Hacks – 16th May 2012

Cat #: 078TZM

Hacks exist for brief moments in time on the Sydney underground landscape and during one of of those moments they managed to record these 4 tracks and play a few shows that suitably impressed tenzenmen with their drunken swagger of improvised rock. 

Tape and/or CD versions coming sometime when Hacks have been located in the vicinity again.

Alternative China – 4th April 2012

Alternative China tumblr

Snapline, Tiny Mix Tapes, Josh Feola, Mao Livehouse, Deadly Cradle Death, Live Music Beijing, Skip Skip Ben Ben, Birdstriking, Chui Wan, White+, Matthew Niederhauser, MDNPhoto, Backyard Surgeons, Shanghai 24/7, Layabozi, Hedgehog, Meat Sucks, Rock In China, Cool Hunting, Xiao He, Yan Jun, Li Daiguo, Tea Rockers Quintet, Torturing Nurse, Deaf Sparrow, Duck Fight Goose, World Of Chinese, King Ly Chee, Shanghaiist, Mr Fossy, Rustic, Pitchfork, Red Rock, Beijing Daze, Jon Campbell, Post Rock, Time Out, Pairs, Foxy Digitalis, UndergroundHK, Bomb Shop, Genjing, SXSW, Core In China

Bikini Eyebolt – 28th March 2012

Cat #: 090TZM

Bikini Eyebolt (Jace from DEAD, guitar and vocals) existed in Melbourne from 2007 – 2008. They sound a bit like Wire with East Bay Ray accidently walking into the wrong rehearsal room with a touch of 90’s Am-Rep scuzz. Like a bloody good pop record, with lots of good hooks and nifty ideas but nothing like the condescending fake Gang of Four rubbish you’ve been exposed to of late by the likes of Bloc Party. Or do you actually like the Arctic Monkeys? The band broke up too soon but recorded one album, it deserves a listen.

god bows to math – 10th March 2012

Cat #: 091TZM

“god bows to math” meshes the group’s latest works such as the moody “Slow Decline” and “Paper Trails” (featuring vocals and guitar from Postures front-man Michael Havell) with their older work from previous releases. 

An amalgamation of the tried and tested with the new and exciting, which has allowed the band to proverbially stretch their legs – allowing for tracks you may not have expected to emerge from the group.

Licensed from Muzai Records, NZ and released 7th November 2011 over there. 
Check out more Muzai goodness at: 
muzairecords.com
Recorded by Warner Emery 
Mastered by Jason Ward

Alternative China – 1st March 2012

Alternative China tumblr

Duck Fight Goose, Morgan Short, Smart Shanghai, Brad Ferguson, The National, Rustic, 2Kolegas, Ningxia, City Weekend, Hedgehog, Pangbianr, Layabozi, Xiao Hong Yu Xiao Xiao Hong, Altered Zones, Sally Can’t Dance, Josh Feola, Zhu Wenbo, Genjing, SMZB, Wuhan, Si Dou Le, Suyin, Joyside, The Scoff, Carsick Cars, Next Year’s Love, Andy Best, Kungfuology, Beijing Daze, The Amazing Insurance Salesman, Residence A, Soviet Pop, Snapline, Deadly Cradle Death, Beijing Underground, Hemispheres Magazine, Omnipotent Youth Society, Time Out

Various disguises are regrettable but necessary – 26th February 2012

Sunday, February 26: Jura Books, Petersham – Lenin Lennon, Wells, Union Pacific, Zounds, Palisades

Jura Books is a long running anarchist bookstore and library almost directly opposite the Bald Faced Stag and just a couple of doors down from the Clarence Hotel. Both hotels have live music, although I’m not sure what styles are entertained at the Clarence as I’ve never come across any bands I know in Sydney that may have played there. A block away from these pubs there’s also the Petersham Hotel which used to be a bastion of the Sydney music scene about 15 years ago, I don’t think they have any live music these days though. It’s certainly an easy area to find a drink if you want one though.

