Cat #: 134TZM
Low Wormwood’s 3rd album.
Tag: folk rock
Girls Pissing on Girls Pissing – Eeling – 12th March 2013
Cat #: 138TZM
Try as you might to sum up Girls Pissing on Girls Pissing accurately, the sheer range in dynamics makes the group difficult to pigeonhole; at times post-punk, at other times experimental, even moments of folk. Eeling in every sense evokes the sentiments that this is something unique – not just in regards to its chosen physical release format.
“… an album of new discoveries upon each wonderfully harrowing listen” – Cheese On Toast
Recorded by S. Huf and J. Hobbs
Mixed by S. Huf
Mastered S.Huf
12th Mar 2023 – GPOGP always tickled that weird music itch I enjoyed. I just like music that doesn’t appear to make sense at first.
Xiao He – Silly’s Ballad – 19th July 2012
Cat #: 100TZM
It’s been 2 years since Xiao He’s bizarre double CD “The Performance Of identity” (2010) was released thru tenzenmen as catalogue number 050TZM, marking a half-century of releases for the label. As one of the most important avant-garde artists in China, his astonishing creativity doesn’t change or vanish with the passing of time, instead he becomes more distinctive and interesting. He keeps on playing his solo symphonies and “universal experimental folk”, which has gained him much appreciation and a glowing reputation. Xiao He and his songs have been to dozens of countries and whilst performing last autumn he jumped off the stage and broke his feet! This new album, Silly’s Ballad, was created while he was instructed to rest at home by doctors, with his feet set in heavy casts. Xiao He wrote all 12 songs with an acoustic guitar, he even recorded them while in bed and on the couch. The new album overflows with beautiful melodies and classic folk arias.
He writes of the album, “While I was recording [the songs], cicadas were tweeting, and sometimes even a plane passed by. I tried to record without any external sounds before by thickening the walls of my studio, but at the same time I was isolating beautiful things outside.” So, when Xiao He returned to write love songs again, he was inspired by diverse colours and sounds. Besides the self-deprecating title, natural feelings hide in every sentence of the lyrics, reflecting Xiao He’s wisdom and philosophy. The use of narrative poems throughout the album helps Xiao He express his mystical world in sounds and words.
More to the point, this being catalogue number 100TZM, marking the full century for tenzenmen, this folk album will be released in a very special and limited format: not on CD, tape or vinyl, but as a ‘musical artbook’. It is perhaps the first of its kind. This multimedia truly enables Xiao He’s creativity better expression. The artbook contains 12 different pictures of leaves, drawn by Xiao He in Zurich in 2010. Those leaves lay scattered on the mountain road Xiao He walked along every morning to exercise. The 12 songs correspond to 12 different leaves. High-end headphone brand 233621 has generously provided specialized custom-made headphones for this ‘album’. Furthermore, this musical artbook also includes three music videos that were commissioned to three up-and-coming and very talented directors: Yu Liwei, Yang Jin and Zhang Yuedong.
Xiao He expressed his wishes for the artbook: “I hope this album will become the glorious road along which a silly person is looking for another silly person.”
Low Wormwood – Lanzhou Lanzhou – 8th July 2012
Cat #: 098TZM
The cliché goes that some geographical areas are synonymous with certain sounds: Merseybeat from Liverpool, for example, or grunge from Seattle. But it’s also the case that certain bands define their locales. Here, one tends to think of such acts as Arcade Fire, who did just that for Montreal with Funeral and The Suburbs. Such is the case with Low Wormwood, whose latest album, Lanzhou Lanzhou (their second licensed to tenzenmen) is perhaps a defining moment for both the band and the city of the title.
Unlike many bands from Lanzhou, this quartet don’t practise harmony- driven guitar folk. The metrics of this album depart from their early grunge and shoot for a less fiery but more coherent structure, coupling string-soaked flourishes of folk-rock with mundane lyrics about day-to-day living in Lanzhou. It borders on being a concept album, but the catchy rhythms manage to dilute the anthropological solemnity and make this something special.
