Every everything (The Chiang Rai Alternative Hour #15) – 7th December 2019

It’s taken me more than a year and a half to recover!

When I returned from the CELTA training course I found my brain had changed.  I seem to flip between data driven thinking and artistic thinking and often cannot find a good balance.  The training was very linear and intensive (as it should be) and on reflection now, some 18 months later, was easier to complete than I imagined beforehand and during.  The pressure to achieve was very high but that pressure mostly came from within.  Now, I realise that I can turn my hand to anything if I wish to.

Of course, the circumstances since the training have mostly helped me arrive at this conclusion.  First I started doing some free teaching with students from the local university.  This gave me a little self confidence though I was often shocked at the students poor language levels, in the language they are studying for their degrees, whatever the subject.  I can suggest to myself that I could probably easily complete a degree at the university here purely based on the fact I can use the language fully.  Anyway, that’s by the by for now as I’m not really considering that as an option at the moment.

After a few months kicking around and enjoying much free time I ended up working with Grade 5 students at a nearby provincial school.  I have a million stories from there, many which I would like to forget.  I soon discovered the crazy dysfunction in the education system here.  If it’s obvious to me, an unqualified teacher starting their first job then the system must be pretty poor.

I don’t intend to tarnish the education system as a whole as that would be unfair.  The circumstances I was in influenced a lot of my impressions and I try to understand that what I saw was not indicative of other places.  It was, however, the belief of many others teaching here that things are not much better elsewhere in the country.  There are a million reasons for this and books could be filled trying to explain.  The main down side for me was that I felt that I was unable to do a good job and provide useful learning for the students a lot of the time.  I hate doing a bad job – especially when eventually someone else is going to suffer for it.  So that was the other down side – watching willing students deal with the inadequacies of the system which lead to inconsistency in almost everything.  Frustrating beyond belief.

Beyond that though I have found myself with a passion and love for the students that has made me incredibly happy.  It’s a job that I really love to invest my time in and to go to work to do it.  I’ll talk more about this in future.

Just a short one this time as I push myself to get back into this.

“Every heartbeat, every movement, every moment, every sigh.”


Gratitude Journal

I am so grateful and happy to go to school on Friday, which was hard as I had been sick this week and had a bad experience on Monday. The kids also drove me crazy and made me quite angry but I survived and talked to Kru Noon about strategies to get them to listen more. I will take her advice and try this next week!


The Chiang Rai Alternative Hour #15

Music from Hamster Theatre, Super Thief, Infidel-Castro!, Arm, Kultur Shock, Captain Beefheart, Fugazi, Bogshed, Brainiac, Neon Rose, By The End of Tonight, Rafter, Huggy Bear, Jimmy Two Hands, Zu/Mats Gustafsson, Secret Hate and The Ex.

The Chiang Rai Alternative Hour #13 – 23rd November 2019

Music from DMBQ, Sebadoh, Belly Button, Units, Amateur Drunks, Round Eye, Blame Game, Minutemen, Ilaiyaraaja, Ween, Motorhead, Széki Kurva, The St Thomas Pepper Smelter, Hebosagil, Tall Dwarfs, DNA, The Milkshakes, Samla Mammas Manna and Pryapisme.

Gratitude Journal

I am so happy and grateful to be working in schools and with a not so serious expectation of my teaching skills. Of course, I always try to improve but the fact it is a little more relaxed has meant that I can enjoy interacting with the kids more. I don’t see many of they other teachers getting involved in the same way so much especially not the Thai teachers. All the kids want to talk to me all the time. I feel like I am a great asset to the school. I hope the school feels the same.*

17th Apr 2021 – * – It didn’t.

The Chiang Rai Alternative Hour #12 – 16th November 2019

Music from Ibrahim Maalouf, Pm 7_Jupiter, Vialka, Doctor Coffee, The Fugs, The Fall, Pavement, The Dickies, Turnpike, France Gall, WannFunTastiKlons, uSSSy, Birthday Party, Ween, The Who and And So I Watch You From Afar.

Gratitude Journal

I am so happy and grateful that I have learned not to be afraid to stand up for what I believe in and also accept those consequences even if they are not in my favour. Others may do things differently and that’s their choice.

11th Apr 2021 – You’ll have to keep reading to find out more about those consequences – the period between September 2019 and March 2020 was very trying indeed! The last sentence mention of ‘others’ is just about the advice given by other teachers to me and how some considered that it is impossible for a farang to change and improve things within any Thai system. I fought against it and arguably, I lost – at least at the time. Longer term though I consider the minor changes I did create were worth the effort. Being a teacher is not about taking it easy for me, it’s a responsibility. I see others putting up and shutting up, but to me, that is just lazy. Never give up.

The Chiang Rai Alternative Hour #11 – 9th November 2019

Music from The Misunderstood, Angelic Upstarts, Passage, Surveillance, 13th Floor Elevators, Lozenge, Vaz, Hard-Ons, The Damned, Queen, Captain Beefheart, Melt Banana, Crass, Hitler SS, Meat Puppets, I Am Above and on the Left, Thee Headcoats, Party Diktator, Supertramp.

Gratitude Journal

I am so happy and grateful to be living in this part of the world. There are many times in a week when I marvel at the views of the rice fields and the mountains. Their depth changes depending on the weather conditions and time of day. There are good and bad points about every place to live but I certainly feel grateful for my time living here.

Gamnad737/Grave Blankets – 25th August 2019

Cat #:199TZM

Grave Blankets: 

Grave Blankets is Steve, Kyle and Dave. 
More at:  graveblankets.bandcamp.com

Gamnad737: 

Harsh Noise from Bangkok, Thailand, Main project of “Arkat Vinyapiroath” The sounds of liberation which may lead to free the others from their inner confinement, Bangkok Noise outfit who represents the stories through recordings from time to time in both acoustic and electric sound synthesis.

