Dragonflies and Daffodils – 14th March 2025

As the summer days came by, drifting,
my demeanour grew more uplifting;
I took to sitting upon the sill,
to occupy the sunshine’s gifting.

Long gone the air of old winter’s chill,
April showers and softening still;
the harshness of all those darkest nights;
open the window to dog days thrill.

Ever changing, yet familiar sights,
somehow, the world now set to rights,
Lee and Nancy, with their velvet song,
saw me shine under the bright stage lights.

The future mine, I could do no wrong;
angels of innocence kept me strong;
yet now, the window, open too long,
the chill returns, and my hope all gone.

Nancy
her deep blue eyes
watch me from the cover
first stirrings of teenage dreaming
beauty

A chain rhyme quatrain (with bonus Cinquain) for an AllPoetry assignment, and shared with dVerse with the prompt Open Window.

During the summer, when I was 11 or 12, I would sit on the sill of my bedroom window with the window open to the birds and my imagination. I would imagine that I was the next Lee Hazlewood singing along to the whole of the Lee and Nancy album and hoping that I would be talent-spotted by any random passerby, of which there were very few as I lived in a remote countryside village. Not helped by the fact that I would duck away in shyness if anyone ever did come by! I was also a terrible singer.

I remember this album cover clearly and was sure that Nancy Sinatra had blue eyes! I can still see it in my mind!

But then look at this poem that I wrote 4 years ago, where I clearly state that she has dark eyes! Don’t trust your memory!

Did I just write a seasonal poem, too? I may have to kill myself.


Minnesota Pocket Circuit, aka M.P.C, is a hyper energetic midwest emo band with huge screamo influence. Embrace the Twinkly guitar riffs, highly energetic drums, and silly goofy depressing vocals and lyrics!

Split release between Desperate Infant Records in Hong Kong and tenzenmen in Thailand.

Review from Suspect Device

Shadowman – 30th June 2024

Englehart

Wound tight, played precise
A night fight, all that jazz
Voodoo spell, doll will dance
Deadside hell and razzmatazz
Pagan sages, a ragtime roll
Inner rages in shadow hours
Pinprick pain, man divided
Ridden insane by fiendish powers

Inspired by the original run of the Shadowman comic. Submitted to FOWC with Fandango – tight and precise along with the Word of the Day Challenge – jazz


Bennu is a Heron 2023全新EP -「despite the world is so big, but not a corner belongs to me」現已上線。
四曲自我記錄忠實呈現,獻給2019 – 2022的我們,祝好。

Home, Sweet Home
「未曾問你來自哪裡。」
關於家,關於身份,關於歸屬,關於靈魂的容納之處。

Injurer
「你還像從前那般?」
關於憤怒,關於立場,關於公義,關於變成曾經憎恨的人。

My Dream
「昨晚睡得好嗎?」
關於愛,關於記憶,關於留戀,關於每一個不眠之夜。

Fairy Tale
「你啟程後,不會再回來了吧。」
關於海,關於浪漫,關於自我,關於不設限的未知旅程。

實體將於10月發售

Vinyl release is a DIY worldwide co-operative with:
Desperate Infant Records
Qiii Snacks Records
Sango Records
ungulates
22 Records
Calm Lake Records
tenzenmen
Gizzmoix Records 

Originally digitally released by Sango Records @sangorecords and Desperate Infant Records @desperate.infant.records
Recording by 伟松&拓坤@RC Studio, Nam@Zhuying Studio and Sam@Home
Mixing / Mastering by Brian@Sound Blade Studio
Artwork by Jumpgate, Saki, Yellow and Jinbo

Bennu is a Heron (Guangzhou, China)
贝努是只苍鹭,来自广州的 Skramz / Emoviolence 乐团,由多支 Hardcore 乐团的乐手组成。 以所见、所闻、所想为出发点,直白陈述内心情绪。
Vocal – Jinbo
Guitars – Sam & Joe
Bass – Gao
Drums – Chal


Today I’m feeling:

Still a little dusty and vague. Predictably, last night I didn’t sleep well as indigestion bothered my stomach and the oysters bothered my guts. 

A really vivid poop dream got me out of bed as the oysters decided to make their early exit and it was a struggle to get a good deep sleep after that.

Today I’m grateful for:

Starting to feel normal again this evening.  Even early this afternoon I could still taste Friday night’s whiskey in my mouth.  This evening I seem to have my energy and motivation back after pushing through with a few things this afternoon.

The best thing about today was:

Sorting things out this afternoon for the Bennu 12” release and the upcoming MPC CD, downloading some comics, listening to some tunes and playing a bit of guitar.  I have to try and force myself into my room this week to play some more.  No book reading again this weekend sadly.  I really want to read more but seem more invested in YouTubing.  I’m going to turn off the video I’m about to watch and read instead.

Something I learned today?

Watching the Swans mini-match I found out that we lost by one point in a poor game.  Hopefully, it keeps us from being complacent.

