Tag: Shouwang

Aching Bone – 15th October 2023

~ shaun tenzenmen ~ Leave a comment

Everyone has got an aching bone
Something imperfect inside
The picture may be pretty
But there’s always something to hide

Flat feet, terrible teeth
The flaws remain concealed
There’s lipstick on the cover
In the morning the truth revealed

Bad breath and wrinkled eyes
The Botox is wearing off
The aching bone is constantly nagging
Unable to look pretty and cough

As I was waiting somewhere, my left foot aching from fallen arches, a pretty girl walked by, drawing my eyes. Perfect on the outside, what is her fallen arch? Her hidden aching bone?

Today I’m feeling:

(1.40 am) still awake with a headache.

(3pm) When I finally got to sleep it was deep and with no real morning planned for, I slept until 11am and headed off to coffee and Tom’s new shop on the bus. Even then I didn’t quite wake up until I started browsing the books in the shop, of which he had curated a good selection and I picked up about five. It was good to see Tom too, he looks like he’s doing well these days. 

I walked over to Newtown which was really nice to do, past old buildings and streets I used to drive through.

I got to Moshpit and met Bob and Julian and the band turned up and I caught up with everyone again. Nicely nostalgic and not too weird, even though it’s a Sunday afternoon and I have other places to go to soon.

Today I’m grateful for:

Tom and 19th Nervous Breakdown for buying me coffee, giving me CDs and only charging me 20 bucks for 5 books and a CD. Good man!

Also to Julian for covering the cost of my ticket to the show today. Good man! 

The best thing about today was:

Catching up with Shouwang and Carsick Cars again and talking about the good old days, I suppose. It seems like in Beijing these aren’t the good old days anymore.

What was out of your control today and how did you handle it?

Apart from my sleep there was nothing much that couldn’t be easily handled. I didn’t even eat until 7 pm except a Snicker Bars which took off another piece of tooth after losing a bit last night whilst eating bread rolls. I guess that was out of my control but thankfully the filling is still intact so there’s no pain at the moment.

Something I learned today?

Thanks to Dave I learned too much about chickens and limestone. I’m somewhat jealous of people like Bronwyn and Dave who are just able to keep talking even if it’s not that interesting or relevant. I noticed Dave checking himself occasionally before he started wandering off into conspiracy land though he did end up getting into something but I can’t even remember what it was now because it was just so dumb.

Who do I need to spend time with?

I need to spend more time with Amy and to settle back into a comfortable routine that will work for me again. I know there will not be enough time to do all the things I’ve been used to and Amy will have me busy doing things.

I took this picture because it’s been a good while since I got my ears blasted at a show.

Carsick Cars – 3 LP – 20th April 2014

~ shaun tenzenmen ~ Leave a comment

Cat #: 159TZM

NOTE: CD has alternate language versions to the vinyl and different bonus tracks in the download!

After five restless years, Carsick Cars, China’s most influential and dynamic indie-rock band, return with their most mature and exciting release to date.

Available in April 2014, ‘3’ is the aptly titled third album for the Beijing based trio. ‘3’ sees vocalist, guitarist and founding member Zhang Shouwang return with his signature sound, seamlessly combining drone with shimmering pop melodies. The result is assured to please established fans and new listeners alike.

Carsick Cars/Flavor Crystals – 19th April 2014

~ shaun tenzenmen ~ Leave a comment

Cat #: 150TZM

On the flip side, Minneapolis psych-rock vets, Flavor Crystals, offer up Mirror in My Mind, a drone smeared, carefully considered, morotik ripper that mines the depths of exploratory shoegaze with aplomb, not unlike an auditory visage of one of Frederik van Eeden’s exercises in lucid dreaming. The band’s most recent full length release, a triple LP psych monster, coincidentally titled Three [Mpls. Ltd.], may well be one of the more criminally overlooked wax platters of the past couple years – self-engineered and produced by the band following a lengthy US tour in support of like-minded sonic sojourners, The Brian Jonestown Massacre, Three captures Flavor Crystals in a vulnerable, metacognitive state and the results are nothing short of staggering! 

