Various Artists – Stay Together Vol 5 – 22nd February 2012

Cat #: 068TZM

In early December 2011 64 music fans at a punk charity concert in Banda Aceh’s Tamen Budaya park were violently arrested by the Shari’ah police. The were not (and cannot) be charged with any crime but were forced to undergo religious education which included their heads being shaven and forced into the lake to bathe. 

“The presence of the punk community is disturbing, and disrupts the life of the Banda Aceh public. This is a new social disease affecting Banda Aceh. If it is allowed to continue, the government will have to spend more money to handle them. Their morals are wrong. Men and women gather together, and that is against Islamic Shariah. We will keep conducting raids until they’re all caught, then we’ll bring them for re-education here. Aceh is a Shariah region. Everyone should obey it and the punk community is clearly against Shariah. This training will be an example in Indonesia of the re-education of the punks.” 

The religious police have threatened a continuation of arrests and re-education against the punks “until they are better.” When questioned about the targeting of punks due to their cleanliness the Police Chief justified the actions by drawing a distinction between them and “the clean punks that exist in different classes.” Asked why the police aren’t then targeting the homeless he stated “there are no homeless in Aceh, there are only punks.” 

The Governor of Aceh has denied that the punks were even arrested saying, “the truth is that police are helping them develop (their skills).”

Human Rights Watch have pointed out the multitude of ways the authorities have abused the rights fo the detainees including the violation of freedom or expression and not receiving proper legal treatment. They are understandably concerned that this treatment will continue unless the case is processed legally. 

“What did we do to deserve arresting? We didn’t steal and we didn’t bother anyone. The punk community in Banda Aceh is not involved with criminality. So what’s the crime that justifies us being brought to this camp? This country hasn’t yet made it illegal to express yourself, right?” 

The Stay Together compilation CDs exemplify the support the punks show for each other, in Indonesia (where the bands are from), in Australasia (where all the record labels involved in the release are from) and in the worls (where the punk community has come together to help). As part of this community, tenzenmen offers this release with 50% of physical and 100% of digital sales going to help the punks in Aceh. Available via mailorder and digital download at www.tenzenmen.com and in the best selected independent music stores around Australia. 

Yes I’m Leaving – Nothing – 20th January 2012

Cat # 087TZM

Yes I’m Leaving is a three piece rock band hailing from Sydney. Influenced by grunge, post punk, hardcore and shoegaze. They have a strong DIY mentality, which showed through on their first self titled release, with their follow up album ‘Nothing’, sharing the same ethos. 

“Nothing” Yes I’m Leaving’s second album was recorded in 3 hours at Keynote Rehearsal studios in Homebush West, near where the Olympics was all those years ago. A big room was miked up in a simple way with baffling used to distract from the sonic vibrations of the s/t session. To be honest I can’t remember anything after I got the levels ‘safe’. 

The songs are sludgy and full of uncompromising lurching riffage with neojungalistic drum bass rhythmic patterns overlayed with howling and screaming vocal mantras. Say that five times fast! 

Everything was live and we charged through 12 songs perhaps with a sense of care as we kept a few alternate takes in the end. The mixing took a long time as it was an overloading experience to put a ‘the end’ sign on a song as passages were aurally exhaustive which is, in the end, why they are so accurate to the sounds of the day. 

‘Nothing” is a manic depressive exploding catharsis record. Either/neither insincere or tongue in cheek, full of psychadelia, possessed sludge or something else beyond the pigeon hole. The vinyl reissue comes with a new screenprint and insert, on weird random coloured vinyl.

Various Artists – Generation Six – 25th October 2011

Cat #: 075TZM

2008 and 2009 has seen the formation of an impressive group of young bands in Beijing that are different from their predecessors and prove that the now-legendary generation of bands that started in 2004 and 2005 are by no means the final phase of the explosive creativity of Beijing music. Grouping themselves under the name of Generation 6 as a way of asserting their differences, these young bands perform with a level of confidence and sophistication that comes much more naturally to them than to the bands that preceded them. 

For much of the decade, pioneering musicians in Beijing had struggled to develop a scene with very little history to guide them. Most of them looked to foreign bands for their models because there was no home-grown talent that could offered them inspiration on how to be a Chinese rock and roll band. 

But the Generation 6 bands grew up in a completely different environment. For them China, and especially Beijing, offered one of the most exciting music scenes in the world, with a wide variety of innovative and successful bands and musicians that had received attention not only in China but throughout the world. 

There are at least fifteen or twenty very good Beijing bands that consider themselves part of Generation 6. Many of them see their home base as D-22, which has in the past year turned away from the music that made the club famous in 2007 and 2008 to dedicate itself primarily to this new generation of bands. Maybe Mars has selected four of the most representative bands to introduce the Generation 6 bands to a wider audience. This will be great chance to see early on the bands that will dominate interest over the next three to four years. 

Four selected bands in album: 

In just two years Rustic has become one of the most talked-about bands in Beijing because of their outrageous performances and hard-charging glam rock style. In early 2010 they went to London to represent Asia in the Global Battle of the Bands and unanimously took first place – the first time every judge had agreed on the winner. They consider Joyside to have been their key inspiration although they regularly show up at the gigs of Demerit and all their favourite Beijing punk bands. 