‘Recording this album is almost like being in a relationship,’ explains lead singer Liu Kun. ‘When you love each other, it really burns. When you hate each other… well, it also burns.’
Alternative China – 2nd July 2012
Underground Baby, Liz Tung, World of Chinese, Live Beijing Music, Jia Huizhen, XP, Split Works, Chui Wan, Deadly Cradle Death, Yan Jun, Raying Temple, Soviet Pop, Torturing Nurse, Li Jianhong, Joshua Frank, Hot and Cold, Howling Into Harmony, Jingweir, Hot Cat Club, Xiao Rong, Brain Failure, Cocktail 78, Sikhara, Perpetual Motion Machine, Xiao He, Layabozi, Beijing Daze, David O’Dell, Inseparable, Old What Bar, Misandao, Red Rock, Yaogun, Jon Campbell, Artspace China, Rainbow Danger Club
Picking your feet till they bleed may only be the half of it – 25th February 2012
Saturday, February 25: Black Wire, Annandale – SoundDave
Featuring: Chambers, Milhouse, Palisades, Nathan Martin, thedowngoing Vs Fat Guy Wears Mystic Wolf Shirt (Grind Vs Grind), Nick Van Breda, Berkshire Hunting Club, Perspectives, Union Pacific, Surprise Wasp, Epics
I wasn’t too worried about running around 20 minutes late and trying to make the supposed midday kick off for this event. But, much to my surprise,things were on schedule and I missed Chambers. I did notice they were also organised enough to have t-shirts available, though I’m not sure if they sold any. I heard no reports about them either way so can’t really comment.
I’m not sure of the motivation for today’s spectacular — beyond the great timing of the pun — but this mini-fest hosted by Dave Drayton and record store/venue Black Wire was truly an alternative to the huge attraction of the following day’s SoundWave festival. Probably not an alternative option for folks wanting to attend SoundWave but an alternative for folks wanting a fun filled 8 hours or so of interesting variations of punk rock for a fraction of the price.
When considering venues for the show, Black Wire instantly came to mind as a supportive space. Easy to work with and having lower overheads, Dave felt that a regular pub venue wouldn’t want to take a risk on such an event as this. Factoring in that though he seems to have been around for years and years, Dave is still only 22 years old and making this event all-ages was also a major consideration – something which is not always easy to organise in a pub venue where beer sales are the main revenue. (Dave also writes the All Ages column in Drum Media – the local street press).
Not to miss a trick, one of Dave’s bands played next. Milhouse are a three piece that didn’t impress me much last time I saw them, but today their happy bouncy melodic punk was well suited to an early afternoon slot and they got helped rev up those in attendance.
Next up was Melbourne’s Palisades on their second visit to Sydney, having chosen Black Wire to play the first time round too. Bass player Matt (a Sydney ex-pat) loves the open mindedness of the venue and the people who attend in general. He also commented that these things go in cycles but noticed that Sydney is once again going through a flush period of having alternative spaces to play. Palisades brought a little lazy afternoon mosh action with their brand of screamo hardcore with some clean guitar sound that brought to mind old favourites Eucalypt. A great roar that made myself and many others very happy and juxtaposed nicely with what was to follow.
The sun shining and the vegan BBQ on in earnest it was natural for everyone to head out to the backyard but the music didn’t stop as Sweet Teeth guitarist Nathan Martin picked up his acoustic and amused one and all with tales of drunken nights and mistaken identities. Despite his drinking ability he makes note that he loves Black Wire because music is the main reason that people are there, it’s a relaxed environment with a community spirit and people are polite. A statement perhaps born out of too many dud shows with an audience more intent on drinking at the bar than enjoying a night of musical entertainment, a point echoed by many other artists playing today.
