Music from Sebadoh, Hilarity Ensues, Primitive Calculators, Bastro, UK Subs, Mofungo, Paper Mice, Univers Zero, Self Evident, The Bevis Frond, Snakefinger, Tar Babies, Alright the Captain, Matt Black and the Doodlebugs, Khaddash, David Bowie, The Clash, Small Faces, Bad Religion, Big Block 454 and Unstoppable Sweeties Show.
Gratitude Journal
I am so happy and grateful for our beautiful house. I love living here with Amy. When asked if we have any more dreams for our life we don’t have any especially. Things we would like to do but not necessarily dreams to achieve. George said we are living our dream and that’s a nice way to look at it.
I’ve been considering what content I can put here as some of my personal thoughts and feelings about this particular place I am now living (and enjoying) could cause me trouble. It’s funny how Thailand is known as the Land of Smiles but often times it feels like the Land of Fake Smiles. Having a couple of years experience here now, I understand these reasons but cannot fully support a positive attitude towards it. This is the balance I am trying to find in my world.
Perhaps that balance has always been there even in the other places I have lived but I haven’t noticed it so much and oftentimes found myself in difficult or at least odd situations. I don’t ‘play the game’ very well still but I’m getting there. If this sounds like generalised waffle, I apologise. I will try to make an orderly composition of my thoughts at some point.
Out of one of the most difficult times I’ve had in Thailand I found myself keen to focus some energy into something personally (and somewhat selfishly) fulfilling. In what little downtime I had when I was pushing myself too hard preparing lessons for my grade 5 English class I would throw my iTunes playlist on shuffle and found myself quite enthralled at the collection of digital music I collected.
The randomness reminded me of those late school nights furtively listening to John Peel’s radio show under the covers, falling asleep as I lay hoping to hear the latest and greatest punk tunes in amongst all the other genres being pioneered. This exposure to many different styles of music laid the groundwork for events many years in the future when I was organising shows for bands in Sydney and subconsciously decided on mix billed being the best way for people to hear new music. Never a way to a successful financial business model, it kept my brain satisfied and able to calmly appreciate music I didn’t particularly enjoy, anticipating music that I would.
So it was that iTunes on shuffle kept popping up a classic tune (classic to me), a dodgy old punk demo, an experimental noise soundscape and a 60s garage rocker, with many things in between. Nothing really modern mainstream though. It’s amazing some of the music from my youth was considered mainstream back then. It shits all over what is mainstream now.
Anyway, digging this vibe I even ended up downloading a bunch of reggae and African music that Peel always used to play – just to try and get that reminiscence in full force. Things I may not listen to as a full recording of suddenly make a lot of sense squished in between things I was more familiar with. I ended up down many paths of discovery of experimental music from around the world – as opposed to ‘world music.’
With need of some distraction, I decided to put together a ‘radio’ show and upload the result to the Mixcloud platform. I mostly take the tracks as they were shuffled through iTunes and do a bit of back announcing. I also decided to play around a little with some of the songs and introduce some moments where I could read a paragraph or two from books from my shelves.
To give this odd mix a little focus I decided to target my audience to the university students at the local uni which is less than a kilometre away from where I am. I roped in a few of my student friends from there and also from my favourite local coffee shop, to do a bit of speaking and to have their pictures taken. So was born The Chiang Rai Alternative Hour and the push for musical world domination.
Gus, Mink, Nu and Aing – in the music library.
Understanding that my tastes are almost niche beyond niche I would not expect a huge audience for what I’m doing but really that is not the purpose. I do it for myself. I really enjoy putting it together and messing around with things, trying to come up with some new ideas for presentation. I’m contemplating how to do this mix in a live setting and finding a place to do it but I don’t have much time to practice that part as well as not having a completely reliable equipment setup. A new laptop is a little out of reach at the moment.
So, if you’ve read this far you may be curious to hear what these shows sound like? Or scared to find out. Either way, it seems like this is a good vehicle to post links to each show and also force me to write at least once a week as new episodes appear.
“Remember life on earth is but a flash of dawn And we’re all part of it as the day rolls on”
Music from Ween, Magic Mushroom Band, No Babies, The Ebonettes, goat, Andy Partridge, Acanthus, Banned, Hebosagil, The Yellow Payges, Bad Brains, Daniel Striped Tiger, Martin Archer, Teenage Depression, Mudhoney and Donovan.
