anything to do with THE SEX PISTOLS? Ог CRASS? Is it nihilistic or cynical? Optimistic, introverted or extroverted? Is it far-reaching + powerful? Small + exclusive? What do you think?

Well, when you live in the middle of a rainforest + the only rock around is sticking out of the earth, you start to think about these things. The answer is – it’s all punk rock, innit!

Cos I was sat on the beach trying to get my skin as bronzed as the surfies in the noonday sun (of course this isn’t true because if you have got any brains, you’ve got to cover up from the sun, or stick on your sun factor 15 but a lot of people don’t bother with this until a limb or two has to get cut off, so tell your kids OK!).

Well, I was on the beach checking out the surf (you see in Australia, the water is actually warm enough to go + swim in but you do have to watch out for sharks!) + watching the pelicans flying overhead + I was thinking “Man, this isn’t very punk rock is it?” and then I got to thinking “what is punk rock?” then pretty soon, I thought “Fuck it, let’s go for a swim”.

After that I went to the cafe + contemplated a bit more + I thought all the scantily dressed girls on the beach must be frustrated, cos all the surfies are interested in catching is waves. I checked out the surfies and hell, I saw me a couple of PANTERA t-shirts, a NIRVANA t-shirt and an OFFSPRING one too, so punk rock does exist here at the beach! I talked to one dude but gave up pretty soon, cos he’d never heard of MINOR THREAT, even though he skates!

Of course, this got me back to thinking about what punk rock is + I began to realise that, hey, it’s OK if that dude doesn’t know who Minor Threat is – he’s OK. I later found out he was well into conservation and abhorred racism, which is pretty punk rock for a sixteen-year-old surfie.

Sometimes, it takes me an age to realise the obvious and that I should have listened a bit harder when my best friend said “It’s all punk rock innit!?” So all you folks back in England can be satisfied that rock is alive + well on the other side of the globe + hey, they’ve even got bands here too + some are pretty good but man, it’s difficult to get away from the beach to get to see them sometimes!

Huggy Bear, Bob Tilton, Thirst!, Persecution Complex – Joiners, Southampton, Hampshire, UK – 13th August 1994

From Rich Levine’s encyclopedic memory banks:

“Another landmark & eventful gig for us! One evening I took a phone call from a bloke called Stuart asking us about a Joiners gig for HUGGY BEAR! Now as this was not too long after the height of the Riot Grrl media exposure & HUGGY BEAR had made a high-profile appearance on ‘The Word’ (Channel 4’s then flagship music show) my initial reaction was to suggest that he spoke to Mint about doing a Next Big Thing gig but Stuart was adamant that they wanted to play a D.I.Y. gig & that he knew all about the S.T.E.
When I met Stuart at the gig it turned out we recognised each other from London gigs & he was a friend of Sean from WAT TYLER! So we did the gig & there were no problems at all with how things worked – as per our usual way of working there was no contract or guarantee.
There were a couple of surprises though – the first was that a band from Plymouth called PERSECUTION COMPLEX turned up & ended up playing. The second was that Graham Coxon from BLUR was going out with one of HUGGY BEAR then & he accompanied his girlfriend to The Joiners.
Afterwards, when he heard that Coxon had been in attendance, Rob Turl exclaimed that he would have decked him if he’d known! 😉
THIRST! opened & their ‘Friend’ 7″ was out at this point (the very first SD Records release).
This was also the start of a long & wonderful friendship with the guys from TRAVIS CUT (Chris Evans, Mac Cut McDonald). We’d met them at a JAWBOX gig in their Harlow hometown earlier in the year & got in touch, loved their debut ‘Waking Hours’ 7″ & when Nottingham’s BOB TILTON, who were originally billed couldn’t do it (we’d have to wait for their first S.T.E. gig), they were an obvious replacement.
Afterwards TRAVIS CUT stayed at Jonny, Selina & Dave’s house in Maybush, me & Rob joined them & it was a wonderful evening.
The next day, just as TRAVIS CUT drove home to Harlow, a beautiful cat turned up almost as if he’d jumped out of their van. He stuck around & it seemed inevitable to call him Travis (Cat). I immediately struck up an affinity with Travis & a year later when Jon & Selina moved to a house where they couldn’t have cats, Travis moved in with me & lived with me for the next 14 years of his long life until his passing in 2009. R.I.P. Travis.
Sadly, Stuart the guy who booked the HUGGY BEAR date passed away some years back too.
The flyer backdrop photo was of a Japanese or Korean musician that I again purloined from The Observer or Guardian newspaper.”

5th Jan 2024 – I was selling off my records at the back of the room throughout this show and though I remember little of the supports, I was really into Huggy Bear’s music but at one point their hyperbole made me wonder what their point was as it was a little lost in the mess of noise coming from the stage. From the back of the room, I shouted out ‘Who are you and why am I here?’ to which Bronwyn shushed me. I thought it was quite a valid sentiment though not sure if anyone was paying attention really. And it really didn’t stop me from enjoying them at all.