Back inside, folks have been busy preparing for Grind Vs Grind — two drum kits and two guitar amps ready for thedowngoing and Fat Guy Wears Mystic Wolf Shirt to trade song for song with the humour of a bad (good) wrestling match. It’s fascinatingly fast entertainment as they each blast out 30 seconds or so before goading the other to better them. Everyone seems to agree on a draw at the end of it all and ideas are bandied around about future 3 way grind to death events. Chris Fat Guy (looking thinner each time) is loving today’s mixed bill and feels like it’s a big egoless house party.
After this intensity the backyard is even more packed as Nick Van Breda plays some quiet noodly acoustic tunes with sad tales of destiny and chance. He has everyone captivated. I missed it but heard there was some banjo action later on too. I was busy talking with Tom, the man behind the venue, behind on rent, rates and bills and generally in debt to quite a few of his friends, most of whom let it slide for now in order to help keep the space operating.
Tom’s mantra is based upon his preference for smaller intimate shows. Stay small, stay local, stay punk. When quizzed to clarify his definition of ‘punk’ he veers away from a musical identity and he laughingly describes a collection of weirdos, misfits and outcasts, but who are highly ethical and supportive of each other. His preference for dealing directly with band members, often denying responses to enquiries from managers and agents, can sometimes lead to problems with disorganised artists, but often an event will pull together with the sheer will power of the community involved. Also most bands wishing to hold an event here are well aware of the working aesthetic of the venue.
Berkshire Hunting Club are another new Sydney band that impressed me with a loud, noisy post hardcore sound that was both subtle and aggressive and made all the more interesting by some post punk guitar effects that reminded me of Siouxsie and the Banshees. A grand discovery, they only suffered a little with their time slot as folks were still soaking up the sun and tofu wraps out the back.
Whilst there isn’t normally a BBQ going on at events at Black Wire there is usually a food option as Elise bakes and supplies vegan pies which people can grab in the kitchen for a few dollars each. Besides her connection with a punk ideal she feels this is another small way to help support Black Wire because she appreciates what Tom and the space offers, investing back into the music community. She’s actually the first person to state that it’s in a good location, which is interesting in relation to some people’s thoughts on the Annandale Hotel, only a couple of blocks away, being in a difficult location.
Another person you’re likely to encounter at most Black Wire shows is Kevin. Still only 17 he’s been involving himself here almost since the beginning, often manning the door or running an errand for someone. I’ve watched him grow from an awkward teenager where he’s talked about having trouble fitting in at school to a confident young man, able to make friends quickly with almost anyone who walks through the door. This is testament to the acceptance into the supportive community around him and he willingly gives back as much as he can.
Talking of youngsters, Perspectives are a 5 piece from the northern beaches all aged around 17 or 18. This is their first time playing at Black Wire though I’m sure a couple of them have been here in attendance previously. They play a typical shout along hardcore that I really shouldn’t like but for some reason these kids do it well and I find it very enjoyable. They’re stoked to be playing here despite constant guitar amp issues, something which many of the other musicians playing today quickly gather together to try and find a fix for — another indicator of the willingness of everyone to pull together to make for a great event.
A tired crowd head back inside to enjoy Melbourne pop punk band The Union Pacific who bang out a constant set of melodies that everyone seems to enjoy though it does little for me and I take a rest in a quieter corner to talk with others for a while. I am interested to check out Surprise Wasp though who play competent high energy punk rock a la the Hives, singer Dean making for some good photo opportunities mid song as he knocks out plenty of dance moves.
Though it’s only early evening this big long day is rounded off by Epics whose chief song writer Jimmy writes a tune to match any catchy early Black Flag material. He also loves to play and it shows in his wild antics on stage. Well, of course, there is no stage but you get my drift. Vocalist Nick does his best to keep up and ventures into the crowd to encourage some participation. It’s definitely part of the community feeling he enjoys about the venue along with it being easy to book without having to worry too much about how big a crowd can be pulled. Epics throw in a Black Flag cover which they could probably do without as their own material is just as good. Then it’s over. Everyone tired and sweaty.
Whilst everything went off without a hitch, 150-or-so people having enjoying a great day of diverse music, at one point during the afternoon 3 cop cars suddenly pulled up across the road and smashed in a car window to rescue a baby locked inside with a 30 degree sun beating down. There was at least a brief moment where we all assumed they were coming to shut the show down. Thankfully, not this time.
