Seaworthy and Hinterlandt (Vivid) – 7th June 2012

21st May 2021 – If memory serves me correctly, and it may not, and Jochen may be able to verify, but I’m pretty sure I picked him up and drove him and his one man band to this show. Put on as part of the annual Vivid Festival (festival of light, right?) at a small art gallery at the Rocks it was pretty much the perfect place for these two musicians. It was a nice relaxing evening and I remember chatting with Dimity (who took the attached photos and posted to her blog.) Jochen played first and afterwards we chatted about hardcore as he was drinking some red wine, myself Coopers Red and then watch Cam (Seaworthy) play. I like the Rocks at night time – you can feel the history there. This night made a minor addition to that history.

Seaworthy
Jochen blowing his own trumpet

Hinterlandt – Migration Motion Movement – 1st September 2011

Cat #: 076TZM

“Migration Motion Movement” is the eleventh full-length album by Hinterlandt. Following “All Things Considered”, a collection of rock-oriented songs recorded as a full band in 2009 in Germany, this new release sees chief architect Jochen Gutsch going solo again. 

After his return to Sydney/Australia, Jochen decided to get back into more experimental territory, writing a new live set for multi-instrumentalist solo performances. This new album mirrors the live set, in which Jochen uses electronics, trumpet, electric guitar, xylophone, effects, field recordings, and live loops. 

“Migration Motion Movement” is an uncompromising and demanding album offering extensive, detailed and focused compositions. However, it also follows an enjoyable and accessible narrative, inviting listeners to partake in the journey. 

Hinterlandt is a Sydney-based solo act playing long compositions encompassing beautiful harmonies, complex rhythms, fragile ambiences, as well as occasional patches of noise and silence. The approach celebrates musical diversity as much as unusual sounds. 

Hinterlandt has taken on a variety of live formats, performing in places such as Sydney, London, Bangkok, Helsinki, Melbourne, Rome, Amsterdam, Lisbon, Berlin, and many others. Eleven studio albums were released on nine underground labels in five countries.

I guess I better think up a way to spend my time – 20th November 2010

I forget who made this poster now….? Own up! Maybe Marnie Vaughan or a Fag Panic?

25th Sept 2021 – When I look at the line up for this show I wonder how it happened! The initial inspiration was to put on a show for Mekare-Kare from Japan. I’m not certain how they got in touch with me now but possibly through friends in Perth. Struggling to find a venue, Dirty Shirlows were willing and able to help me out but it was a big space for an unknown band from Japan to try and fill so I came up with this crazy idea for an all day show.

I still don’t know how all these bands managed to pull together to make this show, except Spider Goat Canyon and Teratova, who got added to the bill at the last minute. Both these bands were touring together and were on their way through from a show the night before, to another show that evening and asked if they could play. They were happy to start the event off and didn’t need to be paid. They just wanted to be part of what was going on.

As the show date approached the Shirlows crew were getting jittery about law enforcement interest in the space and they mentioned that they had had other things go on in their space, such as film shoots, without any issue. So I hit on the idea that this wouldn’t be a show but a film shoot instead. Of course, 20 bands would be playing and the ‘paying’ audience would be the film crew. This was more a subterfuge cover than a directive and at the end of the day little film footage was taken.

I was generally busy running around making sure things happened when they were supposed to happen. People came and went and whilst it wasn’t the most successful event attendance wise, everyone got paid something if they had asked for it. Others were just happy to play and take part. There were so many great bands that night but for me Mekare-Kare stole the show. I’d never heard them before but they blew my mind with their complex and super tight musicianship. As they were tuning up and getting ready, the sound guy was growing impatient, telling them and me that they could start. But these guys knew exactly what they wanted and what they were doing. When they started their first song, jaws hit the floor (including the sound guy), soon replaced with joyful smiles. At least, that was my impression. Mid set, this crazy bass and drums two piece started circling around a duelling banjos theme before super-tightly repeating the whole piece together at an even faster pace.

The whole shebang was worth it to me just for this 25 minutes of bliss.

And to round things off East Brunswick All Girls Choir played a stirring set of their soulful rock which was lovely and poignant.

I’m still grateful for everyone who helped out with this show and all the wonderful members of the bands who played. There were no dickheads and luckily no cops. It was also Kevin Duo Jin’s 16th (?) birthday. A newly arrived scene protagonist who became a regular at these shows as he wasn’t able to attend bar venues.

25th Sept 2021 – Well, searching around the internet to remind me more about this day and I found this, which I had completely forgotten about and don’t even have a copy myself. I think I sent this out to radio stations and drop into records stores as giveaways.

From Two Point Eight blog by Dimity Katz:

An all day/night festy put on by tenzenmen featuring a really versatile line-up of mostly Australian bands from all over the country, but also a couple from Japan (full line up here). The idea was that people shoot videos and submit them to the YouTube channel, and in turn receive $5 off (the $20) submission, with the result being a bunch of footage at the disposal of all the bands I guess. I’m not sure how much of a success that part was, but it was a fairly enjoyable day spread across two stages so there was always something going on. I was mostly there to see The Native Cats in what was their first Sydney appearance. They played all new stuff and all good stuff and I wish more people hung around to watch them so they’d come back soon and play their own show, but what do you do (come back anyway). I also caught Fag Panic of whom I was at first very sceptical (could have done without the ‘wacky’ outfits) but pretty soon warmed right up to their tropical pop jams. Though they look like a novelty band their songs were actually really good, substantial pop music. I don’t know that it’s something I’d listen to at home, but they got people in a banana suit and what I think was a snow-pea suit to dance and that is awesome. These photos go: Fag Panic, Axxonn who seemed to be having a wonderful time with his synth (I didn’t mind it either), The Holy Soul (who have supported and played with the likes of Can’s Damo Suzuki but I wasn’t all that impressed), and then the Native Cats. I kind of left wondering when Dirty Shirlows turned into a hippie-haven, though. So much incense was goin’ on.

Fag Panic

Real-life evidence that this event did occur can be found here: https://www.youtube.com/watch?v=7nUU5M1WQgM