STE Bulletin – 2nd July 1994

Shaun’s Show

The last 2 S.T.E. gigs at the Joiners have really impressed me and I don’t just mean band/music-wise. Being a long-time friend of the S.T.E. Collective, I feel reasonably comfortable at the gigs and the Joiners where most have been in the last 4 years and I guess I know pretty well what to expect.

Over the time, one gig sticks out as being particularly good and that was seeing Green Day play around the time of Rich’s birthday. Green Day, as you probably well know, are good fun blokes and raised many a moshing smile that night, dragging Rich on-stage for a rendition of ‘Happy Birthday’ amongst other mad moments.

I got to meet and talk to Larry Livermore which was way cool and everyone there was smiling and talking to each other and having fun. There was a sense of achievement and a spirit of one-ness (Rob thinks he’s got the monopoly on taking hippy shit!). Fuck, you know what I mean, don’t you?

Anyway, I got that feeling again last week, while seeing Thirst/The Harries/Rhythm Collision. I was stuck most of the night behind the record stall but it gave me a great vantage point to look and watch everyone and get a good feel of the atmosphere. It was good to see many happy faces and excellent to see new ones (and Rocket From The Crypt t-shirts!) and girls too seem to be coming forward more and more into the gigs, which is great. Gigs can still seem intimidating sometimes.

Thirst played a good set, getting better all the time and always getting a reaction one way or another from the crowd! Both The Harries and Rhythm Collision play music that’s not really to my taste (I don’t like Green Day much either) but it’s got that foot-tapping happy tone to it, that makes you feel good inside. 

Many people hung around afterwards and chatted to the bands and with friends and as I was talking to Rhythm Collision’s guitarist, it suddenly struck me that what’s going on here is bigger than all of us (though made up by us).

There I was talking to a complete stranger about my forthcoming trip to Oz and finding out we both have a mutual friend there. I’ve heard it said that hardcore is the second biggest underground organisation in the world (next to the Mafia!). Who knows if that’s true but it seemed cool to me that I have friends all around the world, who I’ve never spoken to, written to or even met yet. The main thing that draws us together being music (and sometimes politics).

The second gig – Thirst/Zimmer Frames/Bedlam Hour – proved even more so, the trust and respect that us punks give and take from each other. Bedlam Hour toured without any equipment (relying on being able to use other bands’ when they got to the gig) and organised their whole European tour themselves from names and addresses in ‘Book Your Own Fuckin’ Life’ magazine.

Here they were in Southampton, thousands of miles from home, welcomed into our friendly atmosphere. They were the most friendly, admirable people you could ever wish to meet.

The one thing that got the crowd going being a magnificent rendition of Minor Threat’s ‘In My Eyes’ sung by Queer Rob. From then on, everyone was convinced. I saw guys at the bar looking on, thinking ‘Who the hell is this band?’, who were now jumping up and down and sideways, with their pals.

Girls not sure about the huge bulldozer bass player with udders were now laughing along at the absurd fun everyone was having.

Note should be made of Queer Rob’s Art Deco dancing (too much Big Breakfast methinks!) to Thirst and The Zimmer Frames great sets.

These gigs were certainly events to be proud of and now let’s look forward to the next gig and all those to come in the future. Sharing our music, our friendship, proud in the knowledge we are part of something bigger and that we are making a difference.

Shutdown, Thirst!, Flaming Katie – Joiners, Southampton, Hampshire, UK – 16th April 1994

5th Jan 2024 – Words from Rich Levine as I have little memory of this now and it seems I didn’t write anything at the time either:

“This was an emotional night. Steve’s memorial gig (there was also another remembrance gig around the same time at our old school Alderman Quilley in Eastleigh) saw his old band THIRST! continue with Philip Beevers from CHICKEN-BONE CHOKED joining. If we didn’t love the SHUTDOWN guys (Neil Cox, Christian Burton) already then them coming from Worcs to play this benefit gig for pretty much nothing cemented that feeling. FLAMING KATIE (Russell Pataki) played too & it was a night of both tears but also togetherness in friendship when this very close-knit scene came out to show their love and commemorate. Prior to his passing, Steve had planned to put out a poetry zine. In the aftermath, Rob & Shaun put this out as a tribute to Steve under the name ‘40,000 Reasons For Living’ (the title came from a line in the R.E.M. song ‘Texarkana’ which was played at Steve’s funeral) & the cover of the zine used the burning house photo that was on the sleeve of fIREHOSE’s ‘Ragin’ Full On’ LP. The same photo was used as the backdrop for this gig flyer.”