Yes I’m Leaving – 5th November 2013

Cat #: 110TZM

“Yes I’m Leaving’s first self-titled album was recorded in a rehearsal room in an industrial district in Rydalmere a suburb in the outer west of Sydney over three hours on a date I can’t recall.

The band had been writing and playing sporadically for a while with members travelling or moving to eventually return to a time upon which their music could be captured to ‘tape’. Microphones were aimed at a set of guitar combos, a bass rig, a mouth and a drumkit and then plugged into a recording machine, quickly checked for levels and then, in the end, 13 songs were ringing away in the headphones.

I guess the songs are either attempts at nasty snide repetition, improvised ‘feel’, or just a stabby mean sound usually all at once. If you listen you’ll hear a string snap at the end of a song and a frustrated swear word. Some songs had only been put together the week before so were highly volatile. I don’t even know how I made some of the noises on that recording, I kind of like that. It was mixed the same night and originally put onto tape and cd as a release. Now it has been mastered with a bit more kick in the bass and an upsized screenprint + insert, on random coloured vinyl.” Billy Bourke.

What’s Cool and Unusual – 17th July 2013

Callout

Volunteering
The Red Rattler Theatre Inc exists due to the hard work and commitment of many many volunteers.

The space is always looking for dedicated volunteers, to help staff events, and assist us to maintain and improve the theatre.

If you’re interested in being part of Sydney’s much loved creative playground please email:
****@redrattler.org

Let us know how you’d like to help.

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Wed 17

Beatdisc Records, Shop 11/181 Church Street, Parramatta
5pm FREE ALL AGES

DAYLIGHT ROBBERY // YES I’M LEAVING // PALMAR GRASP

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Sat 20

Black Wire, 219 Parramatta Rd, Annandale
8pm

INFINITE VOID, DAYLIGHT ROBBERY, THORAX, COLLAPSO

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Sat 20

Jura Books, 440 Parramatta Rd, Petersham
5pm Entry by donation.
All funds raised will go to the Bradley Manning Support Network.

‘We steal secrets’ film screening.

‘Now, I’m going to be very candid, right? We steal secrets…’ So says Michael Hayden, the head of the CIA under Presidents Bush II and Obama. This isn’t a huge surprise: States have been keeping their own secrets and trying to steal ours for as long as we’ve had to live under them. But in 2006, they suddenly faced some competition. An international, online, non-profit organisation appeared, founded by an Australian and dedicated to providing a secure and anonymous way for those of us with access to corporate and government secrets to safely make them public.

Even before the massive historic leaks of US government data in 2010, Wikileaks had released some incredible information. Financial scandals in Iceland and Switzerland, corruption in the Kenyan Government, the membership list of the right-wing British National Party, oil scandals in Peru and our own Government’s secret list of websites which are illegal for Australians to view. Then in 2010 came the biggest release of private information in human history: 92,000 reports from the frontlines of the War on Afghanistan, 400,000 more from the War on Iraq, then 251,000 written by US Embassies around the world, including hundreds from Canberra.

‘We Steal Secrets: The Story of Wikileaks’ is a powerful new documentary film, written and directed by Alex Gibney (‘Enron: The Smartest Guys in the Room’, ‘Taxi to the Dark Side’). It takes a critical look at the organisation and the two people most closely associated with it, Julian Assange and Bradley Manning. Featuring interviews with Assange, Adrian Lamo, Michael Hayden and one of the Swedish womyn who made the allegations of sexual assault against Assange, as well as current and former Wikileaks volunteers, there’s a lot here to keep us informed and angry in the age of the PRISM.

Yes I’m Leaving – Mission Bulb – 22nd May 2013

Cat #: 140TZM

Mission Bulb was recorded live over a period of 6 hours in a rehearsal room at Keynote Studios in Homebush West, a suburb of Sydney. Guitarist/Vocalist Billy Burke manned the 8 track recording machine and acted as engineer, placing microphones where they needed to go, often with unconventional microphone choices to capture the sound.

Many tracks had only been finalised a week or two before recording, and many were done with live vocals, leading to a truly raw and live sound being created. The energy and other various factors on the day of the recording captures a particular time and place that is entirely unique, and would be impossible to recreate exactly again.

The end product is ‘Mission Bulb’, an album that for the first time comes close to re-creating the true sound that is ‘Yes I’m Leaving’.

Yes I’m Leaving – Nothing – 20th January 2012

Cat # 087TZM

Yes I’m Leaving is a three piece rock band hailing from Sydney. Influenced by grunge, post punk, hardcore and shoegaze. They have a strong DIY mentality, which showed through on their first self titled release, with their follow up album ‘Nothing’, sharing the same ethos. 

“Nothing” Yes I’m Leaving’s second album was recorded in 3 hours at Keynote Rehearsal studios in Homebush West, near where the Olympics was all those years ago. A big room was miked up in a simple way with baffling used to distract from the sonic vibrations of the s/t session. To be honest I can’t remember anything after I got the levels ‘safe’. 

The songs are sludgy and full of uncompromising lurching riffage with neojungalistic drum bass rhythmic patterns overlayed with howling and screaming vocal mantras. Say that five times fast! 

Everything was live and we charged through 12 songs perhaps with a sense of care as we kept a few alternate takes in the end. The mixing took a long time as it was an overloading experience to put a ‘the end’ sign on a song as passages were aurally exhaustive which is, in the end, why they are so accurate to the sounds of the day. 

‘Nothing” is a manic depressive exploding catharsis record. Either/neither insincere or tongue in cheek, full of psychadelia, possessed sludge or something else beyond the pigeon hole. The vinyl reissue comes with a new screenprint and insert, on weird random coloured vinyl.