29th Apr 2021 – Originally posted at Polaroids of Androids – also see 24th and 26th February entries.
We Can’t Help Kissing Each Other – Low Wormwood – 1st February 2011
Cat #: 046TZM
The band Low Wormwood (Di Ku Ai), which in the corner of Lanzhou, has got the unique pride and mind to view themselves and the world. Picking a wisp of wind from the Yellow River, scooping up a handful of snow from the Qilian Mountain, collecting a piece of sand from loess plateau, then mix them as a kind of style that is impassioned and forceful but not artificial, close to heart but not compromise. They use this kind of independent attitude to compose their music. Independent and psychedelic, based on simple ballad style with multiple instruments and variety samplings, together made their music strong experimental and national colour. They has won high popularity as they published an album and take around tour each year which not only makes them one of the most active and excellent domestic bands but also one of the representative bands of Lanzhou and northwest of China .
We can’t help keep kissing each other, originally released in China in 2008. The poetic lyrics were blue and sensitive. Absolutely, lyrics were always the important part that they valued. Some more mature composed passages made their expressions more powerful and beautiful, but not deliberately luxuriant. The whole album focused on the individuals’ feelings in the changing environment, about some hope and despair, loss and obtaining, when the music developed as movies, you may feel familiar with some plots or have been experienced before. When the once radical angry rock’n roll music intends to become some consumer goods for idealism, their faltering monologue under emotions would enter your heart as an outstanding one among them.
The new album had taken 6 months from choosing songs, recording in studio and to downmix. The former part was done by the experienced sound engineer Yuan Tianfeng from Lanzhou. And the latter part was firstly made by him then the more experienced mixer Dou Tiemin dealt with the post production and mix of the master tape.
It was particularly important to deal with the unique samplings and effects. It was also because of the contemplation of the band and sound engineer, they decided to deepen the integral atmosphere of the songs that appear in the record. The harmonica and harmony were all played by friends, who had tried their best. They made the album more excellent. It can be said that the whole album was elaborate produced by all the people who take a part in.
I used to receive these one-sheets from Maybe Mars in Beijing and have to rewrite them from the Chinglish versions into something a little more comprehensible. But I opted not to even bother with this one, wondering perhaps if it would add some authenticity and make it more obviously Chinese.
Ourself Beside Me & The Gar – 1st July 2009
Cat #: 020TZM
Ourself Beside Me were first formed in 2003 by former Hang On The Box guitarist Yang Fan. Their line-up changed several times throughout the years until Yang Fan (the main vocalist and guitarist) met the then-still-a-drummer Xie Han through the internet in fall 2005, thanks to a shared interest in the British band, Television Personalities. They bonded immediately and started writing songs together. Xie Han started playing the bass and in 2007, through a mutual friend, EMI (who hails from Japan) was introduced into the group as the drummer. It wasn’t until the second half of 2007 that this trio began performing regularly, first at D-22 and then at other clubs in Beijing. Touted almost from the beginning by D-22 regulars as one of the most exciting and innovative bands to emerge from the Beijing scene, these three hard-charging ladies have swept everything before to become among the most admired and inspiring bands in China.
It is hard to describe their sound. They claim their inspirations began with the sounds from old 60’s and 70’s bands such as the Velvet Underground, Syd Barrett, Can, Tom Waits, Soft Machine and the Fall. There is no denying these influences but they are also heavily influenced by New York’s East Village bands of the late 1970s and early 1980s but with a very Chinese obliqueness to their harmonies and musical approach and the typical Beijinger’s bluntness. They combine the rhythmic sophistica- tion of bands like ESG and Bush Tetras with the eerie but jangly, sinuous guitar lines of Bush Tetra guitarist Pat Place and the strange harmonics of DNA. Amid their drawn-out sessions you can even sometimes hear the long, druggy patterns of the Doors. This is a band extremely sure of its sound and wholly dismissive of any attempts to mold their image or sound into a more pleasing outline.