Gratitude Journal
I am so happy and grateful that I could do so many things yesterday and keep going even though I was so tired by the end of the evening. I kept a good attitude and wasn’t so anxious about things that I wanted to do compared with some things that I had to do.
Did it list
Encouraged Fern to learn to make my coffee at Utopia.
Got my haircut.
Uploaded TCRAH podcast.
Recorded new TCRAH podcast.
Prepared and executed a quick fun game for my two students today.
Got through a little of the never-ending sorting of music, on computer and CDs.
Wrote another blog post and enjoyed the process of writing.
Got passport photocopies done.
Rosie offered to do quick drawings and send them out as postcards. What an awesome idea so I asked her to do Jochen, Lachlan and Kyaw Kyaw.
It’s taken me more than a year and a half to recover!
When I returned from the CELTA training course I found my brain had changed. I seem to flip between data driven thinking and artistic thinking and often cannot find a good balance. The training was very linear and intensive (as it should be) and on reflection now, some 18 months later, was easier to complete than I imagined beforehand and during. The pressure to achieve was very high but that pressure mostly came from within. Now, I realise that I can turn my hand to anything if I wish to.
Of course, the circumstances since the training have mostly helped me arrive at this conclusion. First I started doing some free teaching with students from the local university. This gave me a little self confidence though I was often shocked at the students poor language levels, in the language they are studying for their degrees, whatever the subject. I can suggest to myself that I could probably easily complete a degree at the university here purely based on the fact I can use the language fully. Anyway, that’s by the by for now as I’m not really considering that as an option at the moment.
After a few months kicking around and enjoying much free time I ended up working with Grade 5 students at a nearby provincial school. I have a million stories from there, many which I would like to forget. I soon discovered the crazy dysfunction in the education system here. If it’s obvious to me, an unqualified teacher starting their first job then the system must be pretty poor.
I don’t intend to tarnish the education system as a whole as that would be unfair. The circumstances I was in influenced a lot of my impressions and I try to understand that what I saw was not indicative of other places. It was, however, the belief of many others teaching here that things are not much better elsewhere in the country. There are a million reasons for this and books could be filled trying to explain. The main down side for me was that I felt that I was unable to do a good job and provide useful learning for the students a lot of the time. I hate doing a bad job – especially when eventually someone else is going to suffer for it. So that was the other down side – watching willing students deal with the inadequacies of the system which lead to inconsistency in almost everything. Frustrating beyond belief.
Beyond that though I have found myself with a passion and love for the students that has made me incredibly happy. It’s a job that I really love to invest my time in and to go to work to do it. I’ll talk more about this in future.
Just a short one this time as I push myself to get back into this.
“Every heartbeat, every movement, every moment, every sigh.”
Gratitude Journal
I am so grateful and happy to go to school on Friday, which was hard as I had been sick this week and had a bad experience on Monday. The kids also drove me crazy and made me quite angry but I survived and talked to Kru Noon about strategies to get them to listen more. I will take her advice and try this next week!
The Chiang Rai Alternative Hour #15
Music from Hamster Theatre, Super Thief, Infidel-Castro!, Arm, Kultur Shock, Captain Beefheart, Fugazi, Bogshed, Brainiac, Neon Rose, By The End of Tonight, Rafter, Huggy Bear, Jimmy Two Hands, Zu/Mats Gustafsson, Secret Hate and The Ex.
Music from DMBQ, Sebadoh, Belly Button, Units, Amateur Drunks, Round Eye, Blame Game, Minutemen, Ilaiyaraaja, Ween, Motorhead, Széki Kurva, The St Thomas Pepper Smelter, Hebosagil, Tall Dwarfs, DNA, The Milkshakes, Samla Mammas Manna and Pryapisme.