Flavor Crystals are:
Josh Richardson
Nat Stensland
Vince Caro
Jon Menke

Special guests on this recording:
Ricky Maymi: drums, blender guitar
Stephen Lawrie: percussion, oscillations

Produced by Ricky Maymi
Recorded by Nat Stensland
Nov-Dec 2013 in Minneapolis
Mixed with Neil Weir at Old Blackberry Way
Mastered by Bruce Templeton

Copyright 2014 Flavor Crystals
ASCAP/Sterling Songs

Special thanks to Christian Fritz/mpls ltd, Nevin Domer/Genjing, Ricky and Stephen

——————–

Carsick Cars are:
Shouwang Zhang
Fan He
Heting Sun

Produced by Sonic Boom (Pete Kember) & Hamish Kilgour
Recorded by Matt Boynton
April 2013 in Vacation Island Recording Studio, NYC
Mixed by Ping Li at Busy Bee, Beijing
Mastered by Joe LaPorta at Sterling Sound

Special thanks to Nevin Domer and Ricky Maymi

Carsick Cars – 3 CD – 19th April 2014

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Cat #: 158TZM

NOTE: CD has alternate language versions to the vinyl and different bonus tracks in the download!

After five restless years, Carsick Cars, China’s most influential and dynamic indie-rock band, return with their most mature and exciting release to date.

Available in April 2014, ‘3’ is the aptly titled third album for the Beijing based trio. ‘3’ sees vocalist, guitarist and founding member Zhang Shouwang return with his signature sound, seamlessly combining drone with shimmering pop melodies. The result is assured to please established fans and new listeners alike.

‘3’ began with an auspicious start as preview single ‘She Will Wait’ shot to the top position on China’s leading music sharing website, Douban. For this reason among others, ahead of it’s launch in Australia, ‘3’ is already being hailed as one of the most important Chinese records of the decade. Zining Cui of Creative Asia, China’s premier platform for contemporary arts, stated that “China needs a big enough sound to shout out for attention – and Carsick Cars remind us of such a sound.”

Retaining the lineup of the all too brief 2012 Australian East Coast tour, Shouwang, bassist He Fan and drummer Sun Heting travelled to New York to record ‘3’ with producers Peter Kember (Spacemen 3, Sonic Boom) and Hamish Kilgour (The Clean), leaders in indie/psychedelic rock circles. Australian fans of Sino-American sounds and aesthetics will appreciate the cover art by renowned Beijing/Californian contemporary artist Guo Hongwei.

The record, the first full length to be released by the current members, is a logical progression for long standing fans of Carsick Cars. ‘3’, however, starkly contrasts in maturity and complexity from the band’s straight ahead noise-pop self titled debut in 2005. There are a few tracks reminiscent of well known singles from their prior two albums (most notably ‘Reaching The Light’), but most disparate is how ‘3’ showcases the extraordinary technical skill of Shouwang as a guitarist and the potential born from the unity of these three musicians.

While Carsick Cars wind up their lengthy United States tour with psych-drone five-piece Flavour Crystals, ‘3’ will be released in Australia on CD and LP on April 14th through Australasian DIY music specialist tenzenmen. Each format features variations on recording, bonus tracks and lyrics which promises to satisfy Australian fans until Australian tour dates are confirmed. Pre-orders with immediate downloads are available from today at tenzenmen.com .

Also look out for the Flavour Crystals/Carsick Cars split 7” featuring exclusive track ‘Yoko’ available on tenzenmen this month.

“It is pretty clear that this album, probably the most sophisticated the band has yet put out, will also be the most accessible and loved of their work to date” – Zining Cui – Creative Asia

“[This song] has the ability to become an instant indie rock hit. Play it loud and you’ll be singing along by the time the chorus hits.” – Dan Jarvis – Midwest Action!

“3 was well worth the wait. Singer/Guitarist Zhang Shouwang has managed to retain the same energy the band had in their early days, and with the help of bassist He Fan & drummer Sun Heting, they’ve put that energy into what is easily their best album to date.” – Dan Jarvis – Midwest Action! 