Cat #: 022TZM
Gar’s music is some of the purest Chinese rock ‘n’ roll. Mixing the beautiful and sophisticated melodic structures typical of the best Chinese music with basic harmonies and a delight in shifting textures, their songs achieve the shimmering quality of folk-rock but with the hard edge that life in Beijing, with its rapid changes, destruction and reconstruction, has imposed on most of its artists.
The three members of Gar are guitarist/lead vocalist Zhan Pan, bassist Wen Jie, and drummer Wang Xu. Their standard power-trio format, ordinary equipment, graceful Chinese lyrics, and complete lack of stage posturing and fancy gimmicks make them different from most of the other bands in the scene. On the surface they seem very ordinary, but their shows are full of energy and intelligence. In recent years, a number of alternative genres have been expanding the definitions of indie music and rock ‘n’ roll for Chinese audiences, and along with it there have been changes in trends and fashion, but Gar have refused to follow any of the trends, continuing to explore their own sense of real music based on individual experiences. These are classic songs about youth and time, appealing to every generation and era. While the Chinese indie music environment gets louder, more challenging, and wilder, Gar continues singing their hearts out for their very own generation.
What’s Cool and Unusual – 1st July 2009
in case you haven’t heard, paint it black has moved out of 86 enmore rd and looking for alternative accommodation
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thu 2
red rattler, 6 faversham st, marrickville
6.30 $15
Kino Kabaret
Kino Kabaret is a series of 2 day filmmaking marathons, screenings and parties taking place across Sydney 29 June – 4 July. Each session gives the participants only 48hrs to write, shoot and edit short films and culminates in a screening and party. Come and see the results of this mad filmmaking experiment at The Red Rattler Thursday 2 July!
Just $15 at the door gets you in to see brand spanking new short films made in under 48 hours, live performances, snacks, Coopers Pale Ale and Jamesons Irish Whiskey. The night will also feature music by Sydney based duo MA and installations courtesy of Punk Monk Propaganda.
Dress code for the night is: Fire Walk With Lynch! Eraserheads, Amnesiacs and Elephant Men – prizes for best dressed!
Doors open 6.30pm
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fri 3
Black & Blue Gallery
302/267-271 Cleveland Street
Redfern NSW 2016
Opening Fri 3rd July
3 July – 18 July
I HATE YOUR GUTS!
Raquel Welch
Gallery hours Thurs to Sat 11 – 6pm
Other times by appointment
W www.blackandbluegallery.com.au
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fri 3
red rattler, 6 faversham st, marrickville
Femme Guild present HANKY PANKY – Hanky Code Party
Hanky Panky is a harking back to queer sub-cultures of the past as we delve into the rich history of queer semiotics & the socio-political reasons behind it. The party will be both fun & educational as we teach, learn (and unlearn) the ways we express our sexuality through gesture and dress.
Hanky-theme performances by Ginger Snaps, Zahra Stardust & Glittertrash.
Hankilicious DJs Tokyo Pink & Fisty Cuffs
Go-Go Dancers, Hanky Demonstrations and the very cheeky Dirty Little Slide Show, as well as Emergency Hankies for all you forgetful folk.
We invite all our guests to come flagging on the night for a bit of sex-positive fun whether you have one favourite colour hanky or a whole string of them you whip out magician-style from your bottomless back pocket.
Pre-sale tickets available exclusively from MaXXX Black, 1/264 King St, Newtown – $15/$20. We encourage you to pre-purchase your tickets as only a very limited number will be available on the night.
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sat 4
dirty shirlows, 32 Shirlow St, marrickville
7pm $5
b.i.n.t. , maladroit, dislasystem, null object, sado, killjoy + more
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sat 4
Serial Space, 33 Wellington St, Chippendale
midday
Hey Folks
I’ll be doing a wee showing of what I’ve been up to at Serial Space over the last couple of weeks on this Saturday July 4 from midday. Mostly I’ve been working on the wheelie bin…
For some time I’ve been interested in sound system cultures, particularly around the Caribbean and in South and Central America. Looking to build one locally, it occurred to me that a unique version already exists. John Jacobs <http://patchwrangler.net/> designed and built the original Wheely Good Sound System in the early nineties for use in urban actions/interventions such as Reclaim The Streets.