I took this picture because I needed a shot to put on Bandcamp to try and sell this latest release from Bennu Is A Heron.

Time To Leave – 3rd November 2023

It’s time to leave, time to live
The tough have already got going
The soft remain inactive
But deep down already knowing

It’s time to go, time to be gone
Let the waste remain in this place
Time is forever marching on
And taking up so much space

The magnetic pull unwavering
Stick the cynics in the bin
Tomorrow is not worth savouring
If the journey doesn’t begin

Once again, inspired by this post at Spinning Visions. I am usually inspired by things I see, hear and read (more than conjuring things from the depths of my brain – at least, these days) and I’m catching up on reading Makenna’s journey via her blog.

9th Jun 2024 – Shared with dVerse OLN #363
20th Oct 2024 – Shared with Moonwashed Weekly Prompt – magnetic


The Blackened Screamo powercell from İstanbul, Jornada Del Muerto (featuring members of The Ousted, Burn Her Letters, ria, pembe, Noisy Sins Of The Insect, Slave Training) unveils their brand new full length “Pinturas Negras” via 11 DIY labels (see below) Mixed and Mastered by Pete Grossman at Bricktop Recording who has an excellent discography, such as Inclination, Frail Body, Uglybones, LUCA, Crowning…

Having released a cathartic and well-written debut album in 2021, the blackened screamo act Jornada Del Muerto dedicates Pinturas Negras to Goya’s “Black Paintings” in lyrical and musical ways. 14 songs for 14 paintings.

The band took it to the next level with their new release: while the band is maintaining the short-songs-with-violent-outbursts kind of approach with their songs, it is very clear that Jornada Del Muerto has given a lot of thought to the instrumentation of their new songs as the riffing and the song structures are very on point. The band makes it known to their listeners that very diverse influences are musing their sound, and Jornada Del Muerto transforms these muses into gut-punching screamo anthems with sheer explosions.

Jornada Del Muerto is Alican, Görkem, Mutlu, Onur

Recorded at PUR Music Studios
Mix and Mastering by Pete Grossman at Bricktop
Additional Cello by Öykü Opuz
Artwork by Nazan Aydın

Sabbath Video credits
Directed by Doğuş Asan & Mutlu Oral
Animated by Doğuş Asan
Character Design by Eda Dursun
Written by Mutlu Oral & Görkem Arslan
Edited by Mutlu Oral

Judith and Holofernes Video credits
Video by Görkem Arslan & İdil Kocabozdoğan

Co-operative release featuring the following labels:
Mevzu Records
No Heroes Records
Dead Red Queen Records
Fresh Outbreak Records
Friendly Otter
5 Feet Under Records
Dingleberry Records
Pumpkin Records
Salto Mortale
Seitan’s Hell Bike Punks
tenzenmen
No Funeral Records


Today I’m feeling:

Happy and content. I’m so happy that Amy is back and made our house back into a home again. Everything is clean and tidy! It’s not that I’m terribly messy and dirty but my standard and its importance is lower.

Today I’m grateful for:

Kru Jern for fixing up some things in the class attendance system for me. It’s important to have a good connection with some co-teachers because sometimes there are things that need to be done that I can’t do by myself.

The best thing about today was:

Unprompted, Kru David commented positively on my new Monotone trousers today. It’s nice to hear that though I never would expect that about my trousers as they are relatively plain when compared to some of the shirts I wear!

What was out of your control today and how did you handle it?

I have a smart kid in one class (Kwang) who suffers from a lack of direction and absent parents. She’s smart enough to avoid working hard and avoid getting in too much trouble. 

This week she explained that her phone touchscreen is broken and that she can’t do my work whilst in class but promised that she would do it at home in the evening, which she then didn’t do.  

As I have two old spare phones I figured I would donate one to her so she could do my work in class. I struggled to remember to find it this morning but in the end, I picked it up and found the charging cable too.

I waited for the homeroom teacher to appear in the morning and told her of my idea which she thought was a good solution. However, Kwang’s grandparents sent a message that morning that she wouldn’t be in school today! 

I left the phone with the homeroom teacher as Kwang will likely show more respect for receiving it from her than from me.

Something I learned today?

Of course, surely, I learned many things today but they all seem relatively minor and inconsequential as I try to summon them here to write. 

Name five ways you are quite difficult to deal with?

 I still have a childish reaction to being told what to do and how to do things sometimes, even when offered in good faith and it being a better solution than what I’m trying.

I enjoy things that most people don’t and I detest many things that others seem to enjoy. I’ve softened somewhat over the years and can bear small amounts of detestability. In general, this revolves around entertainment such as music and movies mostly.

I’m happy to be by myself and don’t need much interaction to be satisfied. It’s not that I don’t like people, I really do. It’s more that I don’t find a large percentage particularly interesting and I often don’t feel like investing the time to go deep with them. Others though, will appear that immediately interest me. I can wait for them to show up.