When Birdstriking’s drummer, who grew up in Jinzhou, had to choose which university he would attend, there was no doubt in his mind that it had to be in Beijing because he wanted to be able to catch every performance of his favorite band, Carsick Cars. Heavily influenced by their sonic exploration, as well as by the intensity of P.K.14, Birdstriking’s urgent music have made them one of the key bands of the young experimental musicians who congregate around Zhu Wenbo’s Zoomin’Nights. 

Flyx is a young punk band who combine a driving energy with an ability to craft beautiful songs, almost pop songs, much like their heroes, punk gods Demerit. 

The band Old Fashion’s name is from lines “I am not old fashion” of Audrey Hepburn in George Cukor’s old movie My Fair Lady. They keep “old” traditional rock & roll way, as well as keep “anti-old” musical creative idea. After four years’ growth, Old Fashion has found their way from garage-revival to disco punk and become a popular band among the youth. 

Demerit/SS20 split – 5th September 2011

Cat #: 062TZM

“The cover of the new spilt by Chinese Demerit and German thrashcore outfit SS20 is a throwback to that 1980s nuclear holocaust imagery—toxicity, flames, decay: the stuff of urban nightmares. A bulldozer covers a panel van with toxic ooze and trash; smoke billows in the background. People run for cover. 

And like its imagery, this three-song split from Demerit—their first release since 2008—channels bands from the era, including Misfits, Motorhead and Iron Maiden. 

The Beijing-based trio have come a long way since 2006—the 1000 BPM street punk microbursts of old have been replaced by increasingly-mature efforts like “Childhood Nightmare,” where a chanting chorus gives way to speed metal harmonizing guitar work before a delicate acoustic outro, accented with shuffling drums and babbling children, cleans the palette—think of it like wine tasting with the Misfits in that playground scene from Terminator II. 

“Barefaced Lies and Bullshit Peace” utilizes that same catchy speed metal riffing and gruff vocal posturing, while “Out of the Fog” is pure melodic thrash—laser-sighted guitars cut a clean swath through a murky punk undergrowth.” 
-Nevin / Genjing Records 

“SS20 – presenting crushing punk and hardcore that mixes memorable riffs, aggressive vocals and metal-tunes. These three new songs sound’s way darker, more mature and textured. The lyrics are straight, facing the personal and emotional content. The vinyl keeps pushing, is still snotty and raw and has the power and energy of the debut 7” 
-Ronny / W.I.F.A.G.E.N.A. RECORDS 

Rainbow Danger Club – Where Maps End – 14th July 2011

Cat #: 067TZM

Who is Rainbow Danger Club? 

RDC is a Shanghai, China-based rock quartet with elements of experimental, indie-pop, post-rock, progressive, and electronica. Their unique brand of “experimental pop” has been featured on international mixtapes and podcasts. Their colourful and bombastic stage-presence makes them one of China’s praised live acts. They have attained critical and popular acclaim for their epic pop songs, fingerpick-style guitar riffage, heavy distorted bass, effect-laden trumpet, vocal harmonies, fantastical lyrics, and unconventional songwriting and production. 

RDC’s first full-length album, Where Maps End, is an ambitious, fully-charged musical narrative ripe with leitmotifs and mythological ingredients. Musically, it melts different styles, instrumentations and moods while remaining sonically focused. WME was released in China in March 2011 and has garnered praise from Chinese and international press and blogs including the UK Guardian, MTVIggy, and CNNgo.

Michael Crafter – A Hessian’s Confession – 18th April 2011

Cat #: 058TZM

The songs tell the story of a private man who is equally compelling and complex; “Chicks Dig Me” explains Michael Crafter when asked to delve deeper into his 7 inches of powerviolence glory, obviously struggling with his raw talent and the mistakes that nearly cost him everything. 

Out now through tenzenmen limited to 100 hot pink and 150 black vinyl.

Recorded at 301 studios, 18 tracks of positive brutality. 

mr. sterile Assembly – Transit – 1st April 2011

Cat #: 054TZM

Recorded at Mike Gibson’s Inca Studios, the old home of the NZ SIS, the Security Intelligence Service, Wellington, Aotearoa New Zealand.

mr sterile: Drums, lyrics, vocals, noises 
Chrissie Butler: Bass, vocals 
Aaron Lloydd: Bass 
Jeff Henderson: Saxophone 
Nell Thomas: Gender (Javanese gamelan) 
Maria McMillan: Poet, words in Drought 
Dean Hapeta: Recording, lyrics & vocals 
Mike Gibson: Recording, mixing, mastering. 

Artists: 
Campbell Kneale 
Tao Wells 
Garage Collective 
James Robinson 
Stefan Neville 
Jeff Henderson 
Andrew Ross 
Suhartono 
Deborah Barton 
Roger Morris 
Kerry Ann Lee 

For this project, all the above members, musician, word smiths, and visual artists, are included in the pantheon of members-of-mr-sterile-Assembly.

Bang! Bang! Aids! – Rat Charm – 1st April 2011

Cat #: 059TZM

2nd Apr 2021 – When I stayed at the Abbotsford Warehouse in Melbourne when organising things for China’s P.K.14 shows there I came across a box of this unreleased album and figured it wouldn’t hurt to ask Rhys and Marcus if they would like some help promoting and selling them and adding BBA to the tenzenmen catalogue. So, that’s how many copies of this album managed to avoid landfill.