As part of my residency at Serial Space, I’m hoping to get all the systems in Sydney together. If you do have one, or any kind of portable sound system, mobile-robo disco unit please swing by around on Saturday July 4 at 2pm for some kind of enthusiasts meet / sound clash / road jam – we’ll take it to the streets, yes?
Sven Simulacrum
Please fwd on to anyone you think might be interested
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sat 4
Bandwidth
Clan Analogue Festival
Red Rattler Theatre
6 Faversham St, Marrickville
4PM-late, $7
Clan Analogue is Australia’s oldest electronic music/audio-visual collective. Over its history, many of Australia’s foremost proponents of electronic-based music and visual arts have contributed but, in recent times, the collective has become a little dormant on the public front. While it has never actually gone away, the Sydney chapter of Clan Analogue is preparing to relaunch its public face with a mini-festival of live music, DJ-ing and VJ-ing.
Bandwidth features some long-term members as well as younger groups who have been diversifying the aesthetics of the collective. With some of Sydney’s best underground live acts in their ranks, such as Bleepin’ J Squawkins, Lunar Module, Karoshi, Telafonica, Valley Forge and Kate Carr, along with DJs such as Tigerlily and the godfather of Australian electronic music, Andy Rantzen, the re-emergence of Clan Analogue in Sydney’s music scene is placed to be wildly varied and exciting.
Clan Analogue was birthed in the early 90s warehouse scene and so is proud to be working with Red Rattler Theatre and its ideals of artist run initiatives, community creativity and its D.I.Y. ethos.
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sat 4
The Lock Up, 90 Hunter Street, Newcastle
5:00pm – 9:00pm
The team behind the brand new ARThive studio/gallery complex at 111 Hunter Street are hosting a sweet party at THE LOCK UP to raise some funds to put into the upcoming exhibition program, and to pay for essential items like hooks, lights, paint, etc.
Come show some support, get behind a brand new Newcastle art space.
The Party will feature an ART RAFFLE consisting of new works donated by Simone Sheridan, Angus Crowley, Grant Hunter, Shane Westernhagen, Nicole Chaffey, Anthony Ferris, Jake Penn-Cullen, Sam Hughes, Hayley Wheaton, Emily Roberts, and Michael Randall. This could be your opportunity to walk away with some amazing art for only a donation.
BEN KENNING will be performing an art piece in one of the infamous prison cells of The Lock Up museum.
Live Music will be provided in the Lock Up exercise yard by CRAB SMASHER, SCISSOR LOCK, and MART BRENNAN.
This Event has been kindly sponsored by Nextra Marketown, The Lock Up, and Renew Newcastle.
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sat 4
Kick Start Studios
6-8 Ralph Black Drive,
North Wollongong.
2-5pm, Gold coin donation.