Gratitude Journal
I am so happy and grateful to be working in schools and with a not so serious expectation of my teaching skills. Of course, I always try to improve but the fact it is a little more relaxed has meant that I can enjoy interacting with the kids more. I don’t see many of they other teachers getting involved in the same way so much especially not the Thai teachers. All the kids want to talk to me all the time. I feel like I am a great asset to the school. I hope the school feels the same.*
Music from Ibrahim Maalouf, Pm 7_Jupiter, Vialka, Doctor Coffee, The Fugs, The Fall, Pavement, The Dickies, Turnpike, France Gall, WannFunTastiKlons, uSSSy, Birthday Party, Ween, The Who and And So I Watch You From Afar.
Gratitude Journal
I am so happy and grateful that I have learned not to be afraid to stand up for what I believe in and also accept those consequences even if they are not in my favour. Others may do things differently and that’s their choice.
11th Apr 2021 – You’ll have to keep reading to find out more about those consequences – the period between September 2019 and March 2020 was very trying indeed! The last sentence mention of ‘others’ is just about the advice given by other teachers to me and how some considered that it is impossible for a farang to change and improve things within any Thai system. I fought against it and arguably, I lost – at least at the time. Longer term though I consider the minor changes I did create were worth the effort. Being a teacher is not about taking it easy for me, it’s a responsibility. I see others putting up and shutting up, but to me, that is just lazy. Never give up.
Music from The Misunderstood, Angelic Upstarts, Passage, Surveillance, 13th Floor Elevators, Lozenge, Vaz, Hard-Ons, The Damned, Queen, Captain Beefheart, Melt Banana, Crass, Hitler SS, Meat Puppets, I Am Above and on the Left, Thee Headcoats, Party Diktator, Supertramp.
Gratitude Journal
I am so happy and grateful to be living in this part of the world. There are many times in a week when I marvel at the views of the rice fields and the mountains. Their depth changes depending on the weather conditions and time of day. There are good and bad points about every place to live but I certainly feel grateful for my time living here.
Harsh Noise from Bangkok, Thailand, Main project of “Arkat Vinyapiroath” The sounds of liberation which may lead to free the others from their inner confinement, Bangkok Noise outfit who represents the stories through recordings from time to time in both acoustic and electric sound synthesis.
Grave Blankets:
Recorded with signals sent from land to space to land again and again and again. Thanks to resistors and capacitors.
Gamnad737:
Gamnad737’s track recorded, mixed, mastered by Arkat Vinyapiroath at Moontone Records in 2019
Mellow dub grooves, heavy desert riffs, and short bursts of angular punk. This is the sound of new Sydney trio No Mandate. Their debut double EP, “No Mandate / Scheme of Things”, will be released as summer breaks – December 1st, 2018, via Tenzenmen Records.
Moving freely across genres and boundaries comes naturally to the three musicians, thanks to their experience in forward-thinking bands such as Hinterlandt, SEIMS, Meniscus, and many more.
The eponymous No Mandate EP constitutes the band’s foundation: instrumental, reggae-tinged rhythms circle themselves and merge with psychedelic fuzz, ultimately culminating in brief explosions of irregular math-rock.
Scheme of Things takes the dub-punk formula a step further. Understated vocals lead the way into increasingly progressive song structures, ending with Manifesto, a 45-second slap in the face of mediocrity that wouldn’t be out of place on an early hardcore seven-inch.
Creating the two EPs was a practice of grassroots egalitarianism: Jochen wrote the music; Alex recorded it in Jochen’s living room; Simeon created the artwork, and recorded additional overdubs at his home under the supervision of Harry the cat.
The ‘Do We Go It Alone?’ EP features 4 diverse tracks from killer kick-off ‘Citizens Alone’, with its noisy Husker Du influence and race to end, to final track ‘Comatose’ with it’s laid back Codeine stylings and big Joy Division bass. Sandwiched in between is the post-punk Aussie rattler ‘Skitter’, bringing to mind the tinny D. Boon guitar tones of the Minutemen or even the Fire Engines. ‘Model Negative’ is a backwards guitar duet of exquisite and experimental beauty that ties the whole EP together.
The songs on this EP were recorded in the hellosQuare studio, best known as Brick Lane. They had spent just a few days doing their first album in an external space back at the end of 2015 but this time decided that they wanted to develop a whole selection of new songs with more time and not rush the process.
The second collection of songs from these recordings is available now from our good friends at Sonic Masala:
1994ever 