Recorded in New York, March 2013.
Producers: Peter Kember (Sonic Boom) & Hamish Kilgour
Cover art by: Guo Hongwei, cover designed by Zhan Pan

白+ – White + – 19th November 2012

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Cat #: 124TZM

White+ traveled to Germany in 2011 to record their first album at the celebrated Anderebaustelle Studio, where Blixa Bargeld, frontman of Einstürzende Neubauten, had produced White’s album in 2007. PK14’s Yang Haisong along with Marco Paschke, a frequent collaborator with EN, handled the mixing for White+’s debut album while its cover was designed by Fu Han, the vocalist of Queen Sea Big Shark. One of the most original moments of the album comes at the very end with the acclaimed Beijing musician Han Lei rapping to the theme “reD.”

The album reflects White+’s influences, from German avant-garde music to minimalism. Shouwang’s spare vocal line provides an ethereal accompaniment to the the swelling web of effects and melodies, while WangXu’s drumbeats are the driving pulse that propel the songs forward.

The songs on “White+” are all named after colours, breaking the album down into tracks like light through a prism. Layer those different colors of light back together, and as a whole, they form White+.

Carsick Cars – You Can Listen, You Can Talk – 1st October 2011

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Cat #: 030TZM

The second studio album from Carsick Cars is the long-awaited “You Can Listen, You Can Talk” from Carsick Cars,” following by nearly two years the explosive and almost joyful anger of their first CD, “Panda Noise”. 

Produced by P.K.14 frontman Yang Haisong, their first CD threw out into the Chinese indie scene some of its most iconic songs, including “Zhongnanhai”, widely seen as the anthem of disenfranchised Chinese youth, and “Rock and Roll Hero”, a standard for younger bands. 

Their new record was produced by legendary producer Wharton Tiers after New York composer John Myers caught a Carsick Cars show during his visit to Shanghai and was so struck by the band that he immediately began lobbying for Tiers to produce them. As might be expected, the second CD is much bleaker and more complex than the first, with delicate, shimmering songs side by side with powerful, rage-filled eruptions of noise and chaos. 

But for all their differences both CDs are marked by the almost magical song-writing skill of frontman Shouwang, whose facility for combining complex harmonic structures with beautiful melodies and straight ahead guitar riffs make him one of he best songwriters in the world.

White – White – 1st April 2010

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China’s experimental music scene spreads it’s wings. Beijing’s White play SXSW. 

Formed by Shou Wang and Shen Jing, White has quickly become one of the most acclaimed outfits in the new Beijing music scene. White’s sound is ever evolving, spiralling outwards from the core stars of noise and minimalism to take in everything from the phase patterns of Steve Reich, the atonal chords of Glenn Branca, Throbbing Gristle’s aggressive electronic shimmer, Neubauten’s rhythmic invention, and the gu zheng masters of Chinese classical music. Their pieces can range from highly organized agglomerations of atonal chords that have an almost rock and roll ferociousness, to a completely anarchic attack of weirdly syncopated drum sounds derived from a chance encounter with old furniture or a dysfunctional machine. 

Shou Wang, who plays guitar, organ, toys, analogue pedals, drums, and effects, is a founder member of the Chinese new music movement ‘No Beijing’ and is the guitarist/vocalist for Beijing noise band Carsick Cars. Despite his extreme youth he is considered at the very heart of the new generation of Chinese avant-garde musicians, in 2006 flying to New York to take part in Glenn Branca’s famous No.13 recording “Hallucination City” for 100 guitarists. 

In 2005 he formed White No.1, a septet that paid tribute to the early work of Glenn Branca, and White 2J, in which he played keyboards. Finally he and Shen Jing, who had been admirers of each other’s music from afar and who shared the same passion for New York noise and kosmiche rhythms, formed White as an outlet for their more avant garde tendencies. 

Shen Jing plays analogue synth, drums, percussion, sampler, vocals, tape manipulation, and effects; she has been deeply immersed in Beijing’s music scene since 1998, participating in the vibrant explosion it has undergone in recent years. Until 2006, she was the drummer in Beijing indie/punk legends Hang On The Box, but since 2003, her work has increasingly demonstrated her own unique form of cosmic industrial noise.