Jura Books is pretty much a converted house and offers no competition to the hotels. The downstairs is a small shopfront whist the upstairs is a small library. Emphasis is on small here. The space is made available to host shows, talks and potentially other suggestions can be brought to the table too. Obviously the space has a huge political slant but there is no overt influence cast over a show beyond the fact that it being an intimate setup and a shop where “fuck-wittery” will not be tolerated.

Today’s show was an amalgam of two lots of traveling bands looking for a space to play in Sydney. Main organiser Mitzi, who rarely organises shows at all, knew that it would be easy to pull something together quickly utilising the small community of friends in and around Jura, and after a few phone calls, a Facebook event was created and it was on. Having her own PA for use, all that was needed was to organise some drum and amp sharing. Easy!

Ben is currently the event co-ordinator for Jura and as a musician himself he’s come to prefer the more intimate shows that spaces like this can provide. He also feels there is more direct participation from bands wanting to use the venue (i.e. bands may organise everything themselves from equipment and line ups to promotion and food options). Once the show is happening the intimacy provided by the cramped space is often accentuated by the fact that you can be sure that everyone in the room is a friend of a friend or perhaps once more removed at most. This makes for a comfortable setting and also provides the opportunity to easily make new friends.

All of the artists playing today confirmed the preference for intimacy and the comfort it provided even for interstate bands who may know no one at the stage of their set and make firm friendships by the end of the night. Teo from Palisades sometimes hosts shows in his house back in Melbourne and understands and appreciates the effort that goes into such events, including the shitty end of the deal cleaning up the following day, but also the highlights of the freedom and self regulation that goes on. There’s no requirement for hired security and money is not a prime factor in these type of events. Today’s show had a sliding scale donation entry of 5 to 10 dollars and those too poor to pay at all are often welcomed too. It’s easy enough to soak up the atmosphere from downstairs or outside anyway and today two acoustic acts jumped on the bill and played between the main bands up in the library.

Sunday afternoon shows can be a lazy affair and despite some of the high energy music on offer they were brief bursts of energy amongst friends that brought smiles to our faces and pleasure to our ears.


Zounds


Lenin Lennon


Palisades


The Union Pacific

Whilst it’s obvious through the writing of this piece, and well established by those that know me, I am immersed in this scene and these spaces. It’s a special occasion for me to venture to a regular bar venue and as a consumer at those events I can enjoy myself immensely. But I still leave them without caring about the venue in any shape or form. If it closed down the following week I would unlikely be affected.

Sydney, and everywhere else, has other options. Currently these places are mostly inhabited by the punk and alternative music scenes but they are all open to anyone; anyone with a shred of organisational skills could put something together and likely be welcomed as they diversify the range of events and broaden their audiences. When people cry about the death of a music scene in a city I believe they haven’t yet fully explored all the options available to them and despite the naysayers the Sydney scene is very much alive and well.

29th Apr 2021 – Originally published at Polaroids of Androids – also see entries for 24th and 25th of February.

Dear Eloise – Song For Her -17th February 2012

Cat #: 071TZM

This is the second 7″ single from Dear Eloise. The A side “Song for Her” is taken from their sophomore release Beauty in Strangers on Maybe Mars/tenzenmen (2012). 

DEAR ELOISE 

Yang Haisong – Guitar / Drums 
Sun Xia – Vocals 

Produced by Dear Eloise 
Recorded & Mixed by Dear Eloise at No. 13 studio 

Produced in conjunction with Genjing Records, Maybe Mars and Share in Obstacles

Dear Eloise – Castle – 16th February 2012

Cat #: 070TZM

This is the first 7″ single from Dear Eloise. The A Side “Castle” is take from their debut album The Words That Burnt on Maybe Mars/tenzenmen (2011). 

DEAR ELOISE 

Yang Haisong – Guitar / Drums 
Sun Xia – Vocals 

Produced by Dear Eloise 
Recorded & Mixed by Dear Eloise at No. 13 studio 

Released in conjunction with Genjing Records, Maybe Mars and Share in Obstacles