Grave Blankets: 

Recorded with signals sent from land to space to land again and again and again. Thanks to resistors and capacitors. 

Gamnad737: 

Gamnad737’s track recorded, mixed, mastered by Arkat Vinyapiroath at Moontone Records in 2019 

Contact:  arkat@hotmail.com
moontonerecords.weebly.com/gamnad737.html
www.facebook.com/gamnad737
gamnad737.bandcamp.com

Artwork and layout by Dave Petersen 
Yarhn, Vaccine and Sacrifice mastered by Jeff White

No Mandate – No Mandate/Scheme of Things – 1st December 2018

Cat #: 196TZM

Mellow dub grooves, heavy desert riffs, and short bursts of angular punk. This is the sound of new Sydney trio No Mandate. Their debut double EP, “No Mandate / Scheme of Things”, will be released as summer breaks – December 1st, 2018, via Tenzenmen Records.

Moving freely across genres and boundaries comes naturally to the three musicians, thanks to their experience in forward-thinking bands such as Hinterlandt, SEIMS, Meniscus, and many more.

The eponymous No Mandate EP constitutes the band’s foundation: instrumental, reggae-tinged rhythms circle themselves and merge with psychedelic fuzz, ultimately culminating in brief explosions of irregular math-rock.

Scheme of Things takes the dub-punk formula a step further. Understated vocals lead the way into increasingly progressive song structures, ending with Manifesto, a 45-second slap in the face of mediocrity that wouldn’t be out of place on an early hardcore seven-inch.

Creating the two EPs was a practice of grassroots egalitarianism: Jochen wrote the music; Alex recorded it in Jochen’s living room; Simeon created the artwork, and recorded additional overdubs at his home under the supervision of Harry the cat.


Weight: 84.5kg
Resting heart rate: 58

Can Can Heads – Old Fart’s Neck – 24th September 2016

Cat #: 188TZM

Can Can Heads is:
Jannu – dr
Raine – gtr
Tomppa – bs
Janne – sax
Mikko – voc

Live tracks recorded 5th of November 2013 at Kuudes Linja, Helsinki, Finland.

Extra sax on 7 by Sami Pekkola and Taneli Viitahuuhta.

Tracks 2/4/5 recorded and executed by Raine and Jannu, vocals by Mikko.

On 3 feedback by Raine and Tomppa, organ by Antti.

Track 6 by Raine, Jannu and Janne.

All tracks by CCH 2004-2016 except Not Bite by Red Transistor.

cancanheads.com
cancanheads.bandcamp.com
facebook.com/CanCanHeads

Agency – Do We Go It Alone? – 22nd May 2016

Cat #: 186TZM

The ‘Do We Go It Alone?’ EP features 4 diverse tracks from killer kick-off ‘Citizens Alone’, with its noisy Husker Du influence and race to end, to final track ‘Comatose’ with it’s laid back Codeine stylings and big Joy Division bass. Sandwiched in between is the post-punk Aussie rattler ‘Skitter’, bringing to mind the tinny D. Boon guitar tones of the Minutemen or even the Fire Engines. ‘Model Negative’ is a backwards guitar duet of exquisite and experimental beauty that ties the whole EP together.

The songs on this EP were recorded in the hellosQuare studio, best known as Brick Lane. They had spent just a few days doing their first album in an external space back at the end of 2015 but this time decided that they wanted to develop a whole selection of new songs with more time and not rush the process.

The second collection of songs from these recordings is available now from our good friends at Sonic Masala:

sonicmasalarecords.bandcamp.com/album/i-know-im-in-flames-ep

holypalms – Tribute to Snake Charmers – 30th April 2016

Cat #: 185TZM

Recorded in the same circumstances as debut release BABA, Moscow resident Pavel Eremeev (ex USSSY) takes holypalms on a full-length journey and tribute to the music of the snake charmers around the world.  

Self-described as ‘electro-noise-raga’ Pavel combines sounds of a quarter-toned baritone guitar along with an electronic background of tones and beats. Silky and liquid hues of sound enhanced by electronic cadence beats and crescendo grooves. Asymmetrical noise collapses into a lo-fi vortex and ebbs with the silver lustre of subliminal guitar sounds. 

Folky and deep-rooted high grains of Indian classical raga are embedded amidst the improvised techniques of recording. Recurrent, moxie melodies enthral and cut through like a Katar dagger opening an ineffable horizon of endless travelling into the shamanic atmosphere that is holypalms.

” “Tribute to Snake Charmers Music” is my own vision of traditional melodies of the music performed by the caste of snake charmers from India and Nepal. I have imbued these sounds and it somehow entered into my guitar improvisation, and then I developed them, inventing rhythms and background sounds.” – Pavel Eremeev 2015

First made available via fellow Moscow cohorts at Cancelled Records, tenzenmen hopes to broaden holypalms fanbase by presenting Tribute to Snake Charmers Music to you here.  

Review:
“holypalms step into the cloud of oriental psychedelia that might easily pass for a lost collection of desert ecstasy from the Sublime Frequencies label. I’m quite sure Pavel can actually charm snakes with his guitar. Recommended!”
(Weed Temple, Transmissions from the psychedelic underground) 

holypalms – BABA – 24th April 2016

Cat #: 184TZM

The inspiration behind BABA is taken from old lo-fi tapes found in markets around Asia (ref: Sublime Frequencies back catalogue).  The warm distorted sounds of real live music performed at ceremonies and on the streets transferred to a tiny apartment studio in Berlin via Pavel’s unique headbone.

If you wish to pay for this download and want the money to go directly to Pavel, please download from: holypalms.bandcamp.com/releases

Pavel Eremeev: All technical wizardry