Mary Jane Kelly, Epitomes + 1 or 2 more TBA soon
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sun 5
Sydney Park, cnr Princess Hwy & Sydney Pk rd
11:00am – 6:00pm
RULES FOR DJ-ING SUNDAY DUB CLUB
1.0………. FIRST RULE OF DUB CLUB, YOU WILL DISCUSS DUB CLUB
1.1………. YOU WILL ABIDE BY RULES OF DJ-ING SUNDAY DUB CLUB
1.2………. NOBODY CARES IF YOU DON’T TURN UP TO DUB CLUB SO ONLY SUNDAY DUB CLUB MANAGEMENT BRUCE, JOEY (if not barred) AND WALLY HAVE THE PRIVILEGE OF ACTING LIKE GOOD SORTS ON DUB DAYS
2.0………. SUNDAY DUB CLUB MANAGEMENT BRUCE. JOEY (if not barred) AND WALLY EXPECT TO BE BRIBED AND GENERALLY SUCKED UP TO FOR THE PRIVILEGE OF DJ-ING AT SUNDAY DUB CLUB
2.1………. SUNDAY DUB CLUB MANAGEMENT HAS THE RIGHT TO
a………. TAKE OVER THE DJ-ING FROM ANY VISITING DJ AT ANY TIME
b………. REFUSE ENTRY TO BEHIND THE DECKS IF VISITING DJ(s) ARE ACTING LIKE TWATS
c………. GIVE ANY VISITING DJs A HARD TIME DUE TO POOR MUSIC CHOICE, GAPS IN SOUND OR IF MANAGEMENT IS JUST FEELING IN A SHIT STIRRING MOOD
(points 2.1(a)(b)and(c)are often in direct proportion to how well you adhere to point 2.0)
3.0………. IF SUNDAY DUB CLUB MANAGEMENT BRUCE, JOEY (if not barred) AND WALLY DECIDE THAT THERE ARE TO MANY DJs ON ANY GIVEN DUB DAY
a………. MANAGEMENT WILL DECIDE WHO WILL PLAY AND WHO WILL MISS OUT ON THAT DAY
b………. DJs THAT DO MISS OUT DO NOT HAVE THE RIGHT TO GO ON LIKE GOOD SORTS OR HARASS MANAGEMENT OR SLAG OFF MANAGEMENT TO MEMBERS OF THE PUBLIC BUT SHOULD GO BACK AND RE-READ POINT 2.0
4.0………. SUNDAY DUB CLUB MANAGEMENT BRUCE, JOEY (if not barred) AND WALLY HAVE THE RIGHT AT ANY GIVEN TIME TO AMEND THIS DOCUMENT VERBALLY OR IN WRITING WITHOUT WARNING TO VISITING DJs WHERE OR WHEN EVER THEY FEEL FIT OR CAN GET SOMETHING OUT OF IT.
WHEN YOU HAVE THE PRIVILEGE OF DJ-ING SUNDAY DUB CLUB, DUB DAY, WITH OR WITHOUT PRIOR READING OR ACKNOWLEDGMENT OF THIS DOCUMENT YOU ARE STILL BOUND TO ADHERE TO ALL POINTS AND ANY AMENDMENTS. THE CRY OF NOBODY TOLD ME OR I DIDN’T KNOW THAT, DOSE NOT WORK HERE.
IF YOU HAVE ANY PROBLEMS WITH THIS DOCUMENT OR SUNDAY DUB CLUB MANAGEMENT PLEASE FEEL FREE TO RE-READ POINT 1.2
AND SHUT THE FUCK UP!!!
YOURS FAITHFULLY
S.D.C MANAGEMENT
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sun 5
red rattler, 6 faversham st, marrickville
1-5pm
Rock and Writers – Winter of our Discotheque
Sydney writers and bands in a rocking, pulp fiction freakout!
Featuring – The Men from UNCLE, the LangLangs, the Dead Rabids, Ned Alphabet, Darrin Baker and King Wally Otto – direct from the Sound Proof Booth!
“Now is the winter of our discotheque
Made summer by a mad few who, forsaking dignity for glorious folly
Lay plans to freak out both swain and maiden
At the Rock n Writers gig, Red Rattler Marrickville,
Perchance there you may waylay them.”
shaun/tenzenmen
++ i’ll either be at these events or wishing i was there ++
Facebook posts:
06:45 – Wishes there was more humanity!
13:45 – Good luck Mat
11th Jul 2025 – Mat Norr is a friend and punk rock compatriot in Kuala Lumpur. He had been diagnosed with a life threatening situation (I think it was cancer, but don’t quite remember now) and because he was so desperately poor he would’ve passed away from it. Joe Kidd and friends put the word out and many folks around the world funded his treatment. I saw him a couple of years later, working in a DIY punk store in KL and congratulated him, joking that I had saved his life and he owed me money.
1994ever 