I still sometimes struggle with changing tack after I’ve invested time and effort into the direction I’ve been going. Working in Thailand has definitely made me improve myself with this as changes can manifest with little warning.

In the past, I was quite contrarian, in connection with point 1 here. However, I would say that I am not at all outwardly like that these days, though the thoughts are still entertained internally!

I took this picture because this is an accurate reflection of my place in this world. At the walls of my palace sit the beasts and the jungle.

The Chiang Rai Alternative Hour #62 – Hot Burning Billions – 1st November 2020

The hottest pile of burning money on the internet as voted by everyone, everywhere. Hotter than the POTUS on fire.

Highly curated, carefully selected and specifically ordered* for your listening edification by world-renowned DJtenzenmen, who has over 500 years of experience in this business.

This week there’s music from No Babies, My Dad Is Dead, Saccharine Trust, Neos, Charming Hostess, Landowner, The Fall, Art Bears, Jimi Hendrix, Pigment Vehicle, Andy Partridge, Renaldo and the Loaf, The Let Go!, Eat Avery’s Bones, Midori, Luff, Satanique Samba Trio and The Obits.

Intro and background music by Utotem, Phantom Tollbooth, Daniel Striped Tiger and someone else I forgot. Throw in some Hawkwind.
Incidentals taken from the Church of the Sub Genius Hour of Slack.

Find us on Twitter and Facebook too. Tell us if you like it, tell us if you don’t.
Listen right here or Mixcloud, Stitcher, Apple, Amazon…..all those cool places I guess.

* ie totally random.


Weight: 79.3kg

Gratitude Journal

I am so happy and grateful for the opportunity to sit next to the pool overlooking the ocean and drink champagne. I still can’t get used to it when I think back to my past.

Singular – F.E.I.A.R. – 7th April 2019

Cat #: 197TZM

All instruments, songs, lyrics, recorded, mixed and mastered by Mierul.
Release by Terr-Record (MAS), Tenzenmen (THA/AUS)
Artwork by Jeremy Famir (jeremyfamir.deviantart.com)
Live show line up: Farouq, Boyo, Awie, Kay, Ayob, Mierul.

“Ultimately, F.E.I.A.R. feels like an exploration of some of the many sides of derangement, letting each track speak to a different nuance on the multifaceted front of devolving into chaos while proving independently musically striking. The album’s riff-mania quickly gets pretty alluring. 5/5 Stars” – Capturedhowls.com

“Chaotic and brilliant all in one” – Thisnoiseisours.com

“The album is a real evil, genuine chaos and energy spurting the fountain!” – Homo-faber.net

“Any of you fans of more forward-thinking Converge style blackened hardcore with angular dissonant music that then gets buried in noise-laden blast beats, under eerie vocals that can switch to throat shattering shrieks on a dime, Singular needs to be on your radar” – Uniteasia.org

enema noise – eventos inevitáveis – 3rd July 2018

Cat #: 191TZM

Tape available for purchase:

terr-records.bandcamp.com/album/trrc-15-2018-enema-noise

Distributed throughout South East Asia by Terr-Records.

eventos inevitáveis (2017)

daniel: bateria, voz (2,3,4,6,10), guitarra (4)
murilo: guitarra (1,4,8,9,10) baixo (2,5,7) teclado (3)
lamim: voz, guitarra (2,3,6,8), baixo (1,3,4,9,10)

baterias e vozes gravadas no estúdio afra (brasília)
capa: leonardo oliveira (bit.ly/2xWMD9p)

enema noise (2016)

Mix & master by Mammoth Green Records (on.fb.me/1KtVHSG)
Photo by Lovelove6: on.fb.me/1ZQHDip

Brasilia, Brasil

Bichano Records: bit.ly/1ZQsIou
Share This Breath: on.fb.me/1Qiof62
Transtorninho Records: bit.ly/1Tb5BQl

Daighila/Grinding Halt – 28th January 2013

Cat #: 120TZM

Daighila from Malaysia delivers two tracks of early Envy inspired hardcore mixed with some Neil Perry in the mix. You know the stuff when screamo wasn’t a curse word yet and this sort of music was delivered by punks. Well. It’s still around. Hectic, fast, melodic and with passion.

This will be Grinding Halt’s 2nd split 7” this year and here they deliver their longest and heaviest track to date. Three riffs is all it takes really. Think Eyehategod with heavy, distorted vocals. Blunt and without any thrills.

Split label release with Graanrepubliek Records (Netherlands) and Bullwhip Records (Malaysia)

El Eje Del Mäl/Inquiry Last Scenery – 12th March 2012

Cat #: 027TZM

Our cooperative worldwide DIY network made this 7″ happen with the following record labels input: 
tenzenmen (Australia) 
Liku-Likuan Hibaran (Malaysia) 
Internationale (UK)

I can’t remember why, but this release took a couple of years to complete.

12th Mar 2023 – It took a few years to sell too as both bands weren’t so active around this time. There was a mix of fluorescent covers and the childlike artwork always stood out when flicking through record stacks.